IMDb-BEWERTUNG
7,6/10
77.052
IHRE BEWERTUNG
Erzählt die Geschichte der unerbittlichen Suche einer jungen Frau nach ihrem Verlobten, der während des Ersten Weltkriegs spurlos aus den Schützengräben an der Somme verschwunden ist.Erzählt die Geschichte der unerbittlichen Suche einer jungen Frau nach ihrem Verlobten, der während des Ersten Weltkriegs spurlos aus den Schützengräben an der Somme verschwunden ist.Erzählt die Geschichte der unerbittlichen Suche einer jungen Frau nach ihrem Verlobten, der während des Ersten Weltkriegs spurlos aus den Schützengräben an der Somme verschwunden ist.
- Für 2 Oscars nominiert
- 17 Gewinne & 35 Nominierungen insgesamt
Jean-Pierre Darroussin
- Benjamin Gordes
- (as Jean Pierre Darroussin)
Jean-Pierre Becker
- Esperanza
- (as Jean Pierre Becker)
Jean-Paul Rouve
- Le facteur
- (as Jean Paul Rouve)
Elina Löwensohn
- La femme allemande
- (as Elina Lowensohn)
Empfohlene Bewertungen
10gort-8
This is one of those times that a rating system breaks down. I gave this film a "10" only because there were no "20's" available.
This film, in its own way, seems to be able to fire on those same diverse cylinders that William Shakespeare so often did. It's a light and airy comedy. It's the bitterest of tragedies. It's a beautiful romance. It's an unfolding mystery. At it's heart it is a film of war. War, in all its boiling chaos, touches on all those experiences and more.
When I left the theater I was both elated and depressed. My elation came from having just had such a pure cinematic experience. My depression came from glancing at the marquee and reminding myself that I'll have to survive on the sort of cinema half-life provided by the pablum that normally makes it to the screen. Every now and again it's great to be reminded just how good a movie can be.
This film, in its own way, seems to be able to fire on those same diverse cylinders that William Shakespeare so often did. It's a light and airy comedy. It's the bitterest of tragedies. It's a beautiful romance. It's an unfolding mystery. At it's heart it is a film of war. War, in all its boiling chaos, touches on all those experiences and more.
When I left the theater I was both elated and depressed. My elation came from having just had such a pure cinematic experience. My depression came from glancing at the marquee and reminding myself that I'll have to survive on the sort of cinema half-life provided by the pablum that normally makes it to the screen. Every now and again it's great to be reminded just how good a movie can be.
An epic love story on a World War I background. Far from Amelie, the team Jeunet/Tautou demonstrates his talent, showing with poetry love and war, beauty and horror, sweetness and violence. Mathilde and Manech, played by the stunning Audrey Tautou and the new French heart-throb Gaspard Ulliel, are the ideal lovers, determinate, passionate, separated by destiny, hoping...because hope is the message, the only one of a film where love is giving and giving again. If you loved Cold Mountain you will adore "A very long engagement". If don't know yet what it is to hold someone's heart in your hand, to feel the beatings of somebody's heart like the Morse alphabet, this movie will explain it to you, and you never will be the same anymore.
Dazzling, never before have I seen such a visually pleasing picture. Jeunet has mastered the film medium giving 'A Very Long Engagement' a unique and fairy tale like visual style. Though rushed, the fantasy romance that Jeunet paints through flashbacks is inspiring. The graphic World War I trenches, provide an excellent contrast to the simple but charming mystery that Mathilde embarks on through the film.
Although Jeunet relies heavily on Audrey Tautou's performance, it is ultimately his one of a kind visual style that emotionally ties the viewer. This said, the latter portion of 'Long Engagement' feels very rushed and isn't treated to the same elegance that so well defines the first half. There are moments in the film where the visuals far overshadow the emotional intensity intended for the scene. This is perhaps 'Long Engagements' only fault, as it becomes unbalanced. The stylized and even cartoonish artistic direction that Jeunet leans to, although brilliant seems I'll fit for this wartime drama. Even so, 'A Very Long Engagement' comes off genuine and it's mix of fantasy romance and war will let you leave the theater fulfilled.
Although Jeunet relies heavily on Audrey Tautou's performance, it is ultimately his one of a kind visual style that emotionally ties the viewer. This said, the latter portion of 'Long Engagement' feels very rushed and isn't treated to the same elegance that so well defines the first half. There are moments in the film where the visuals far overshadow the emotional intensity intended for the scene. This is perhaps 'Long Engagements' only fault, as it becomes unbalanced. The stylized and even cartoonish artistic direction that Jeunet leans to, although brilliant seems I'll fit for this wartime drama. Even so, 'A Very Long Engagement' comes off genuine and it's mix of fantasy romance and war will let you leave the theater fulfilled.
A powerful and emotional war drama from French auteur Jean-Pierre Jeunet. Audrey Tautou leads us through an engaging and well-crafted story which sweeps us into the world of its characters, whom are established and well developed as the story progresses. The film itself is visually arresting with stunning cinematography. It was actually Bruno Delbonnel's visuals that acted as one of the man aspects that allured my interest in the film, it's a visual powerhouse blending the gritty conventions of war with scenes of a more romantic and dramatic style. A harrowing and emotional account of World War I from the perspective of French soldiers and civilians.
I had the pleasure of seeing this movie on a special preview last night and I was enthralled at its story line and cinematic experience. I wasn't a great fan of Amelie and hence was not expecting any particular out-of-body experience in viewing this. But I was wrong. It is a wonderful piece of story telling somewhat difficult to follow if you do have a short memory span for character names and flashbacks. Yet at the end, it seamlessly closes the web in a beautifully written script that has been well acted and filmed. It is particularly gory in the WWI battle scenes but probably accurate in depiction whilst the locations where the film was shot seem out of this world (hoped they were not computer generated). Quaint towns, fields, beaches and houses lend a beautiful touch to the story of a love that will not die whilst Audrey Tautou delivers a spellbinding performance in a child-like heroine with a will of steel. A special mention must be given to Bruno Delbonnel's camera work which simply is amazing. Can't wait for the DVD.
Wusstest du schon
- WissenswertesWhen casting Jodie Foster, Jean-Pierre Jeunet met her in Paris at the café which was used to shoot the scenes in Die fabelhafte Welt der Amelie (2001) which is near where he lives. Some tourists were at the café, knowing it was featured in the film, asked Jeunet and Foster to move out of the way (not recognizing them) so that they could take a photograph of the café.
- PatzerIn the film there is an important storyline about an albatross. However, throughout the film in all footage depicting the albatross a gannet is shown. Though a gannet is also a large seabird, it looks nothing like an albatross.
- Zitate
Ange Bassignano: [writes] "Revenge is pointless. Try to be happy and don't ruin your life for me."
- VerbindungenEdited from Nomaden der Lüfte - Das Geheimnis der Zugvögel (2001)
- SoundtracksÇa ne Vaut pas l'Amour
Music by François Perpignan
Lyrics by Alexandre Trébitsch
Performed by Esther Lekain
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- A Very Long Engagement
- Drehorte
- Héaux de Bréhat, Côtes-d'Armor, Frankreich(lighthouse exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 56.600.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.524.389 $
- Eröffnungswochenende in den USA und in Kanada
- 101.749 $
- 28. Nov. 2004
- Weltweiter Bruttoertrag
- 69.424.389 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What is the Japanese language plot outline for Mathilde - Eine große Liebe (2004)?
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