Intermission

Intermission starts with a bang and just keeps going, following the intertwined lives of its characters who are in search of either love, money or fame. This darkly funny Irish film speeds along, delivering numerous memorable scenes and a variety of interesting characters.

The dialog is sharp and the story carefully laid out. The direction shows a true love a film making - a desire to make something lively and entertaining and funny, yet truthful and touching.

Despite the multiple story lines and players, Intermission holds together, arriving at its final destination at just the right time. Not an ounce of fat to be found here, this is a well-crafted film.

Intermission is one of those modern multiple storyline films in which a group of characters lives intertwine. And, as per usual involves a car crash. These factors tie it to the likes of Magnolia, Amores Perros, 21 Grams, Crash, 13 Conversations About One Thing and many more films I'm sure that escape me at this point. So what does Intermission have to offer that these films do not? For one, the acting talent involved is pretty much a who's who of Irish (and Scottish) actors at present. Colin Farrell, Cillian Murphy, Colm Meaney, Shirley Henderson and Kelly Macdonald. The other main factor in the quality of Intermission lies in it's script, which comes across as funny, engaging and despite the comparisons made above is fairly original. It is most definitely a lighter affair than some of it's contemporary rivals listed above, and though not groundbreaking by any means, is a well-made and engaging piece of work.

I really enjoyed this movie. I laughed and laughed. It held me intrigued and wasn't a chore to watch or follow the story line. This movie dared to do what many others don't - very un-PC in places. Good on them for making such a refreshing movie. Sure we've seen many elements of the story line before and could anticipate many of the outcomes but I don't think this detracted from it at all. Great to see so many well known actors in different roles too. And demonstrating their acting talent by creating believable Irish accents. I did wonder if Colin Farrell had to practice his mother tongue after being in the USA for so long - seems he did OK though. I would definitely watch this again and recommend it whole heartedly to others.

You may develop a slight case of whiplash while watching "Intermission," but it will be a small enough price to pay for the pleasure of the experience. This is a fascinating film that ingeniously weaves together a myriad of overlapping stories whose common thread is life among the Irish working class.

The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.

Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).

The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.

And you'll barely feel that whiplash.

Well, if you loved "Crash" (no not the David Cronenberg version, but the Academy Award winning Paul Haggis film) you'll love this Irish version of everyday Irish folk in everyday life, living everyday life interchanging and interacting, kind of like a Irish "six degrees" thing. Speaking of acting, what acting...Everyone is so "real" almost like a documentary, Oscars for All! Great camera work, it just flows so well together, great cast nice to see Scottish actress Kelly MacDonald (Trainspotting, Gosford Park) again. Colin Ferrell is as intense as always, he is such fun to watch he's a great "on-the-edge-of-your-seat" actor. So if you enjoy great acting, a good story with some twists and turns check this one out. Other great Irish films are: Omagh(2004), Veronica Guerin(2003), Bloody Sunday(2002), The Commitments(1991), Waking Ned Divine(1998) and The Field(1990).

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