Matt Lucas und David Walliams, die Schöpfer dieser Sketchshow für Charakterkomödien, freuen sich über alles, was verrückt, schlecht, schrullig und allgemein durchgeknallt über die Menschen u... Alles lesenMatt Lucas und David Walliams, die Schöpfer dieser Sketchshow für Charakterkomödien, freuen sich über alles, was verrückt, schlecht, schrullig und allgemein durchgeknallt über die Menschen und Orte in Großbritannien ist.Matt Lucas und David Walliams, die Schöpfer dieser Sketchshow für Charakterkomödien, freuen sich über alles, was verrückt, schlecht, schrullig und allgemein durchgeknallt über die Menschen und Orte in Großbritannien ist.
- 4 BAFTA Awards gewonnen
- 29 Gewinne & 12 Nominierungen insgesamt
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This TV series is not for the faint of heart and what I mean by that is those easily offended by the complete lack of Political Correctness should not watch this series. Who needs political correctness anyway when David Walliams and Matt Lucas come together in this incredible sketch comedy. I can't decide which character I love best. The Rubbish Transvestite, Emily Howard, performed by David Walliams is lovable in an outrageous 'No-She-Didn't' kind of way. Daffyd Thomas, charmingly portrayed by Matt Lucas, completely refuses to acknowledge the other gays around him for he is 'The only gay in the Village!' and therefore leads a lonely life to protect himself from rejection. Vicky Pollard has to be my favorite this week. Her inability to string together a comprehensive sentence is perfectly executed with lightening speed. I don't know how anyone could walk away without being impressed by this team of writers\actors. The performances are phenomenal. The Dialog is very strong. I'm purely gutted that I'm not able to watch the series while here in America. Saying that, the majority of Americans are just not going to 'Get it'. Having also said that, I'm an American and I love it!
This is one of the funniest T.V. shows I have seen in a long time. A mix of Monty Python, Kids In The Hall and toilet humor, Little Britain is laugh-out-loud hilarious.
Matt Lucas and David Walliams create some of the most memorable characters in a long time. Yes, the show runs their characters into the ground and it becomes repetitive but when they are fresh, these caricatures are winners.
Some of my favorites:
Marjorie Dawes, the hypocritical leader of the Fat Fighters, who calls her customers fat despite being overweight herself.
Sebastian Love, the openly gay aide to the Prime Minister of the U.K.
Emily Howard, the Victorian era cross-dresser.
Vicky Pollard, the fast-talking teenage delinquent.
Daffyd Thomas, who claims to be the only gay in the village when there seems to be plenty of them around him.
Kenny Craig, master hypnotist.
There's other characters I like, though some of them aren't as funny. It can be hit-or-miss.
The show also relies on a lot of toilet humor and tastelessness at times, seemingly in the later seasons.
Still, it's a tremendous show. I hope to see Season 3 on Netflix soon. However, I would definitely not allow kids to see this show. It's R- rated to be sure.
Matt Lucas and David Walliams create some of the most memorable characters in a long time. Yes, the show runs their characters into the ground and it becomes repetitive but when they are fresh, these caricatures are winners.
Some of my favorites:
Marjorie Dawes, the hypocritical leader of the Fat Fighters, who calls her customers fat despite being overweight herself.
Sebastian Love, the openly gay aide to the Prime Minister of the U.K.
Emily Howard, the Victorian era cross-dresser.
Vicky Pollard, the fast-talking teenage delinquent.
Daffyd Thomas, who claims to be the only gay in the village when there seems to be plenty of them around him.
Kenny Craig, master hypnotist.
There's other characters I like, though some of them aren't as funny. It can be hit-or-miss.
The show also relies on a lot of toilet humor and tastelessness at times, seemingly in the later seasons.
Still, it's a tremendous show. I hope to see Season 3 on Netflix soon. However, I would definitely not allow kids to see this show. It's R- rated to be sure.
Says our dignified narrator and guide, "Britain...Britain...Britain...land of tradition...fish and fries...the changing of the garden...trooping the colours. Have you ever wondered about the people of Britain? Nor have I..."
