IMDb-BEWERTUNG
6,2/10
1631
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formi... Alles lesenWhen samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formidable magician, Doson, is indeed planning a coup.When samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formidable magician, Doson, is indeed planning a coup.
- Auszeichnungen
- 6 Gewinne & 9 Nominierungen insgesamt
Mai Hôshô
- Uri no onna
- (as Mai Hosho)
Kenichi Ishii
- Fujiwara no Kaneie
- (as Ken'ichi Ishii)
Richard Cansino
- Fujiwara no Morosuke
- (English version)
- (Synchronisation)
- (as Edward Zilla)
Peter Doyle
- Nagamasa
- (English version)
- (Synchronisation)
- (as Jim Taggert)
Empfohlene Bewertungen
If your looking for martial arts this isn't your movie. But, being the Vincent Price/Boris Karloff scorcerer fight fan that I am, It's a fun movie to watch. The scorcerer chants are enthralling. The special effects are pretty good about 70% of the time but fall short to sometimes quite poor here and there. I'd give it a 6.5 to 7 outta 10. Worth the rent if your into magic ;)
An extraordinary period piece, Onmyoji masquerades as a simple fantasy morality tale, but it has many more layers than are immediately obvious. There's an enigmatic quality to the characters' relationships that actually makes the viewer think about what's taking place between the characters. Not only is it a strikingly beautiful film, but the performances are flawless all around. The story is fresh, the actors are interesting. With a couple of very minor exceptions, the special effects are interesting in a way that they often aren't in the standard American blockbuster. In some ways it's what Star Wars - wished- it were, but isn't. Now that Onmyoji is available on DVD, I hope it becomes more accessible in America. This film easily deserves the level of success attained by Crouching Tiger, Hidden Dragon
I rented this movie expecting it to be cool in certain ways, which only goes to prove the old adage: never judge a DVD by its cover. Especially not in a dusty, abandoned corner of your local Blockbuster. In any case, Onmyouji was pretty much not-cool at all in any of the ways I had anticipated coolness; its wholly unique brand of cool came from somewhere else, somewhere unexpected, somewhere completely different. In the end, that's what won me over -- Onmyouji is the cool you just don't expect.
Most of that cool stems from the acting and, therefore, from the characters themselves; the former operating on multiple levels of "fantastic" and the latter managing to intrigue, amuse and inspire great fondness by the movie's conclusion. I think the main joy of watching Onmyouji is Nomura Mansai's stellar performance; you get the picture early on that he's the real deal. He moves like some otherworldly spirit gracing his audience with his at once delicate and wry presence; some sort of living embodiment of mono no aware with a smirking edge and quirky eyebrows. I felt instinctively that it was an honor just to be watching him on my living room TV.
Sanada Hiroyuki, while I felt sometimes that he'd stumbled onto the wrong set by accident and then figured "Hey, what the hell, maybe I'll get paid," delivered a wonderful performance as well. I was a fan of his before this movie, and I remain a fan.
The special effects and some of the stages may be a bit on the cheap side but part of me feels that it was an intentional super-awareness of the movie-as-a-stage. The whole film watched and felt like traditional Japanese theatre, and not just because of Nomura Mansai's traditional Japanese theatre aura. As some sort of wild throwback to Murasaki Shikibu's classic and the literary tropes of Heian court culture, this film is a definite winner. Listen not to the people who were expecting a grand and lavish cinematic spectacular; this movie wanted to look like a stage and so it created one, on which its excellent stage actors excelled.
Most of that cool stems from the acting and, therefore, from the characters themselves; the former operating on multiple levels of "fantastic" and the latter managing to intrigue, amuse and inspire great fondness by the movie's conclusion. I think the main joy of watching Onmyouji is Nomura Mansai's stellar performance; you get the picture early on that he's the real deal. He moves like some otherworldly spirit gracing his audience with his at once delicate and wry presence; some sort of living embodiment of mono no aware with a smirking edge and quirky eyebrows. I felt instinctively that it was an honor just to be watching him on my living room TV.
Sanada Hiroyuki, while I felt sometimes that he'd stumbled onto the wrong set by accident and then figured "Hey, what the hell, maybe I'll get paid," delivered a wonderful performance as well. I was a fan of his before this movie, and I remain a fan.
The special effects and some of the stages may be a bit on the cheap side but part of me feels that it was an intentional super-awareness of the movie-as-a-stage. The whole film watched and felt like traditional Japanese theatre, and not just because of Nomura Mansai's traditional Japanese theatre aura. As some sort of wild throwback to Murasaki Shikibu's classic and the literary tropes of Heian court culture, this film is a definite winner. Listen not to the people who were expecting a grand and lavish cinematic spectacular; this movie wanted to look like a stage and so it created one, on which its excellent stage actors excelled.
This Japanese period piece/fable/fantasy/comic-book adaption hybrid film was the second highest grossing movie of 2001, just behind the superb "Spirited Away". It's not as good as that aforementioned film. A fantasy that long to be epic, yet falls a tad bit short thanks to sub-par special effects. That's not to say it's not enjoyable, as it is. Very much so. Just that, for me, the effects turned a film that could have been great into one that's merely pretty good. That said I still look forward to viewing the sequel.
My Grade: B
Where i saw it: Showtime Beyond
My Grade: B
Where i saw it: Showtime Beyond
This one definitely had me from start to finish. It introduces the Onmyoji and definitely draws you into their world. The costumes and setting are stunning with vibrant colors and makes the time period look authentic. Mitsumishi is my favorite with her chirpy, fluttering nature while Lady Aone really shines as a woman with deep sorrow. Seimei and Hiromaki have this friendly rapport which shows the bond of friendship the two share; almost brotherlike. Hideaki Ito does well here and didn't recognize him as same actor in Blister and the Princess Blade. Overall, Seimei's carefree, yet enigmatic nature and brave (yet naive) Lord Hiromaki form this chemistry which provides for funny moments. Plus, relationships enfold as the story progresses. The CG effects amplify this eerie magical world, but are not overdone which is a credit to the film as well.
Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
Wusstest du schon
- WissenswertesFrom the Making-Of Documentary on the Special Edition DVD: - Total number of cuts: 1026 - Concept planning: 5 years - Number of days filming: 93 days - Number of days in post-production: 128 days - Location crew: 86 people - SFX crew: 31 people - CG integration staff: 37 people - Total number of crew: 154 people - Those who camped out for the first show: 400 people (at Nihon Gekijo Theater) - Number of theaters: 225 theaters - Number of viewers: 2.2 million people (as of Summer 2001) - Gross at box office: Approx. 3 billion yen (roughly $30 million USD)
- VerbindungenFollowed by Onmyoji 2 (2003)
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Onmyoji: The Yin Yang Master
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Box Office
- Bruttoertrag in den USA und Kanada
- 16.234 $
- Eröffnungswochenende in den USA und in Kanada
- 6.258 $
- 27. Apr. 2003
- Weltweiter Bruttoertrag
- 16.234 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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