Saathiya - Sehnsucht nach dir

Shaad Ali's Saathiya is one of the best films of 2002. Everything about it -- from the story line, the cinematography, locations, emotions, performances to A.R. Rahman's beautiful soundtrack -- makes it a worthy film. The film marks the directorial debut of Shaad Ali, and it shows he has not gone far from his father (the great Muzaffar Ali) in terms of talent and imagination. He extracts good performances from his actors, he has a sense and understanding of emotion and clearly has a knack for capturing the complexity of marriage and relationships, which are infused with impressive lifelike sensibility in this film. Basically the story's success boils down to the fact that Ali portrays it with authenticity. This is a fantastic directorial debut (although he would ruin that image in his future projects BAB and JBJ). Rani Mukherjee is the main highlight of the show, the soul of the entire film. This is her career-best performance. She is simply flawless in every single scene - beautiful, vibrant, natural and convincing. Vivek Oberoi is a talented actor and acts very well, though he is not as good as his female costar. He does have to work on the more emotional expressions, but otherwise gives a complete performance. Gulzar and A.R. Rahman give life to the film with a superb list of songs, each of which is a gem. My favourite songs include "Saathiya", "Aye Udi Udi", "Chhalka Chhalka Re", "Chupke Se" and "O Humdum Soniyo Re". To sum it up, Saathiya is a very impressive, entertaining and realistic picture on relationships and marriage. I highly recommend you to see it.

Remakes, remakes and remakes. Some from Hollywood and some from South India. And the results at the box-office are mostly the same. FLOP! But why? Because these remakes can't achieve the status of the original versions (although good story, good performances or good music). Therefore directors are remaking their own films in Hindi but are failing, as well, because there is too much South Indian touch (Nayak – Mudhalvan; Rehna Tere Dil Main – Minnale; Dil Hi Dil Mein – Kadhal Dhinam; Doli Sajake Rakhna – Aniathiypravu etc.).

Saathiya, a Mani Ratnam creation, is a great movie. The film's strength is that it is suitable to North Indian milieu but fails to reach the quality that `Alai Payuthey' spread.

So where is its weakness then? Vivek Oberoi? Certainly not! It's a difficult job to top Madhavan's great performance in `Alai Payuthey'. Vivek won where Madhavan failed.

Rani Mukherji then? She portrayed her character, Suhani Sharma, completely different as her counterpart Shalini did in the original version. Both were great and for me difficult to say who was the better one.

So A.R. Rahman? He was the one who gave the wonderful scent to `Alai Payuthey' which you won't forget so easily. The songs and the background score which is filled with soulful tunes are absolutely great. It's one of Rahman's best works and he knows that he can't top it. As a result he didn't bring too many new songs which would destroy his early work. His new songs are nice to hear and fit to the North Indian milieu. The orchestra in the climax where Vivek apologizes to Rani is absolutely mind-blowing.

Gulzar then? I must admit that I don't understand Hindi and not much Tamil (thanks to English-subtitling) but the songs have good meanings and are as good as Vairamuthu's work for `Alai Payuthey'.

Perhaps Shah Rukh Khan and Tabu? Shah Rukh Khan is fantastic in his 10 minutes and portrayed the role differently as Arwind Swamy did. Tabu is unfortunately not as good as Khushboo who has done a superb job in Tamil.

But where is then the problem? It's certainly unfair to compare a youngster's work like Shaad Ali's with that one of a genius like Mani Ratnam's. Ali's direction is very good and is the best debutant director since Farhan Akhtar for Dil Chahta Hai. But small scenes which might be unnecessary are missing to achieve a very good quality. For example, in Saathiya `Aditya' has no one whom he can tell all his sorrows and lands up as a depressed husband. `Karthik' in Alai Payuthey talks with his Malayalee neighbour/houseowner (in Hindi Tinnu Anand) about love, marriage etc. and gets new hopes to set a new beginning in his marriage. The climax also in Tamil which has a more realistic look is better than in Hindi which is too filmy despite Vivek's performance and Rahman's orchestra. A clear parallel between Shah Rukh Khan/Tabu and Vivek Oberoi/Rani Mukherji could not been attained, as well.

But Ali has given the film a more youthful look than Mr Ratnam has done (more hanging out with friends, parties etc.) and like mentioned before, a suitable film to North Indian audiences and it is a film that is worth watching (though not as good as `Alai Payuthey').

Alai Payuthey 9.5/10; Saathiya 8.5/10

Yes, the film is almost like any other hindi film and yes its unbelievable how far better it is, than any of its contenders. A fabulous love story of a boy and a girl who marry each other against the wishes of their parents and society, 'Saathiya' shows the human side of love, stressing on the problems human beings deal with and work through in order to maintain a relationship.

The songs are amazing and their picturization magnificent. The movie has good doses of fun, emotion and tragedy. Rani Mukherjee looks ravishing and will take your breath away, she almost looks and acts like the perfect wife for any young man. Vivek Oberoi, who is very clearly the find of 2002 as far as the Hindi Film industry is concerned, turns in another great performance, he is absolutely flawless in the film, portraying the many emotional facets of his character 'Aditya Sehgal', with an almost unrecognizable ease. Shaad Ali puts in a fantastic effort for his first film, picking the perfect actors with the perfect locales to create a near perfect film. I cannot yet comment on the replayability of this film as I have only seen it once, but it is almost a surity that the movie would be as good on the second watch. A 10/10 film, and a must watch.

Very simple love story, but shown in an angle that makes it interesting and definitely worth watching. And it has great music. The singers and musci director, AR Rehman, all do a great job. The choreography is also great. Most of the songs are well-placed in the film...probably apart from the Chori Pe chori one. It's got the high quality you would expect from Yash Raj, and the sweet simplicity of Mani Ratnam... Definitely worth a watch.

This film -- which I had heard almost nothing about before seeing it -- turned out to be a powerful, moving, and important love story. Rani Mukherjee's performance as Suhani -- the young M.D. and wife struggling to reach out to her husband after they elope -- is top notch and clearly deserving of an Oscar. Likewise, Vivek Oberoi does a wonderful job portraying her husband Aditya as he oscillates between playfulness and workaholism. Ali and Rathnam's story is superb -- combining drama and social commentary in a complex and satisfying tapestry. As always, Anil Mehta does a fabulous job lensing the story -- his cinematography captures a wide range of urban landscapes that subtly adds depth and context to the story (and be on the lookout for an in-joke concerning his name in the film). And, of course, A. R. Rahman's score is terrific -- particularly when pouring out of a theater's surround-sound system! Not to be missed!