IMDb-BEWERTUNG
6,0/10
3017
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA journalist and a poetess meet during the hearings of South African Truth and Reconciliation Commission.A journalist and a poetess meet during the hearings of South African Truth and Reconciliation Commission.A journalist and a poetess meet during the hearings of South African Truth and Reconciliation Commission.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Menzi Ngubane
- Dumi Mkhalipi
- (as Menzi 'Ngubs' Ngubane)
Harriet Lenabe
- Albertina Sobandla
- (as Harriet Manamela)
Dan Robbertse
- Sgt. de Smidt
- (as Daniel Robbertse)
Empfohlene Bewertungen
Director John Boorman has taken on a weighty and incendiary subject, much like Terry George's recent take on genocide in "Hotel Rwanda." Although "In My Country" is set post-Apartheid, it still covers a hot topic: what do you do with the people that are to blame when a genocide occurs? President Nelson Mandela formed a commission to get at the truth and in return for that information he was offering amnesty for those government officers that were only 'following orders'. An amazing precedent to say the least.
However, director Boorman has chosen to balance the emotional testimony of the victims with a sometimes humorous side-story involving an American journalist, played by the great Samuel L. Jackson ("Coach Carter") and a local 'white' radio reporter, played by the equally great Juliette Binoche ("The English Patient").
Certainly, a story of this import deserves a documentary but as it stands, this is as close as any American will ever get to this story since many newspapers buried it when it originally occurred. Racism is an ugly thing, but forgiveness is a beautiful thing and this movie balances the two in an effective and entertaining manner.
Check this one out, especially if you are a fan of "Hotel Rwanda" and hearing the 'truth' for a change.
However, director Boorman has chosen to balance the emotional testimony of the victims with a sometimes humorous side-story involving an American journalist, played by the great Samuel L. Jackson ("Coach Carter") and a local 'white' radio reporter, played by the equally great Juliette Binoche ("The English Patient").
Certainly, a story of this import deserves a documentary but as it stands, this is as close as any American will ever get to this story since many newspapers buried it when it originally occurred. Racism is an ugly thing, but forgiveness is a beautiful thing and this movie balances the two in an effective and entertaining manner.
Check this one out, especially if you are a fan of "Hotel Rwanda" and hearing the 'truth' for a change.
I thought this movie did very well in exploring many different relationships and story lines. Above all, this movie asked all of the hard questions and brought into light a lot of truth that a lot of people don't like to look at.
The African sense of justice is about reconciliation, not revenge. By using the testimonials of several individuals, this movie was very educational. The healing that was allowed to happen within the process of reconciliation was very inspirational. Their sophisticated system made a lot of sense to me, and seems much more advanced than systems employed where i live in the US.
The relationship between Langston and Anna brought a political story to a personal level. It was beautiful to see Anna come to terms with her own sense of responsibility, being a white south African who had known of the atrocities, but had done nothing to stop them. Langston forced her to examine her position, but was also there to support her when she felt crushed by the enormity. Their acting was very convincing and skillful. I especially loved the scene where Anna attacked Langston, but thought the actual sex scene could have been more believable.
One character I haven't seen anyone comment on is Anna'a assistant, Dumi. This character brought the story to yet another level. He was the classic joker with hidden depths. His character communicated to the audience that nothing is black or white; nothing is simple; really it's all endlessly complex.
In fact, this story was anything but one-sided. It showed many masks that individuals wear in specific situations. It communicated so much about humanity, both as individuals and as members of a larger society. I find it quite relevant to my experience as a white American who knows my government is responsible for the suffering of multitudes at this moment in time, and I feel responsible and helpless at the same time.
A man who sat behind me in the theater kept telling his girlfriend he wanted to leave because it was unpleasant. Yes, it is unpleasant, if you're the type of person who doesn't like to look at reality. But what I cam away with from the movie was a feeling of awe about humanity's capacity for compassion.
The African sense of justice is about reconciliation, not revenge. By using the testimonials of several individuals, this movie was very educational. The healing that was allowed to happen within the process of reconciliation was very inspirational. Their sophisticated system made a lot of sense to me, and seems much more advanced than systems employed where i live in the US.
