Superman Returns

After an absence of several years Superman/Clark Kent (Brandon Routh) returns to Metropolis. The world has moved on, Lex Luther is plotting another plan involving Kryptonite and Lois Lane now has a kid. Everyone is curious as to where he's been the entire time, but it turns out he went back to see the remains of his home planet. One big flaw about the Superman films/comics is no one ever knows about Clark when his only disguise is a pair of glasses. And it was even more obvious when he turned back up out of nowhere the same time as Superman.

Directed by Bryan Singer (X-Men, X-Men 2) Superman Returns is a reboot/loose sequel to the 1978 original. But even though it references a little bit from that film (be it a Marlon Brando cameo or the original John Williams music score) it's less a sequel and more of a homage to that film. It's done considerably well however it's best viewed as its own film. If it was a real sequel Lois Lane and Clark Kent would be in their late 50's with it being 28 years later.

Kevin Spacey is the highlight as Lex Luther, he's over the top and sometimes hammy but he appears to be the only one enjoying himself. The other actors do good jobs but they are often bland, but in a way that's oddly a relief because there are no goofy comedic performances. Clark Kent is not the cliché clumsy nerd this time and Lois Lane isn't as whinny as she was in the other films. There's also no annoying background extras.

There are a few intense action sequences, the plane rescue being the highlight but they tend to rely on CGI that looks dated even for the time. There are so many shots where Superman is recreated using CG effects and it looks like something taken straight out of a video game. His suit has a plastic look to it, but to be honest the Superman suits have never looked great, it was only until Man of Steel (2013) when they got his suit right. The bright colours and underwear are fine for the comic but they don't translate very well on screen.

Running well over two hours, the film runs at a sometimes plodding pace and some scenes are drawn out a lot. However the film has a solid story and great performance from Kevin Spacey. The tone of the film isn't too dark drawing a fine line between its lighthearted and serious themes. The cinematography, set designs, music score and editing are all great. It's a film that deserves to be watched even if it suffers from a slow pace.

considering the hype for this movie,i thought it would be better than it was.it wasn't a horrible movie,but i don't think it lived up to the Superman name.Brandon Routh as Superman,looked a lot like Christopher Reeve,maybe a bit too much.his mannerisms were also too much like Reeve,as if he were trying to emulate him,when instead he should have been trying to put his own stamp on the character.Kate Bosworth was okay as Loise lane,but Kevin Spacey was an inspired choice as Lex Luthor.i also liked Frank Langella as Perry White.however,i could have done without James Marsden as Richard White,especially since his role was so small it was pointless.the other problem i had with the movie is that it tended to lag at times,causing my attention to wander.this movie just didn't have the impact of a movie like spider man or even any of the x-men films.it just didn't have as much substance as it could have.if you've yet to see this movie,keep your expectations low and maybe you won't be overly disappointed. 6/10

Superman Returns is an underrated film. Made 19 years after the box office bomb that is Superman IV: The Quest For Peace, the film sees Superman return to Earth after being gone for five years due to hearing about a discovery of Krypton's remains. Because of this, Lex Luthor is released from prison due to him not appearing in court to testify against him, and Lois Lane has a kid. The man of steel returns to protecting Metropolis and tries to adjust to how the world changed, as Lex manages to break into Fortress of Solitude and steal Kryptonian crystals for use in a new sinister plan.

The film's story erases the third and fourth film from continuity, being set five years after Superman II. As most of the cast from the original two films are either old or passed away, most of the roles have been recast. Clark Kent/Superman is now played by Brandon Routh, who replaces the late Christopher Reeves (whom passed away before this film) and Kevin Spacey takes over the role of Lex Luthor from Gene Hackman. Kate Bosworth replaces Margot Kidder as Lois Lane. The film also utilizes archived footage of Marlon Brando as Kal-El (as the actor died two years before the film's release).

The film I actually enjoyed. Special effects have evolved in the 19 years between this and Superman IV, leading to the movie having some believable scenes (like Superman saving a Boeing 777 that had a space shuttle piggybacking, and a scene where a bullet is crushed making impact with one of his eyes, demonstrating his invulnerability). The script also has some nods to stuff said and done in the first two films (as a homage), and while the film is more serious, it does have its fair share of ridiculous scenes (Lex Luthor is as wacky as ever, especially with the scene where he says wrong, which became a meme, and another has Jason, Lois' son, playing the piano with one of Lex's henchmen). Despite it doing well with critics and making almost $400 million, it did not do good enough for Warner Bros., who cancelled a sequel in favor of a reboot, resulting in Man of Steel. This is an underrated superhero film that is a good homage.

