IMDb-BEWERTUNG
5,2/10
17.556
IHRE BEWERTUNG
Ein schwarzer Polizeibeamter muss einen seltsamen Fall eines entführten Jungen lösen und sich mit einem großen rassistischen Protest auseinandersetzen.Ein schwarzer Polizeibeamter muss einen seltsamen Fall eines entführten Jungen lösen und sich mit einem großen rassistischen Protest auseinandersetzen.Ein schwarzer Polizeibeamter muss einen seltsamen Fall eines entführten Jungen lösen und sich mit einem großen rassistischen Protest auseinandersetzen.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Aunjanue Ellis-Taylor
- Felicia
- (as Aunjanue Ellis)
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I think Joe Roth was aiming for something deeper with 'Freedomland'. It's not necessarily a bad movie, but it isn't really a good one either. From an acting stand-point, it's great with solid performances from Samuel L. Jackson (Jackie Brown) as a determined police detective and Julianne Moore (The Forgotten) as a whacked-out dead-beat mom who's son has been kidnapped. Edie Falco is also pretty good with a role that's anything but Mrs. Soprano. The writing or dialogue, however, is absolutely terrible. I think 'Freedomland' actually wouldn't be a half-bad movie if the screenwriter put as much work into the character's conversations as he did the creativity of the racial epithets spewed through-out the film. 'Freedomland' annoyed me in a sense that the movie trailers made it out to be something it's not -- a taut, mystery/thriller, when in reality it's a film about racial and economical tensions. 'Freedomland' is pretentious in that it thinks it's an Oscar-caliber film when in reality it's a slightly above-average suspense film filled to the brim with tired clichés. 'Freedomland' is enjoyable if you can see through it's smug undeserved sense of brilliance. Grade: C .(screened at AMC Deer Valley 30, Phoenix, Arizona, 2/20/05)
I have always been a fan of Samuel L. Jackson (Shaft, The Long Kiss Goodnight, Pulp Fiction), and do not miss a chance to see his films.
Yes, there are some major errors in this film. How come local cops are handling a kidnapping? Why didn't they look for the car? Hello, fingerprints? However, those can be ignored to focus on what this film really is. Like Crash, it is a study of racist cops and how they treat minorities differently that whites. It doesn't matter that Jackson is a black cop. he is not in control of the power. It is also a story of how cops start race riots. There have been at least 15 reported incidents in one year alone (1967) of cops starting race riots.
The film also stars Julianne Moore (The Hours, Boogie Nights) and Edie Falco (The Sopranos).
Yes, there are some major errors in this film. How come local cops are handling a kidnapping? Why didn't they look for the car? Hello, fingerprints? However, those can be ignored to focus on what this film really is. Like Crash, it is a study of racist cops and how they treat minorities differently that whites. It doesn't matter that Jackson is a black cop. he is not in control of the power. It is also a story of how cops start race riots. There have been at least 15 reported incidents in one year alone (1967) of cops starting race riots.
The film also stars Julianne Moore (The Hours, Boogie Nights) and Edie Falco (The Sopranos).
"Freedomland" will not be a popular movie. The movie doesn't have enough action and the action is does contain is more to promote a message than to titillate. Its message is basically about inner city racism. Its about the fuss made over a missing white child in a black community. The story is about a white women who was car-jacked in a housing project and, unknown to the jacker, her 4 year old son was in the car's back seat. You'll have to see the movie to see the rest since revealing the story would completely ruin the movie. I really enjoyed this movie. I thought the performances by Samuel Jackson, William Forsythe and Ron Eldard were realistic and affecting. One standout was Edie Falco. She played a very unglamorous role and was powerfully affecting. She should get an Academy Award nomination for this role. She was fabulous. Another standout was Julianne Moore who was very miscast. I did not like her in this role. She played a very weak, flawed and emotionally stunted individual whose behavior at times turned my stomach. I did not like the character. The character was not written to be liked, maybe pitied and I think that aspect is what Ms. Moore was trying to evoke. I think she did too good a job at making her character weak and flawed and missed a toughness that the book's character had. To live in the environment that she did she would have acquired more emotional survival skills than the movie's character portrayed. Ms. Moore's character looked like she wandered onto the set from a suburban mall. Her looks and demeanor next to the strong Black women characters made her appear too weak and her obstinacy appears to be more stupidity. I think Edie Falco could have played this role better with her strength and then the revelations and breakdown when the toughness crumbled would have been more effective. The movie is unfortunately being advertised as a thriller and audiences expecting action and things blowing up will be disappointed. "Freedomland" is one of those movies that Hollywood doesn't get or know what to do with but it is a very worthwhile movie to see. I gave it a 7 out 10. I downgraded it slightly because of Ms. Moore's performance.
First mistake of this film was marketing (after all, it's all about marketing) Billing it as a thriller/action movie with some paranormal slant was wrong. This is strictly a psychological drama with zero paranormal stuff in it.
Second mistake was to make reality too real and not idealized or artistic to stay away of the touchy issues addressed: Race, police prejudice, social differences.
So if you went to the movie theater or the rental place to watch a thrilling action film staying right on the surface of entertainment and shock value, you will be disappointed. This is a nicely acted, well constructed and most importantly, realistic drama in which a white woman blames the kidnap of her son as a carjack conducted by an African-American male.
As far as I am concern, there was no stereotyping, just realism. There was no siding on the moralistic virtues of one or other side. Actually, this is a quite profound exploration of the reasons to lie, the be racist, to fear prejudice and to resist the fact that a social interaction between poor and rich, white and black, civilian and policemen will probably be fair in a near future not now.
My only concern was to see Ms. Moore so stressed during 90% of the film, quite impressive performance. Just hope she doesn't take this as her type-cast.
Second mistake was to make reality too real and not idealized or artistic to stay away of the touchy issues addressed: Race, police prejudice, social differences.
So if you went to the movie theater or the rental place to watch a thrilling action film staying right on the surface of entertainment and shock value, you will be disappointed. This is a nicely acted, well constructed and most importantly, realistic drama in which a white woman blames the kidnap of her son as a carjack conducted by an African-American male.
As far as I am concern, there was no stereotyping, just realism. There was no siding on the moralistic virtues of one or other side. Actually, this is a quite profound exploration of the reasons to lie, the be racist, to fear prejudice and to resist the fact that a social interaction between poor and rich, white and black, civilian and policemen will probably be fair in a near future not now.
My only concern was to see Ms. Moore so stressed during 90% of the film, quite impressive performance. Just hope she doesn't take this as her type-cast.
Samuel L. Jackson plays the role as Lorenzo Council a detective in charge of a bad housing project and one night the racial tensions were ready to explode. A young lady, Julianne Moore, (Brenda Martin) approaches Lorenzo and is in a frantic condition, saying that someone stole her young boy of 4 years. There is immediate concern for this child and this sparks off problems in the project, because many Black children do not get this kind of attention. Day in and day out the search continues in many parks and then their attention is focused on an abandoned orphanage in a place called Freedomland. Lorenzo begins to get upset with all the trouble this situation is causing among the people and harm can come to all these people. You will never be able to guess the ending and if you like Samuel L. Jackson and Julianne Moore, don't miss this film, they both were great.
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Take a look back at Samuel L. Jackson's movie career in photos.
Wusstest du schon
- WissenswertesMichael Winterbottom was the original Director, and did extensive work before leaving this project.
- PatzerThe scenes at the Freedomland facility appear to be in late fall/winter - trees are bare, subjects are wearing heavy clothing. When Lorenzo interviews Brenda, he states on the tape recorder the date of the interview is May.
- Zitate
Lorenzo Council: Kiss my ass, brotherfucker.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Freedomland
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 37.665.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.512.886 $
- Eröffnungswochenende in den USA und in Kanada
- 5.833.562 $
- 19. Feb. 2006
- Weltweiter Bruttoertrag
- 14.655.628 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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