And with that, Matt Lucas and David Walliams take us into a Britain far removed from Jane Austin. Lucas is short, fat and hairless, something like a pink, soft kewpie doll. Walliams is tall, hirsute (hair suit?) and, depending on the occasion, wolfish or just showing a lot of teeth. They are the creators, writers and performers of Little Britain, a sketch comedy series centered on the lives of a dozen or so worst examples of British human life. Want an obnoxious, trouble-making teen with a thick accent and an excuse for everything? Try out Vicky Pollard. How about the effeminate assistant to the Prime Minister, who invariably finds excuses to fall to his knees directly in front of the man. Or the fat, wheelchair-bound Andy Pipkin, who mumbles and lolls, and is just too lazy to walk. And there's plump Daffyd Thomas, young Welsh lad who dresses in tight, bright polyester and is the only gay in his village...and is determined to keep it that way. And more and more. We visit them often, usually in places like Kelsey Grammar School and St. God's Hospital. Since Lewis and Walliams play all of them (backed up by a small cast of straight-faced actors), the old tradition in Britain of men wearing dresses is alive and well.
There's nothing like it in the United States, and probably never will be. The FCC would have a fit, and so would most U.S. social service agencies. Little Britain is ferociously un-PC. If you think it is terrible taste to make fun of homosexuals, old ladies, the mentally disturbed, the fat, minorities, or any number of other groups (politicians and teenagers, of course, excepted), this is not the show for you. ("Are you fat because you're a lesbian or are you a lesbian because you're fat?") Matt Lucas and David Walliams have created a world (and a series) that is silly, bawdy, brutal, clever, satiric, surreal, lewd and funny. It's best watched in small doses. Little Britain was so popular in Britain that it just about became an empire...Christmas specials, performances for charity, a try at transplanting to America, interviews and awards. Of course, the pecksniffs and self-appointed moral guardians are always on the alert. Said one British critic, "Little Britain has been a vehicle for two rich kids to make themselves into multi-millionaires by mocking the weakest people in Britain. Their targets are almost invariably the easiest, cheapest groups to mock: the disabled, poor, elderly, gay or fat. In one fell swoop, they have demolished protections against mocking the weak that took decades to build up."
Perfectly true. Shame they're so funny.
And with that, Matt Lucas and David Walliams take us into a Britain far removed from Jane Austin. Lucas is short, fat and hairless, something like a pink, soft kewpie doll. Walliams is tall, hirsute (hair suit?) and, depending on the occasion, wolfish or just showing a lot of teeth. They are the creators, writers and performers of Little Britain, a sketch comedy series centered on the lives of a dozen or so worst examples of British human life. Want an obnoxious, trouble-making teen with a thick accent and an excuse for everything? Try out Vicky Pollard. How about the effeminate assistant to the Prime Minister, who invariably finds excuses to fall to his knees directly in front of the man. Or the fat, wheelchair-bound Andy Pipkin, who mumbles and lolls, and is just too lazy to walk. And there's plump Daffyd Thomas, young Welsh lad who dresses in tight, bright polyester and is the only gay in his village...and is determined to keep it that way. And more and more. We visit them often, usually in places like Kelsey Grammar School and St. God's Hospital. Since Lewis and Walliams play all of them (backed up by a small cast of straight-faced actors), the old tradition in Britain of men wearing dresses is alive and well.
There's nothing like it in the United States, and probably never will be. The FCC would have a fit, and so would most U.S. social service agencies. Little Britain is ferociously un-PC. If you think it is terrible taste to make fun of homosexuals, old ladies, the mentally disturbed, the fat, minorities, or any number of other groups (politicians and teenagers, of course, excepted), this is not the show for you. ("Are you fat because you're a lesbian or are you a lesbian because you're fat?") Matt Lucas and David Walliams have created a world (and a series) that is silly, bawdy, brutal, clever, satiric, surreal, lewd and funny. It's best watched in small doses. Little Britain was so popular in Britain that it just about became an empire...Christmas specials, performances for charity, a try at transplanting to America, interviews and awards. Of course, the pecksniffs and self-appointed moral guardians are always on the alert. Said one British critic, "Little Britain has been a vehicle for two rich kids to make themselves into multi-millionaires by mocking the weakest people in Britain. Their targets are almost invariably the easiest, cheapest groups to mock: the disabled, poor, elderly, gay or fat. In one fell swoop, they have demolished protections against mocking the weak that took decades to build up."
Perfectly true. Shame they're so funny.
