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5,7/10
1680
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn engaged interior designer sees two small girls on the subway train that die there. He sees them again in his apartment. A woman he meets can also see them. He talks to her about his forgo... Alles lesenAn engaged interior designer sees two small girls on the subway train that die there. He sees them again in his apartment. A woman he meets can also see them. He talks to her about his forgotten childhood.An engaged interior designer sees two small girls on the subway train that die there. He sees them again in his apartment. A woman he meets can also see them. He talks to her about his forgotten childhood.
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- 4 Gewinne & 7 Nominierungen insgesamt
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The first time I watched "The Uninvited" (2003, Korea) I thought it was boring. The second time I watched it I thought it was good but needed approximately 20 minutes edited out. Last night I watched it for the third time and was captivated from start to finish. It's truly one of the most effectively depressing films of the past decade, and is essential viewing for lovers of slow-burning, psychological, dramatic horror films with heaping quantities of character development.
The key to enjoying this film is to pay attention to the subtle details. Even the most ordinary dialogue is used meaningfully here. These characters have experienced horrific acts of death and violence in their pasts and have also experienced dysfunctional relationships with others. These dysfunctional relationships are communicated in a fragmented, nonchronological manner that's similar to most East Asian horror films. There's also some slight ambiguity, but only in little patches that can be filled quite easily with some common sense and logic. It's important to achieve that understanding though, because absent this understanding the viewer will never be able to appreciate the characters' suffering nor the motivations for their actions. And let me tell you, these are some of the most gloomy, disheartened, and interesting characters you'll ever see.
The acting is what we've come to expect from South Korea, first rate. Ji-hyun Jun gives one of the best performances of her entire career. She's utterly convincing in an atypical, dark role that establishes her diverse acting range once and for all. Her depression isn't presented in a typical, psychotic, over-the-top manner. It's a very restrained exhibition, even in those few cases where she suffers a mental breakdown of sorts. The film uses her character's interaction with others, a steady tone, and a longer running time (2 full hours) to slowly but surely communicate her despair to the viewer. It's impossible not to sympathize with her and hope for her recovery. The quality of acting doesn't begin and end with Ji-hyun though. Everyone comes off looking well here.
Another important point to make is that the entire foundation of this film is human suffering inflicted by humans. Contrary to what one might expect, there's really no ghostly activity present at all. Even the opening 30 minutes, which makes the film seem like it's going to travel oft-explored ghostly themes, can be interpreted as entirely psychological. Almost all of the horror sequences focus on disturbing historical events involving horrific accidents or murders that are presented in disturbing ways despite the absence of graphic violence. It might seem like an oxymoron to say that "The Uninvited" has more balls than the slew of vacation torture movies of recent years, but it really does trump those movies in pure guts because the acts of violence here are inflicted upon very fragile, defenseless victims. Some sequences are, in fact, jaw-dropping because most filmmakers (and their producers) are too timid to show such things.
This is a damn good film that somehow fell between the cracks during the oft-referenced (but not entirely accurate) period known as the "hey day" of Asian horror (circa 1998-2005). I never hear it mentioned or referenced, but it deserves more attention than overrated, boring tripe like "Gozu" (2003). Watch both films and it's fairly obvious that "The Uninvited" is the better of the two in almost every conceivable aspect of film-making.
The key to enjoying this film is to pay attention to the subtle details. Even the most ordinary dialogue is used meaningfully here. These characters have experienced horrific acts of death and violence in their pasts and have also experienced dysfunctional relationships with others. These dysfunctional relationships are communicated in a fragmented, nonchronological manner that's similar to most East Asian horror films. There's also some slight ambiguity, but only in little patches that can be filled quite easily with some common sense and logic. It's important to achieve that understanding though, because absent this understanding the viewer will never be able to appreciate the characters' suffering nor the motivations for their actions. And let me tell you, these are some of the most gloomy, disheartened, and interesting characters you'll ever see.
