Als eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in eine... Alles lesenAls eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in einem maßlosen, aber unsicheren jungen Zauberer, der mit seinen Gefährten in einem vierbeinige... Alles lesenAls eine wenig selbstbewusste junge Frau von einer alten, boshaften Hexe verflucht und in eine Greisin verwandelt wird, sieht sie ihre einzige Hoffnung, den Zauber wieder zu brechen, in einem maßlosen, aber unsicheren jungen Zauberer, der mit seinen Gefährten in einem vierbeinigem Wanderschloss lebt.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 14 Gewinne & 20 Nominierungen insgesamt
- Sophie
- (Synchronisation)
- Howl
- (Synchronisation)
- Calcifer
- (Synchronisation)
- Witch of the Waste
- (Synchronisation)
- Markl
- (Synchronisation)
- Page
- (Synchronisation)
- Turnip Head
- (Synchronisation)
- …
- King
- (Synchronisation)
- Heen
- (Synchronisation)
- …
- Suliman
- (Synchronisation)
- Grandma Sophie
- (English version)
- (Synchronisation)
- Howl
- (English version)
- (Synchronisation)
- Witch of the Waste
- (English version)
- (Synchronisation)
- Madame Suliman
- (English version)
- (Synchronisation)
- Young Sophie
- (English version)
- (Synchronisation)
- Markl
- (English version)
- (Synchronisation)
- Calcifer
- (English version)
- (Synchronisation)
- Lettie
- (English version)
- (Synchronisation)
Zusammenfassung
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What I love about this movie is that it's highly emotional without a great deal of logic or plot or story to get in the way. In this way the film is simple, pure, and extremely beautiful. It is as if the characters go from one emotion to the next, in a world that is as random as one's own dreams. Some people have complained about the lack of plot or story or serious character development, but even though the characters are fairly static, their emotions and the physical changes they undergo as they go through these emotions brings out a higher truth that is seldom given such artistic and natural freedom.
I think this is a very smart movie in many subtle ways and it's one that I look forward to watching again on the big screen and then on DVD. Although it flirts from theme to theme to theme with a kind of animated attention deficit disorder, the landscapes and utter unabated surrealism left me stunned and never bored.
Also, from a quizzical character design perspective, Howl is certainly one of if not the most beautiful characters that Miyazaki has ever created. Howl is an interesting departure from Miyazaki's more classical wabi-sabi anime style that most of his heroes and heroines are drawn in as Howl is definitely a very contemporary bishonen.
If you're looking for quaint settings, dynamic characters and a very involving character or plot driven story, you're not going to necessarily find them here, but you will find an equally stunning and pleasing movie if you let yourself go and enjoy this passionate, heartfelt and surreal Miyazaki dream.
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
Wusstest du schon
- WissenswertesUpon seeing Chihiros Reise ins Zauberland (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- PatzerSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Zitate
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- VerbindungenEdited into Miyazaki Dreams of Flying (2017)
- SoundtracksSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El increíble castillo vagabundo
- Produktionsfirmen
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Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.173.958 $
- Eröffnungswochenende in den USA und in Kanada
- 427.987 $
- 12. Juni 2005
- Weltweiter Bruttoertrag
- 241.286.592 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1