The Uninvited - Der Tod Ist Immer Bei Dir

The recent New Wave of Asian Horror has seen quite a few mediocre films released, however there have also been some true masterpieces amongst them, and The Uninvited is definitely one of the masterpieces.This is a genuinely dark, violent, disturbing, artistic horror film.

The key ingredient missing from most horror films these days is an emotionally charged story with characters that you can relate to and care for. In the case of the Univited, the true horror is based in human behaviour and the realities the characters have to deal with. While there is a supernatural element, the real nastiness is based in the humanity and psychology of the characters.

The Univited has possibly been mis-represented by it's own marketing, as they have promoted it as a supernatural horror, when in reality the film is more art-house and intellectual than it is horror. This probably accounts for some of the negative reviews, particularly in relation to the films slow pacing.

This is not a film that will make you jump in your seat a few times and leave the theatre laughing, but rather one that will chill you to the bone and leave you thinking.

I highly recommended The Univited if you have a darkly artistic streak, and are looking for a character driven film that abounds with atmosphere and chills.

The first time I watched "The Uninvited" (2003, Korea) I thought it was boring. The second time I watched it I thought it was good but needed approximately 20 minutes edited out. Last night I watched it for the third time and was captivated from start to finish. It's truly one of the most effectively depressing films of the past decade, and is essential viewing for lovers of slow-burning, psychological, dramatic horror films with heaping quantities of character development.

The key to enjoying this film is to pay attention to the subtle details. Even the most ordinary dialogue is used meaningfully here. These characters have experienced horrific acts of death and violence in their pasts and have also experienced dysfunctional relationships with others. These dysfunctional relationships are communicated in a fragmented, nonchronological manner that's similar to most East Asian horror films. There's also some slight ambiguity, but only in little patches that can be filled quite easily with some common sense and logic. It's important to achieve that understanding though, because absent this understanding the viewer will never be able to appreciate the characters' suffering nor the motivations for their actions. And let me tell you, these are some of the most gloomy, disheartened, and interesting characters you'll ever see.

The acting is what we've come to expect from South Korea, first rate. Ji-hyun Jun gives one of the best performances of her entire career. She's utterly convincing in an atypical, dark role that establishes her diverse acting range once and for all. Her depression isn't presented in a typical, psychotic, over-the-top manner. It's a very restrained exhibition, even in those few cases where she suffers a mental breakdown of sorts. The film uses her character's interaction with others, a steady tone, and a longer running time (2 full hours) to slowly but surely communicate her despair to the viewer. It's impossible not to sympathize with her and hope for her recovery. The quality of acting doesn't begin and end with Ji-hyun though. Everyone comes off looking well here.

Another important point to make is that the entire foundation of this film is human suffering inflicted by humans. Contrary to what one might expect, there's really no ghostly activity present at all. Even the opening 30 minutes, which makes the film seem like it's going to travel oft-explored ghostly themes, can be interpreted as entirely psychological. Almost all of the horror sequences focus on disturbing historical events involving horrific accidents or murders that are presented in disturbing ways despite the absence of graphic violence. It might seem like an oxymoron to say that "The Uninvited" has more balls than the slew of vacation torture movies of recent years, but it really does trump those movies in pure guts because the acts of violence here are inflicted upon very fragile, defenseless victims. Some sequences are, in fact, jaw-dropping because most filmmakers (and their producers) are too timid to show such things.

This is a damn good film that somehow fell between the cracks during the oft-referenced (but not entirely accurate) period known as the "hey day" of Asian horror (circa 1998-2005). I never hear it mentioned or referenced, but it deserves more attention than overrated, boring tripe like "Gozu" (2003). Watch both films and it's fairly obvious that "The Uninvited" is the better of the two in almost every conceivable aspect of film-making.

I'd been disappointed in Korean cinema as of late. After the wonderful "Shiri," I found myself annoyed with "Tell Me Something," confused by "A Tale of Two Sisters," and outright bored with "Ring Virus." So I wasn't expecting a whole lot out of this film, whose Korean title translates literally to "4 Doll Table."

First off, it's not a straight horror film. It incorporates elements of the genre, but is principally dramatic. And it's a doozy.

It's impossible to properly articulate the plot. The plot is easy enough to follow, but it's intricate and deep, and just giving out details and summaries recklessly ignores all of the context these details have.

What I will say is that this is the most masterfully written and directed Korean film I have ever seen, and the acting for it is absolutely stellar. Admittedly it's very long and glacially paced, but it's rewarding. Scenes have purpose and even though this isn't totally a horror film, it does feature scenes that are downright disturbing and very chilling.

This is a strong, original, intelligent film that art-house fans would do well to pick up off of eBay. I impulse bought it and it wound up paying off in a big way.

Absolutely outstanding. Must see.

Uninvited isn't your typical ghost story though it has familiar South Korean horror themes like suicide and infanticide.

Honestly I found it to be a bit too slow at times, and it is a whole two full hours long. However, this subtle slowness eventually winds around you like some malicious seaweed dragging you slowly under the water.

The ending is heavy and bleak rather than shocking or horrifying. In some ways this film is more of a supernatural drama that draws upon subjects like childhood trauma and its impact on adult phobias and mental illness. I highly recommend it but don't expect the usual Korean horror flick.

This is not really a horror film; form-wise it has more in common with a mystery or drama. The intent is not to scare or gross out the viewer, but to examine the central themes and characters.

On that level it's fairly successful. There is a lot going on in the movie, and as another reviewer has mentioned, the focus tends to wander, so it's often hard to determine exactly what the movie is trying to say. Sometimes that works to The Uninvited's advantage; I like movies to have a little ambiguity in them where I can apply my own imagination, and there are several deliberately ambiguous moments here.

At other times, it's more of a distraction, as we wait in vain for the story to return to and possibly resolve an earlier theme. Instead, the film moves on to examine other ideas, and while they are usually interesting ideas, the inevitable result is that by the film's conclusion it seems like there's a lot left unresolved. I don't mean "loose threads" in the usual sense of plot elements that are unexplained (although there are a few of those), but more like bigger themes that seemed like what the movie was about at the beginning of the film and didn't at the end of the film.

The acting is decent, overall, but the two leads both play the sort of shell-shocked, alienated characters that are hard to relate to even if we're sympathetic to begin with, and most of the other characters are not terribly fleshed out. The direction is good although the pace is slow (unnecessarily slow at times).

(Parenthetically, one shot used in The Uninvited seems so obviously ripped off from Ringu that I figure it's got to be an homage, but the movie seems like it takes itself too seriously to throw in a Ringu homage.)

Overall, a worthy but flawed effort that is much more complex and rewarding than most Asian horror movies of recent years.