The acting is what we've come to expect from South Korea, first rate. Ji-hyun Jun gives one of the best performances of her entire career. She's utterly convincing in an atypical, dark role that establishes her diverse acting range once and for all. Her depression isn't presented in a typical, psychotic, over-the-top manner. It's a very restrained exhibition, even in those few cases where she suffers a mental breakdown of sorts. The film uses her character's interaction with others, a steady tone, and a longer running time (2 full hours) to slowly but surely communicate her despair to the viewer. It's impossible not to sympathize with her and hope for her recovery. The quality of acting doesn't begin and end with Ji-hyun though. Everyone comes off looking well here.
Another important point to make is that the entire foundation of this film is human suffering inflicted by humans. Contrary to what one might expect, there's really no ghostly activity present at all. Even the opening 30 minutes, which makes the film seem like it's going to travel oft-explored ghostly themes, can be interpreted as entirely psychological. Almost all of the horror sequences focus on disturbing historical events involving horrific accidents or murders that are presented in disturbing ways despite the absence of graphic violence. It might seem like an oxymoron to say that "The Uninvited" has more balls than the slew of vacation torture movies of recent years, but it really does trump those movies in pure guts because the acts of violence here are inflicted upon very fragile, defenseless victims. Some sequences are, in fact, jaw-dropping because most filmmakers (and their producers) are too timid to show such things.
This is a damn good film that somehow fell between the cracks during the oft-referenced (but not entirely accurate) period known as the "hey day" of Asian horror (circa 1998-2005). I never hear it mentioned or referenced, but it deserves more attention than overrated, boring tripe like "Gozu" (2003). Watch both films and it's fairly obvious that "The Uninvited" is the better of the two in almost every conceivable aspect of film-making.
The Uninvited starts out very slow, with a hesitating, introverted main character, which all puts a test on your patience, but hold on and you will be rewarded with a genuinely horrifying viewing experience, which lets you forget all previously seen so-called horror movies by US studios.
I do not like gore or cheap shock scenes that make you jump for a moment, but prefer subtle, realistic psychological horror instead, and this is what The Uninvited delivers: A sense of true horror with one specific sequence that is so disturbing and surreal in its whole execution, but realistic and gripping at the same time, you will not be able to shake off this creepy atmosphere out of your head afterwards.
Having said this, The Uninvited has a few flaws. The pacing is extremely slow, the storyline has too many sub-plots, most of which felt unnecessary to the main plot, and some images seem borrowed from other horror films. Nevertheless, if you are looking for a subtle, slow-burn horror with a stark, disturbing center-piece, you should give The Uninvited a try.
I do not like gore or cheap shock scenes that make you jump for a moment, but prefer subtle, realistic psychological horror instead, and this is what The Uninvited delivers: A sense of true horror with one specific sequence that is so disturbing and surreal in its whole execution, but realistic and gripping at the same time, you will not be able to shake off this creepy atmosphere out of your head afterwards.
Having said this, The Uninvited has a few flaws. The pacing is extremely slow, the storyline has too many sub-plots, most of which felt unnecessary to the main plot, and some images seem borrowed from other horror films. Nevertheless, if you are looking for a subtle, slow-burn horror with a stark, disturbing center-piece, you should give The Uninvited a try.
I'd been disappointed in Korean cinema as of late. After the wonderful "Shiri," I found myself annoyed with "Tell Me Something," confused by "A Tale of Two Sisters," and outright bored with "Ring Virus." So I wasn't expecting a whole lot out of this film, whose Korean title translates literally to "4 Doll Table."
First off, it's not a straight horror film. It incorporates elements of the genre, but is principally dramatic. And it's a doozy.
It's impossible to properly articulate the plot. The plot is easy enough to follow, but it's intricate and deep, and just giving out details and summaries recklessly ignores all of the context these details have.
What I will say is that this is the most masterfully written and directed Korean film I have ever seen, and the acting for it is absolutely stellar. Admittedly it's very long and glacially paced, but it's rewarding. Scenes have purpose and even though this isn't totally a horror film, it does feature scenes that are downright disturbing and very chilling.
This is a strong, original, intelligent film that art-house fans would do well to pick up off of eBay. I impulse bought it and it wound up paying off in a big way.
Absolutely outstanding. Must see.
First off, it's not a straight horror film. It incorporates elements of the genre, but is principally dramatic. And it's a doozy.