Contrary to the featured review, I think this looks better with the passage of time. I found it creepy and off-putting at first view - maybe I noticed those implicit themes the FR mentions, while they didn't. If this was a picture of Britain, even one meant in fun, it was depressing. Without doubt Lucas and - especially - Walliams are, shall we say, unusual people, and they used this show to air some of their issues, pioneering things that are regarded as normal on TV now. And I can't say I enjoyed that aspect.
But it has two great saving graces. Firstly, it doesn't vilify or browbeat the audience squares as comedies do now - instead it invites you to laugh good-naturedly, with them, at their own oddities and neuroses. Second, it really is funny, permanently funny, not just dependent, like Catherine Tate, on temporary mass hysteria, or, like Enfield and Whitehouse, on mere exaggerated observation. LB's best gags are outrageous not just because they are rude, or taboo, but because they are so completely ludicrous. As with Python, though, there is usually a core of strange plausibility: we don't really act like this, but some of us would probably like to.
I think, eg, of wheelchair-bound Andy jumping into the aquarium and swimming behind his oblivious carer's back. Or tiny Denis Waterman with his giant cup of tea - it was a bit rough on the unsuspecting Waterman, but it really is funny. Or Bubbles Devere and Desiree rolling around naked on top of one another. The studio audience *howls* with laughter, the way they often did in the 70s, but rarely did in the 90s and 00s and probably never will again.
In its time, the BBC has churned out sketch shows by the ton - remember all those shows by Spike Milligan, Les Dawson, Little & Large, Morecambe & Wise, the Two Ronnies, Russ Abbott, Smith & Jones, French & Saunders, Armstrong & Miller etc etc? Apart from Python almost none of it worth returning to (except maybe out of nostalgia) - but this is.
But it has two great saving graces. Firstly, it doesn't vilify or browbeat the audience squares as comedies do now - instead it invites you to laugh good-naturedly, with them, at their own oddities and neuroses. Second, it really is funny, permanently funny, not just dependent, like Catherine Tate, on temporary mass hysteria, or, like Enfield and Whitehouse, on mere exaggerated observation. LB's best gags are outrageous not just because they are rude, or taboo, but because they are so completely ludicrous. As with Python, though, there is usually a core of strange plausibility: we don't really act like this, but some of us would probably like to.
I think, eg, of wheelchair-bound Andy jumping into the aquarium and swimming behind his oblivious carer's back. Or tiny Denis Waterman with his giant cup of tea - it was a bit rough on the unsuspecting Waterman, but it really is funny. Or Bubbles Devere and Desiree rolling around naked on top of one another. The studio audience *howls* with laughter, the way they often did in the 70s, but rarely did in the 90s and 00s and probably never will again.
In its time, the BBC has churned out sketch shows by the ton - remember all those shows by Spike Milligan, Les Dawson, Little & Large, Morecambe & Wise, the Two Ronnies, Russ Abbott, Smith & Jones, French & Saunders, Armstrong & Miller etc etc? Apart from Python almost none of it worth returning to (except maybe out of nostalgia) - but this is.
Caught this on BBC America and have been Tivoing it ever since. The characters are great, but some tend to do the same joke over and over again. So, though this may not be a wonderful show for extended viewing, the first few episodes you see will have you in stitches.
Overall, I've seen about 7 episodes and haven't gotten tired of it yet. The show draws its humor from a deep well of absurdity, a natural resource the British seem to have in abundance.
They tell me I'm required to put 10 lines of text in this comment, so for the rest of this message, I will make giraffe noises.
Thank you.
Overall, I've seen about 7 episodes and haven't gotten tired of it yet. The show draws its humor from a deep well of absurdity, a natural resource the British seem to have in abundance.
They tell me I'm required to put 10 lines of text in this comment, so for the rest of this message, I will make giraffe noises.
Thank you.
Wusstest du schon
- WissenswertesDavid Walliams personally chose Anthony Head to play the Prime Minister. Whenever asked he answers "Because next to Steve Martin, he's the only man I'll ever turn gay for".
- Crazy CreditsThe narrator, Tom Baker, says a different random thing about Britain and/or its people as the opening credits play in each episode.
- Alternative VersionenIn 2005 the Australian Broadcasting Corporation showed repeat episodes as fillers, condensed to 15 minutes with the title Very Little Britain.
- VerbindungenFeatured in Making 'Little Britain' Too (2004)
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