Bullet points:

Good - using the Williams score, original titles style and Brando voice-over for the start sequence: all good calls;

Bad - Kate Bosworth: bad casting. No charisma. Never for a second convinced me that she was a spunky reporter;

Good - Brandon Routh: I thought nobody could fill Christopher Reeve's shoes, but this lad does well;

Bad - costume. They got it right in the 70s movies. The effect of darkening the colours, reducing the shield size and dropping the waistline of the trunks is well-known to clothes designers - it makes the wearer look tall and thin. Reeve looked broad and imposing.

Good - saving the shuttle/plane, and dealing with the Metropolis "quake";

Bad - not enough of that stuff;

Good - Spacey's Luthor. Clearly grown from the same seeds as Hackman's, but much more definitely a villain. I believed that this Luthor was fundamentally evil;

Bad - Kitty Kowalski. What an underwhelming character. Miss Tesmacher-lite;

Good - Richard White - a potentially interesting new character, to sit in a potentially very interesting group dynamic;

Bad - Tristan Lake Lebeau. Superman's son is autistic? Sorry, kid - you were rubbish.

Good - tweaking the franchise back into life again;

Bad - forgetting that Superman isn't Batman. Superman is supposed to be light. Superman is supposed to be FUN! Don't take it so seriously, next time!

The basic premise of Superman Returns is that Superman has returned from an unexplained 5-year absence to find a world that seems to be getting along fine without him, that the woman he loves has moved on and has a family, and that he is- at least in terms of any beings similar to him- completely alone. The amazing thing is, this is the least angst-filled, least melodramatic superhero film in the past 5 years or so. I think the recent trend has been to try to get audiences to empathize with their heroes more by making them more human and actually taking them seriously. Peter Parker battles some very serious demons and is in constant struggle with being Spider-man, the X-Men films are very serious and political and the latest instalment, "The Last Stand," featured some startling and emotionally wrenching revelations, and Batman, well, need I go on?

So, here we have Superman in the first new film in almost 20 years. He has his issues, but unlike all the other Super heroes around, he seems to be very solemn about it all. After all, he is Superman, not Clark Kent; Clark Kent is his mask. Obviously a huge nitpick people will have is that Clark comes back the very, very same day as Superman and not one single idiot in the city of Metropolis seems to notice, right? Well, yes, that bugged me too, at first. But then, the more you think about it, that's just how Clark Kent is designed: completely forgettable (except by Jimmy), always in the background, and always overshadowed by the bigger story, which is Superman. David Carradine has a very great speech about Superman at the end of Kill Bill Volume 2 that justifies everything quite nicely to me, so I suggest seeing that if you haven't already. What this movie does a great job of doing is just showing this classic, iconic super hero doing what he does best: saving the day. There's something so refreshing about finally getting that clear view of Superman for the first time after he saves a planeload of passengers from certain doom, and saying with a smile: "Don't let this turn you off to flying, folks. Statistically it's still the safest mode of transportation."

But that brings us to the actual plot. It goes for simple, safe, repetitive— tedious, even? And, honestly, it's the kind of plot that just doesn't justify the runtime. Lex Luthor comes up with a ridiculous plan that even in the world of comic books is pretty hard to swallow. He compares himself to Prometheus, how he is so generous with the "mortals" by sharing his wonderful discovery, though planning on killing billions in the process. Lex obviously forgot the last half of that story, where Prometheus is punished and confined to terrible pain for all of eternity. But maybe that's the point. I mean, we all know from the very beginning Lex won't win, he's doomed to lose, that's just how it's meant to be: Superman wins and Lex loses. Written in the scriptures: is, was, ever shall be, in comic strips, TV shows, feature films, living in an ageless universe, for all eternity.

Bryan Singer is obviously aware of this. Singer also directed X-Men 1&2, and I think his biggest problem as a director is that he lacks a sense of completion in his works. X-Men is not the kind of movie that you watch, and then once it's over, you want to watch it over again. It's the kind of movie that you watch, and then once it's over, you want to see the next one. The X-Men films were each done with the presumption that there would be a next instalment, and that's fine I guess if you like always being on the edge of your seat waiting for the next one, but when his Superman movie does the same thing and drags past the 2-and-a-half hour mark, there's a problem. If nothing else, the movie establishes that Superman is indeed back, and we should expect to see more of him in the future.

Superman Returns is definitely a grand film. It's big, it's loud, it's expensive. I usually don't think to myself, 'hey that looks expensive,' when watching a movie, but I did in this case. It doesn't try for anything new or bold, it doesn't want to, and it's nice to see a super hero movie where the hero is the generic do-gooder, and helps mankind because he really wants to. That's why I think Superman garners more universal appeal than any others. But, honestly, the angsty heroes can be much more interesting. Certainly so with last year's Batman Begins, which I thought was a great, perfect movie, while I though Superman Returns was really good, but probably could have been better.

My rating: 7.5/10