It's impossible to properly articulate the plot. The plot is easy enough to follow, but it's intricate and deep, and just giving out details and summaries recklessly ignores all of the context these details have.
What I will say is that this is the most masterfully written and directed Korean film I have ever seen, and the acting for it is absolutely stellar. Admittedly it's very long and glacially paced, but it's rewarding. Scenes have purpose and even though this isn't totally a horror film, it does feature scenes that are downright disturbing and very chilling.
This is a strong, original, intelligent film that art-house fans would do well to pick up off of eBay. I impulse bought it and it wound up paying off in a big way.
Absolutely outstanding. Must see.
10sain11
The recent New Wave of Asian Horror has seen quite a few mediocre films released, however there have also been some true masterpieces amongst them, and The Uninvited is definitely one of the masterpieces.This is a genuinely dark, violent, disturbing, artistic horror film.
The key ingredient missing from most horror films these days is an emotionally charged story with characters that you can relate to and care for. In the case of the Univited, the true horror is based in human behaviour and the realities the characters have to deal with. While there is a supernatural element, the real nastiness is based in the humanity and psychology of the characters.
The Univited has possibly been mis-represented by it's own marketing, as they have promoted it as a supernatural horror, when in reality the film is more art-house and intellectual than it is horror. This probably accounts for some of the negative reviews, particularly in relation to the films slow pacing.
This is not a film that will make you jump in your seat a few times and leave the theatre laughing, but rather one that will chill you to the bone and leave you thinking.
I highly recommended The Univited if you have a darkly artistic streak, and are looking for a character driven film that abounds with atmosphere and chills.
The key ingredient missing from most horror films these days is an emotionally charged story with characters that you can relate to and care for. In the case of the Univited, the true horror is based in human behaviour and the realities the characters have to deal with. While there is a supernatural element, the real nastiness is based in the humanity and psychology of the characters.
The Univited has possibly been mis-represented by it's own marketing, as they have promoted it as a supernatural horror, when in reality the film is more art-house and intellectual than it is horror. This probably accounts for some of the negative reviews, particularly in relation to the films slow pacing.
This is not a film that will make you jump in your seat a few times and leave the theatre laughing, but rather one that will chill you to the bone and leave you thinking.
I highly recommended The Univited if you have a darkly artistic streak, and are looking for a character driven film that abounds with atmosphere and chills.
this movie will disappoint a lot of people. it is tagged as horror, but - although there are ghosts in it - there are no scary moments or any gore to be found. if you watched this movie because of Ji-hyun Jun (understandable if you ever saw 'my sassy girl') then be warned - this film is definitely neither romantic nor a comedy.
to tell what the film is really about would spoil your experience watching it, the ghosts and other supernatural occurences are only there to highlight the message of the film, to show the feelings and inner problems of the main character. at its core this film is a drama - wonderfully played, directed and executed - concentrating on the inner world of the humans mind. slowly - like a lot of other asian pictures - giving the key scenes a lot more surprise. there are two points in the movie i had to rewind, because i just couldn't believe what i had just saw.
the feeling i got while watching it is similar to 'kairo' - a study in depression and loneliness. definitely no film you should watch alone - it is not frightening, but you will feel better with someone to hug.
one of the most unusual films i ever saw - earning a well-deserved 9 of 10.
to tell what the film is really about would spoil your experience watching it, the ghosts and other supernatural occurences are only there to highlight the message of the film, to show the feelings and inner problems of the main character. at its core this film is a drama - wonderfully played, directed and executed - concentrating on the inner world of the humans mind. slowly - like a lot of other asian pictures - giving the key scenes a lot more surprise. there are two points in the movie i had to rewind, because i just couldn't believe what i had just saw.
the feeling i got while watching it is similar to 'kairo' - a study in depression and loneliness. definitely no film you should watch alone - it is not frightening, but you will feel better with someone to hug.
one of the most unusual films i ever saw - earning a well-deserved 9 of 10.
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Details
Box Office
- Weltweiter Bruttoertrag
- 90.638 $
- Laufzeit
- 2 Std. 7 Min.(127 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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