Füge eine Handlung in deiner Sprache hinzuThe world's worst actor Danny, meets the world's worst crook Marcus and their lives are changed forever...The world's worst actor Danny, meets the world's worst crook Marcus and their lives are changed forever...The world's worst actor Danny, meets the world's worst crook Marcus and their lives are changed forever...
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Jemma Rivera
- Lita
- (as Jemma Rivera Wilks)
Joseph Clements
- Philip Drayton
- (as Joe Clements)
Carolyne Cooper
- Alicia St. Claire
- (as Carolyne Shakespeare-Cooper)
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Hi! someone said non-australians wouldn't probably like it. maybe i have spent enough time in Australia but my boyfriend and I saw it up in Darwin and it was his first time in Australia. while it was not high brow intellectual humor, I thought it was hilarious and my boyfriend had a few chuckles as well. I thought it was silly and funny how it made fun of how a lot of kids stuff is really pretty dumb. At least that is how I felt when I was a kid and saw a clown or something (if I wasn't actually scared of the clown/mime, I felt them to be "talking" down to me). The Wiggles are big over here now and now I always think of this movie when I think of them although I believe this film was supposed to not have any sort of connection or reference to them.
I loved Wogboy, Nick Giannopoulos' earlier hit. The Wannabes was a major disappointment to me. Wogboy came from where the writer understood and has successfully used this genre over the past 15 or so years on stage and TV.
The Wannabes starts of with some badly drawn characters "the world's worst actor", cardboard cutout crims and the obvious bad girl with the heart of gold for love interest. Needless to say, everything else follows the formula.
Many ideas should and would have been discarded with re-writes, the "Flashdance" reference is one and their big break where they are "discovered" just left me confused for the mess that was on the screen.
Don't take the kids as it's language content is definitely not for the kids but can adults sit through guys doing a bad Hi-5 imitation without the cute girls to look at?
The Wannabes starts of with some badly drawn characters "the world's worst actor", cardboard cutout crims and the obvious bad girl with the heart of gold for love interest. Needless to say, everything else follows the formula.
Many ideas should and would have been discarded with re-writes, the "Flashdance" reference is one and their big break where they are "discovered" just left me confused for the mess that was on the screen.
Don't take the kids as it's language content is definitely not for the kids but can adults sit through guys doing a bad Hi-5 imitation without the cute girls to look at?
This was a great idea. But the over the top characters and the 2nd half of the film where the hysterical Aurora steals the child is a case study of what is wrong with Australian film.
The idea of criminals becoming a hugely popular children's group is clever and could have played our really well if the comedy had come from the real conflicts and characters rather than resorting to a ridiculous subplot that looks completely tacked on.
It amazes me what gets made in this country.
The idea of criminals becoming a hugely popular children's group is clever and could have played our really well if the comedy had come from the real conflicts and characters rather than resorting to a ridiculous subplot that looks completely tacked on.
It amazes me what gets made in this country.
I love checking out movies that IMDb bashes, just to see if they're as bad as everyone says. I'm happy to report I freakin loved this one.
First, here's my take on Australian comedies (based on the two I've seen: THE WANNABEES and RAZZLE DAZZLE). They don't pack as many zingers as Hollywood comedies, but even better, they space out the gags & make you wait for them. The humour is more situational, often not requiring a punchline. In a word: subtle. For this, I'm sure many American viewers may be disappointed or frustrated. But if you like your comedies on the softer side (like the British DEATH AT A FUNERAL, the Japanese KIKUJIRO or even the American DIRTY ROTTEN SCOUNDRELS, I think you'll appreciate this one.
The plot seems old (a bunch of losers band together to pull off some preposterous heist). But as with many great films that share this premise, the beauty is in how creative the story gets within its scope. Here we definitely get a lot of creativity. The film is delightfully predictable, yet surprising and engaging at the same time.
The humour is irreverent but not crass. In fact, I was surprised at the R rating. True, the gags are sometimes "adult" (like the scene where a guy mistakes a dildo for his throat- mic LOL!) but there's never anything explicit or filthy like you might see in one of those American Pie teen flicks. As for irreverent, this movie is not afraid to stereotype people. I suppose it might border on offensive, if you've got a pole up your orifice, but it's not nearly as bad as one of the reviews made it sound. There are a few homosexual characters who act a little queenie, and there's a hilarious Filipino(?) character who can't pronounce the letter 'F'. But none of the gags are mean spirited. In fact, I found it refreshing to see a movie that's not afraid to take us there, sort of like the Sarah Silverman show might do. I think this is the beauty of Aussie comedy. It even makes fun of Australians (or is it making fun of Americans making fun of Australians?) so everyone is fair game.
My only tiny criticism is the way the DVD box highlights Ilsa Fisher as if she's the star of the movie when really she's just an equal co-star with the rest. So if you watch the movie just for her, you may feel unsatisfied. To me, the other performances steal the show. We have such a great lineup of weird yet endearing losers, you can't help but love every one of them.
I really enjoyed this movie, and the minute it ended I wanted to watch it again. If you like subtle, offbeat comedies I'm sure you'll like it too. Check out the movies I mentioned above as well as these other lesser-known gems: THE MAIDEN HEIST, the Canadian ZEYDA AND THE Hit-man, the French CRIME SPREE, and I've mentioned it already--you must see RAZZLE DAZZLE.
First, here's my take on Australian comedies (based on the two I've seen: THE WANNABEES and RAZZLE DAZZLE). They don't pack as many zingers as Hollywood comedies, but even better, they space out the gags & make you wait for them. The humour is more situational, often not requiring a punchline. In a word: subtle. For this, I'm sure many American viewers may be disappointed or frustrated. But if you like your comedies on the softer side (like the British DEATH AT A FUNERAL, the Japanese KIKUJIRO or even the American DIRTY ROTTEN SCOUNDRELS, I think you'll appreciate this one.
The plot seems old (a bunch of losers band together to pull off some preposterous heist). But as with many great films that share this premise, the beauty is in how creative the story gets within its scope. Here we definitely get a lot of creativity. The film is delightfully predictable, yet surprising and engaging at the same time.
The humour is irreverent but not crass. In fact, I was surprised at the R rating. True, the gags are sometimes "adult" (like the scene where a guy mistakes a dildo for his throat- mic LOL!) but there's never anything explicit or filthy like you might see in one of those American Pie teen flicks. As for irreverent, this movie is not afraid to stereotype people. I suppose it might border on offensive, if you've got a pole up your orifice, but it's not nearly as bad as one of the reviews made it sound. There are a few homosexual characters who act a little queenie, and there's a hilarious Filipino(?) character who can't pronounce the letter 'F'. But none of the gags are mean spirited. In fact, I found it refreshing to see a movie that's not afraid to take us there, sort of like the Sarah Silverman show might do. I think this is the beauty of Aussie comedy. It even makes fun of Australians (or is it making fun of Americans making fun of Australians?) so everyone is fair game.
My only tiny criticism is the way the DVD box highlights Ilsa Fisher as if she's the star of the movie when really she's just an equal co-star with the rest. So if you watch the movie just for her, you may feel unsatisfied. To me, the other performances steal the show. We have such a great lineup of weird yet endearing losers, you can't help but love every one of them.
I really enjoyed this movie, and the minute it ended I wanted to watch it again. If you like subtle, offbeat comedies I'm sure you'll like it too. Check out the movies I mentioned above as well as these other lesser-known gems: THE MAIDEN HEIST, the Canadian ZEYDA AND THE Hit-man, the French CRIME SPREE, and I've mentioned it already--you must see RAZZLE DAZZLE.
Clever scripting, well crafted characters, side splitting humour & wonderful acting....you will find ABSOLUTELY NONE of those qualities within the pathetic & smutty film "THE WANNABES" !!
After the local success of his last film, "THE WOG BOY", comedian (?)Nick Giannopoulos has fallen into the trap of thinking his audience would swallow anything he made, and this poorly executed & terribly acted attempt at comedy is full of immature toilet humour and lame jokes that make you grit your teeth in pain.
The turgid script concerns a bunch of low brow criminals who enlist the aid of a third rate actor to create a Wiggles / Teletubbies type childrens act as a cover for a series of heists. The film just lurches from one painful scene to another as it sinks to the depths of boredom & stupidity, and I can see this film destined to end up in two places...(a) On the IMDB Bottom 100 film listing, and (b), In the $1.00 a week dump bin at your local video library.
Steer well clear of this giant lemon !!
After the local success of his last film, "THE WOG BOY", comedian (?)Nick Giannopoulos has fallen into the trap of thinking his audience would swallow anything he made, and this poorly executed & terribly acted attempt at comedy is full of immature toilet humour and lame jokes that make you grit your teeth in pain.
The turgid script concerns a bunch of low brow criminals who enlist the aid of a third rate actor to create a Wiggles / Teletubbies type childrens act as a cover for a series of heists. The film just lurches from one painful scene to another as it sinks to the depths of boredom & stupidity, and I can see this film destined to end up in two places...(a) On the IMDB Bottom 100 film listing, and (b), In the $1.00 a week dump bin at your local video library.
Steer well clear of this giant lemon !!
Wusstest du schon
- Zitate
Elderly Female Singer: I'm Benji... I'm five today!
Hammer: Hey Benji, wanna make it to six? Sit down and shut up!
- VerbindungenFeatured in Getaway: Folge #12.33 (2003)
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- Laufzeit1 Stunde 34 Minuten
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