Gothika

This film is about a female psychiatrist getting locked up in a mental institution for suspected murder. After that, she has a series on vision that lead to grave consequences.

I think "Gothika" is a great thriller. The first half is scary by using great sound effects, beautiful shots and suspenseful plot. This is quite unlike many horror movies that relies on blood or shock to scare. The second half turns into a crime mystery, and I think the suspense is still well sustained. I did not see the plot twists coming, and hence I was surprised by the ending. Halle Barry's acting is great, she is convincing as a psychiatrist and even more convincing as a "crazy" person. Her facial expressions in the scene where she got possessed is great.

I enjoyed watching "Gothika" very much.

I'm a big fan of horror movies, but deliberately tend to avoid the ones starring A-list actors and actresses. One of the most essential yet unwritten rules of the genre states: the bigger the names involved in the production, the weaker the shocks and the tamer the blood & gore effects. If this statement were an exact science then "Gothika" would be one movie to avoid at all costs, with its all-star ensemble cast including Halle Berry, Robert Downey Jr., Penelope Cruz, Charles S. Dutton, Bernard Hill and John Caroll Lynch. But this really isn't a bad movie at all, in fact, and the acclaimed names seemingly didn't form any restriction for director Mathieu Kassovitz (creator of "The Crimson Rivers" and the brilliant crime thriller "La Haine"). The good news is that "Gothika" is a surprisingly grim and darkly atmospheric ghost story, with a handful of genuinely eerie set pieces and uncomfortable moments. Perhaps it's the influence of the French director, but it honestly feels like the movie aimed for chills & shock rather than to come across as politically correct. The bad news, however, is that the script is weak and incredibly predictable. The first twenty minutes still manage to be somewhat mysterious, but as soon as the ghost-story aspects begin to unfold, the denouement already becomes obvious to slightly experienced horror fanatics. Miranda Grey is a professional psychiatrist working in the same all-girls asylum as her husband; Dr. Douglas Grey. She strongly believes there's a rational explanation for everyone and doesn't really listens to what her patients, Chloë in particular, have to say. Whilst driving home one rainy night, Miranda becomes involved in a nasty car accident because there's a girl in the middle of the road. Next thing she knows, Miranda wakes up as a patient in her own asylum and she's accused of murdering her husband. Shortly after, she has ghostly visions again of the girl she saw on the road, and it seems as if she's trying to tell Miranda something very important, so she better learns to really listen. Even in spite of the sadly transparent and derivative plot, "Gothika" manages to remain compelling and even somewhat engaging. Halle Berry is a marvelous actress (as well as one of the most ravishing women on the planet) and a joy to behold as the 'dame in distress'. She receives excellent support from the always-cool Robert Downey Jr. and I never saw Penelope Cruz deliver a better performance. If I were her, I would accept more crazy-lady roles. This certainly isn't the kind of stuff nightmares are made of, but it's a worthwhile little thriller nonetheless.

I have read many reviews that seemed to think Gothika was a waste of time. Let me just say, it is not a waste of time. in fact, the film was very enjoyable. it was shot well and the special effects were sophisticated and well handled. The cast was full of surprises such as Bernard Hill(great actor but a strange role). The story was interesting and there was genuine tension throughout.

Berry's character is a doctor in a mental institute. she wakes up to find herself an inmate in the very place she works. Her colleague and friend played by robert downy jnr tells her that she has committed a horrific crime and nobody knows why. so the plot begins to wind its way towards a shadowy truth. However, without giving anything away, the key scenes where important truths are revealed to the audience are simply too clumsy. information is just handed over visually on a plate and leaves little to the imagination. some of the tension built up in

the first half of the film is lost. and the truth isn't quite as gripping and terrifying as we would have hoped(although thats not to

say it is pleasant).

Robert Zemeckis was one of the producers and i think it shows..there is some great camera work and some really interesting ideas but gothika doesn't have some of the subtle touches that What Lies Beneath had, but its easy to see some of the parallels between the two films.

Even though halle berry wears the same look of shocked disbelief throughout the film, she plays it with conviction. and a supporting role from penelope cruz certainly doesn't take anything away from berry.

all in all, gothika provides a good story, an average screen play and enough innovative ideas to keep its audience. but i would have been disappointed if i had paid to watch it at the cinema.

I love a good mystery. Gothika is both a psychological thriller and a supernatural horror. I loved playing detective and piecing together the clues to solve this mystery. It wasn't a very difficult mystery or plot to figure out, but it's still a suspenseful and entertaining movie. Making up for the story's predictability, is the casting of Halle Berry and Robert Downey Jr. Both are fantastic and likable performers. The jump scares are not always effective but they keep you on your toes.

Stars operating at the level of Halle Berry and Penelope Cruz are bound to disappoint critics along the way, especially when the critics are just waiting for some sign of weakness upon which to feed. While there is nothing wrong with any of the acting in this film - these are not the kinds of roles Oscar winners and nominees are expected to indulge in.

What's more, Berry and Cruz signed onto a film made by a production team which has typecast itself with some fairly disappointing ghost stories / horror films involving big-names in the recent past.

Finally, this is one of those cases where the trailer was so good that the film could not possibly follow it.

So what?

If you approach this film without expectations, and with an open mind, you will be entertained. It's a tight, disturbing psychological/supernatural thriller which, though a little predictable at times, nevertheless offers some frightening imagery and a few good solid scares. That said, this is not a film for people who have trouble paying attention or for people who need straightforward answers. If you don't really pay attention to what is going on in this film, you could easily dismiss it as a more adult version of Sixth Sense or just another dumb ghost story. This film deserves more credit than that.

Personally, I don't think it's a ghost story at all- but that is a question best left open.

I have seen a number of films by this team - House on Haunted Hill, 13 Ghosts and Ghost Ship. Of these, I found 13 Ghosts and the House on Haunted Hill to be entertaining, but not very intelligent. Ghost Ship was tremendously disappointing - even Gabriel Byrne could not save that film. Gothika is easily the best of the lot, and also the darkest. The film is shot in dark blue, black and gray tones, and the use of lighting is nothing short of artistic. Despite the cliché title, the occasional plot clichés, and all the negative publicity generated by critics, I found this film to be surprisingly entertaining, intelligent, and disturbing.

Most of the 'plot holes' cited by some reviewers here on IMDb are more likely gaps in the attention spans of the viewers themselves or intentional ambiguities designed by the production team. This, unlike any of this team's previous work, does not provide unambiguous explanations.

Cruz and Berry are, respectively, patient and psychiatrist in a high security prison for the criminally insane. The Gothic environment of this facility is not meant to be realistic, but surreal, and the effect works. From the first time you see the place, you question its own reality. The film constantly manipulates mood through cinematographic techniques like this.

Shortly after the film opens, Berry finds herself experiencing what some of her allegedly delusional patients talk to her about. Robert Downey's portrayal of her friend and, now, therapist, is uneven, but satisfactory.

To describe the rest of the plot would require spoilers, so I won't bother. Suffice to say that even the occasional predictability of this film did not detract from my enjoyment of it.

The film uses just enough ambiguity to permit the audience to wonder whether what they are seeing is really happening or whether it is a product of our protagonist's subconscious mind. And then, in the end, the film makes you question whether it matters.