Füge eine Handlung in deiner Sprache hinzuThe world's worst actor Danny, meets the world's worst crook Marcus and their lives are changed forever...The world's worst actor Danny, meets the world's worst crook Marcus and their lives are changed forever...The world's worst actor Danny, meets the world's worst crook Marcus and their lives are changed forever...
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Jemma Rivera
- Lita
- (as Jemma Rivera Wilks)
Joseph Clements
- Philip Drayton
- (as Joe Clements)
Carolyne Cooper
- Alicia St. Claire
- (as Carolyne Shakespeare-Cooper)
Empfohlene Bewertungen
'The Wannabes,' in my opinion was one of THE best comedies of 2003. It had me in stitches laughing for most of the movie. People are saying that 'The Wannabes' was a disappointment, well I say... they are totally wrong! I loved the movie. I highly recommend 'The Wannabes' but just a warning... don't take anyone under the age of 12. I saw it at 11, some parts were inappropriate for an 11 year old to see but overall, I enjoyed it. I give 'The Wannabes' 8.5 out of 10.
I loved Wogboy, Nick Giannopoulos' earlier hit. The Wannabes was a major disappointment to me. Wogboy came from where the writer understood and has successfully used this genre over the past 15 or so years on stage and TV.
The Wannabes starts of with some badly drawn characters "the world's worst actor", cardboard cutout crims and the obvious bad girl with the heart of gold for love interest. Needless to say, everything else follows the formula.
Many ideas should and would have been discarded with re-writes, the "Flashdance" reference is one and their big break where they are "discovered" just left me confused for the mess that was on the screen.
Don't take the kids as it's language content is definitely not for the kids but can adults sit through guys doing a bad Hi-5 imitation without the cute girls to look at?
The Wannabes starts of with some badly drawn characters "the world's worst actor", cardboard cutout crims and the obvious bad girl with the heart of gold for love interest. Needless to say, everything else follows the formula.
Many ideas should and would have been discarded with re-writes, the "Flashdance" reference is one and their big break where they are "discovered" just left me confused for the mess that was on the screen.
Don't take the kids as it's language content is definitely not for the kids but can adults sit through guys doing a bad Hi-5 imitation without the cute girls to look at?
This was a great idea. But the over the top characters and the 2nd half of the film where the hysterical Aurora steals the child is a case study of what is wrong with Australian film.
The idea of criminals becoming a hugely popular children's group is clever and could have played our really well if the comedy had come from the real conflicts and characters rather than resorting to a ridiculous subplot that looks completely tacked on.
It amazes me what gets made in this country.
The idea of criminals becoming a hugely popular children's group is clever and could have played our really well if the comedy had come from the real conflicts and characters rather than resorting to a ridiculous subplot that looks completely tacked on.
It amazes me what gets made in this country.
I love checking out movies that IMDb bashes, just to see if they're as bad as everyone says. I'm happy to report I freakin loved this one.
First, here's my take on Australian comedies (based on the two I've seen: THE WANNABEES and RAZZLE DAZZLE). They don't pack as many zingers as Hollywood comedies, but even better, they space out the gags & make you wait for them. The humour is more situational, often not requiring a punchline. In a word: subtle. For this, I'm sure many American viewers may be disappointed or frustrated. But if you like your comedies on the softer side (like the British DEATH AT A FUNERAL, the Japanese KIKUJIRO or even the American DIRTY ROTTEN SCOUNDRELS, I think you'll appreciate this one.
The plot seems old (a bunch of losers band together to pull off some preposterous heist). But as with many great films that share this premise, the beauty is in how creative the story gets within its scope. Here we definitely get a lot of creativity. The film is delightfully predictable, yet surprising and engaging at the same time.