The relationship between Langston and Anna brought a political story to a personal level. It was beautiful to see Anna come to terms with her own sense of responsibility, being a white south African who had known of the atrocities, but had done nothing to stop them. Langston forced her to examine her position, but was also there to support her when she felt crushed by the enormity. Their acting was very convincing and skillful. I especially loved the scene where Anna attacked Langston, but thought the actual sex scene could have been more believable.
One character I haven't seen anyone comment on is Anna'a assistant, Dumi. This character brought the story to yet another level. He was the classic joker with hidden depths. His character communicated to the audience that nothing is black or white; nothing is simple; really it's all endlessly complex.
In fact, this story was anything but one-sided. It showed many masks that individuals wear in specific situations. It communicated so much about humanity, both as individuals and as members of a larger society. I find it quite relevant to my experience as a white American who knows my government is responsible for the suffering of multitudes at this moment in time, and I feel responsible and helpless at the same time.
A man who sat behind me in the theater kept telling his girlfriend he wanted to leave because it was unpleasant. Yes, it is unpleasant, if you're the type of person who doesn't like to look at reality. But what I cam away with from the movie was a feeling of awe about humanity's capacity for compassion.
Watching any one of the three - Juliette Binoche, Samuel L. Jackson, Brendan Gleeson - painting a wall would be a good use of time. Seeing them all in the same movie is a rare treat.
Jackson (Pulp Fiction) is Langston Whitfield from the Washington Post, sent to monitor the Truth and Reconciliation Commission hearings in South Africa. To avoid bloodshed, the commission asked white Afrikaners to appear before a public tribunal, confess exactly what they did, convince the commission they were acting under orders, make a believable apology, and amnesty will be given.
Bonoche (The English Patient, Chocolat)is Anna Malan, a poet, who is doing daily broadcasts for the South African Broadcasting Company.
Gleeson (In Bruges, Into the Storm, The Guard) is De Jager, a a South African cop with a zeal for torture and murder that went far beyond his job requirements; a reputed psychopath that is taking the fall for all the other criminals his superiors, in a new South Africa.
Anna finds out things she really didn't want to know, and Whitfield finds that truth is not so black and white, as he believed.
Jackson (Pulp Fiction) is Langston Whitfield from the Washington Post, sent to monitor the Truth and Reconciliation Commission hearings in South Africa. To avoid bloodshed, the commission asked white Afrikaners to appear before a public tribunal, confess exactly what they did, convince the commission they were acting under orders, make a believable apology, and amnesty will be given.
Bonoche (The English Patient, Chocolat)is Anna Malan, a poet, who is doing daily broadcasts for the South African Broadcasting Company.
Gleeson (In Bruges, Into the Storm, The Guard) is De Jager, a a South African cop with a zeal for torture and murder that went far beyond his job requirements; a reputed psychopath that is taking the fall for all the other criminals his superiors, in a new South Africa.
Anna finds out things she really didn't want to know, and Whitfield finds that truth is not so black and white, as he believed.
John Boorman, an interesting film maker, takes us to South Africa after Apartheid. Right after the country underwent the big change during the last decade of the last century, a commission was formed in order to hear the atrocities that were committed by the old regime, as the victims, and their families, were invited to come forward and speak to the panel that was investigating. The film is based on a novel by Antjie Krog, but not having read it, one can't really give an opinion about how true the film is to the novel.
"In my Country", the movie based on this book in its American release, came and went quickly. We tried to see it during its debut, bu it disappeared from local screens in no time. We recently caught the movie on cable.
There are some interesting aspects of what the commission was trying to accomplish in trying to bring members of the repressive force to justice. As in other conflicts, the people that were involved in the atrocities keep repeating about how they were following orders, a poor excuse, since no one owned up to having done anything wrong. After all, this was a country in which a white minority controlled a big black majority, and who wanted to keep things unchanged.
At the center of the story is Anna Malan, a white South African, who is a radio personality. She follows the commission as more and more people are coming forward to tell their stories. A Washington Post black reporter, Langston Whitfield, is also covering the process. Inevitably, both come together. While they clash at first, they find common ground in their desire to tell the truth about South Africa.
Juliette Binoche and Samuel L. Jackson are seen as Anna and Langston. Both give good performances. Brendan Gleeson is seen as the evil De Jager, a man responsible for some of the crimes committed against the poor black of the country who were deemed terrorist by the controlling whites. Menzi Ngubone plays Dumi, Anna's assistant and Sam Ngakone makes a dignified appearance as Anderson, who works for Anna's family.
The film is interesting to watch as Mr. Boorman has given us a film to think about the criminal acts that were committed by a group of people that didn't stop to consider the consequences of what they were doing.
"In my Country", the movie based on this book in its American release, came and went quickly. We tried to see it during its debut, bu it disappeared from local screens in no time. We recently caught the movie on cable.
There are some interesting aspects of what the commission was trying to accomplish in trying to bring members of the repressive force to justice. As in other conflicts, the people that were involved in the atrocities keep repeating about how they were following orders, a poor excuse, since no one owned up to having done anything wrong. After all, this was a country in which a white minority controlled a big black majority, and who wanted to keep things unchanged.
At the center of the story is Anna Malan, a white South African, who is a radio personality. She follows the commission as more and more people are coming forward to tell their stories. A Washington Post black reporter, Langston Whitfield, is also covering the process. Inevitably, both come together. While they clash at first, they find common ground in their desire to tell the truth about South Africa.
Juliette Binoche and Samuel L. Jackson are seen as Anna and Langston. Both give good performances. Brendan Gleeson is seen as the evil De Jager, a man responsible for some of the crimes committed against the poor black of the country who were deemed terrorist by the controlling whites. Menzi Ngubone plays Dumi, Anna's assistant and Sam Ngakone makes a dignified appearance as Anderson, who works for Anna's family.
The film is interesting to watch as Mr. Boorman has given us a film to think about the criminal acts that were committed by a group of people that didn't stop to consider the consequences of what they were doing.
The performance and production is good, overall is good. its a movie about horrors that happened in south africa by WHITE people or government. The movie has some Major flaws in Side story too.
well its kinda movie about " black lives matter" thing. a married woman with kids has a job in radio. and she want to tell the truth to the country and world about the horrors happened to that country. where she met another black journalist from america. and then they both start working together to reveal more truth but also some romantic feelings which is kinda stupid. maybe she Pity soo much about black people ?.
-----------------spoilers (flaws)---------------
a married woman with two kids, sleeping with and between two black guys in same bed?
and then she kinda fall in love and didnt think about her kids? well because its not in the movie.
in the end the husband is angry but ok with everything ?
if there is no romnatic side story then this movie could done good.
well its kinda movie about " black lives matter" thing. a married woman with kids has a job in radio. and she want to tell the truth to the country and world about the horrors happened to that country. where she met another black journalist from america. and then they both start working together to reveal more truth but also some romantic feelings which is kinda stupid. maybe she Pity soo much about black people ?.
-----------------spoilers (flaws)---------------
a married woman with two kids, sleeping with and between two black guys in same bed?
and then she kinda fall in love and didnt think about her kids? well because its not in the movie.
in the end the husband is angry but ok with everything ?
if there is no romnatic side story then this movie could done good.
Wusstest du schon
- WissenswertesAfter seeing this film Nelson Mandela called it, "a beautiful and important film about South Africa's Truth and Reconciliation Commission. It will engage and influence not only South Africans, but people all over the world concerned with the great questions of human reconciliation, forgiveness, and tolerance."
- PatzerAll number plates on vehicles throughout the film (apart from archival footage) are fake and do not follow the format of older South African number plates.
- Zitate
Anna Malan: [last lines - voiceover] Because of you, this land no longer lies between us but within. It breathes becalmed, after being wounded in its wondrous throat. In the cradle of my skulll it sings, it ignites my tongue. Five thousand stories are scorched on your skin. I am changed forever.. I want to say, forgive me, forgive me, forgive me.
- VerbindungenEdited into In My Country: Deleted Scenes (2005)
- SoundtracksSenzenina
Arranged by Murray Anderson & Warrick Swinney
Performed by Princess Soi-Soi Gqeza, Mxolisi Mayekane, Mandia Lande, Michael Ludonga, Simpiwe Matole & The New Teenage Gospel Choir
Published by Hi-Z Sound
Top-Auswahl
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- How long is In My Country?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Country of My Skull
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 163.893 $
- Eröffnungswochenende in den USA und in Kanada
- 22.383 $
- 13. März 2005
- Weltweiter Bruttoertrag
- 1.491.434 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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