The humour is irreverent but not crass. In fact, I was surprised at the R rating. True, the gags are sometimes "adult" (like the scene where a guy mistakes a dildo for his throat- mic LOL!) but there's never anything explicit or filthy like you might see in one of those American Pie teen flicks. As for irreverent, this movie is not afraid to stereotype people. I suppose it might border on offensive, if you've got a pole up your orifice, but it's not nearly as bad as one of the reviews made it sound. There are a few homosexual characters who act a little queenie, and there's a hilarious Filipino(?) character who can't pronounce the letter 'F'. But none of the gags are mean spirited. In fact, I found it refreshing to see a movie that's not afraid to take us there, sort of like the Sarah Silverman show might do. I think this is the beauty of Aussie comedy. It even makes fun of Australians (or is it making fun of Americans making fun of Australians?) so everyone is fair game.
My only tiny criticism is the way the DVD box highlights Ilsa Fisher as if she's the star of the movie when really she's just an equal co-star with the rest. So if you watch the movie just for her, you may feel unsatisfied. To me, the other performances steal the show. We have such a great lineup of weird yet endearing losers, you can't help but love every one of them.
I really enjoyed this movie, and the minute it ended I wanted to watch it again. If you like subtle, offbeat comedies I'm sure you'll like it too. Check out the movies I mentioned above as well as these other lesser-known gems: THE MAIDEN HEIST, the Canadian ZEYDA AND THE Hit-man, the French CRIME SPREE, and I've mentioned it already--you must see RAZZLE DAZZLE.
First, here's my take on Australian comedies (based on the two I've seen: THE WANNABEES and RAZZLE DAZZLE). They don't pack as many zingers as Hollywood comedies, but even better, they space out the gags & make you wait for them. The humour is more situational, often not requiring a punchline. In a word: subtle. For this, I'm sure many American viewers may be disappointed or frustrated. But if you like your comedies on the softer side (like the British DEATH AT A FUNERAL, the Japanese KIKUJIRO or even the American DIRTY ROTTEN SCOUNDRELS, I think you'll appreciate this one.
The plot seems old (a bunch of losers band together to pull off some preposterous heist). But as with many great films that share this premise, the beauty is in how creative the story gets within its scope. Here we definitely get a lot of creativity. The film is delightfully predictable, yet surprising and engaging at the same time.
The humour is irreverent but not crass. In fact, I was surprised at the R rating. True, the gags are sometimes "adult" (like the scene where a guy mistakes a dildo for his throat- mic LOL!) but there's never anything explicit or filthy like you might see in one of those American Pie teen flicks. As for irreverent, this movie is not afraid to stereotype people. I suppose it might border on offensive, if you've got a pole up your orifice, but it's not nearly as bad as one of the reviews made it sound. There are a few homosexual characters who act a little queenie, and there's a hilarious Filipino(?) character who can't pronounce the letter 'F'. But none of the gags are mean spirited. In fact, I found it refreshing to see a movie that's not afraid to take us there, sort of like the Sarah Silverman show might do. I think this is the beauty of Aussie comedy. It even makes fun of Australians (or is it making fun of Americans making fun of Australians?) so everyone is fair game.
My only tiny criticism is the way the DVD box highlights Ilsa Fisher as if she's the star of the movie when really she's just an equal co-star with the rest. So if you watch the movie just for her, you may feel unsatisfied. To me, the other performances steal the show. We have such a great lineup of weird yet endearing losers, you can't help but love every one of them.
I really enjoyed this movie, and the minute it ended I wanted to watch it again. If you like subtle, offbeat comedies I'm sure you'll like it too. Check out the movies I mentioned above as well as these other lesser-known gems: THE MAIDEN HEIST, the Canadian ZEYDA AND THE Hit-man, the French CRIME SPREE, and I've mentioned it already--you must see RAZZLE DAZZLE.
I think this was one of those very rare times when I came out of the cinema and really felt bad about spending $8. Very disappointed with Nick Gianopolis and the rest of his crew... I actualy liked WOG BOY and his stand up live show and I guess this was the reason I went to see this one. This movie is BAD. I will never see it again! If it will be on TV I'll change the channel! AVOID AT ALL COSTS!
Wusstest du schon
- Zitate
Elderly Female Singer: I'm Benji... I'm five today!
Hammer: Hey Benji, wanna make it to six? Sit down and shut up!
- VerbindungenFeatured in Getaway: Folge #12.33 (2003)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Weltweiter Bruttoertrag
- 815.731 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen