IMDb-BEWERTUNG
6,7/10
7100
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe son of Italian immigrants to Canada struggles to find the best way to reveal to his parents that he's gay.The son of Italian immigrants to Canada struggles to find the best way to reveal to his parents that he's gay.The son of Italian immigrants to Canada struggles to find the best way to reveal to his parents that he's gay.
- Auszeichnungen
- 1 Gewinn & 14 Nominierungen insgesamt
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This is the one film of the year I would recommend to anyone who wants a good laugh. Ignore the po-faced people who did not enjoy it and prepare yourself for an over-the-top stereotypical portrayal of "chaotic yet serene" ethnics in the wrong province in the wrong country. It is well-scripted and well-edited and the timing of the actors and director never fails. If you want to find out about real gay life or Italian Quebeckers, this is not the film to see; it is just an excellent comedy with plenty of gems - and good comedies are few and far between nowadays.
This film is about a second generation Italian immigrant having to come to terms with the drastic consequences of coming out of the closet.
This film is unlike any other film I have seen. It is very fast paced, each subplot don't last for more than 1 minute. There is a lot of self narrative. It also shows intersecting events and scenes of relevant characters, which is unusual for a comedy.
The sets are visually rich and appealing, and are always colourful and carefully constructed. The character development is great, and we care about the characters in the film. The script is excellent. The neurotic sister is hilarious. The arguments of the parents are very lively and funny, and are entertaining to watch. The costumes are nice and trendy, but not over the top.
In summary, this film is a lot of fun, very entertaining, humorous, visually appealing, and there is something for everyone! The only gay scene is a half a second kiss, which certainly will not hinder its crossover appeal to the mainstream. This film deserves more recognition than it gets!
This film is unlike any other film I have seen. It is very fast paced, each subplot don't last for more than 1 minute. There is a lot of self narrative. It also shows intersecting events and scenes of relevant characters, which is unusual for a comedy.
The sets are visually rich and appealing, and are always colourful and carefully constructed. The character development is great, and we care about the characters in the film. The script is excellent. The neurotic sister is hilarious. The arguments of the parents are very lively and funny, and are entertaining to watch. The costumes are nice and trendy, but not over the top.
In summary, this film is a lot of fun, very entertaining, humorous, visually appealing, and there is something for everyone! The only gay scene is a half a second kiss, which certainly will not hinder its crossover appeal to the mainstream. This film deserves more recognition than it gets!
Unlike some other commentators, I knew nothing about this film except it's a comedy about gay men. So I didn't expect much, but got all the more! First of all, I was glad to see that the main character was neither the classic handsome Hollywood macho, nor a feminine gay man but just an average-looking young guy. The other guy does look more cliché, but then he's the one who ends up in the closet, feeling guilty about being gay. The acting is superb throughout the film.
Someone commented that it's not all that funny. Well, it's true - coming out and breaking up with family or your lover are always painful, and I don't like films which ignore this side of the story. If you're deeply touched by Angelo's story, then it has performed the task such films, I think, are supposed to do: to make the audience more sensitive to gay people's issues. At the same time, though, it's pretty funny - just like your own coming out is often funny looking back. The confession scene is hilarious, and I laughed my heart out at the gay helpline scene - working for a GLBT helpline myself, I can assure you: this is just as distorted as the image of the Italian community. (We could use that scene for training purposes, though: what not to do...)
Someone commented that it's not all that funny. Well, it's true - coming out and breaking up with family or your lover are always painful, and I don't like films which ignore this side of the story. If you're deeply touched by Angelo's story, then it has performed the task such films, I think, are supposed to do: to make the audience more sensitive to gay people's issues. At the same time, though, it's pretty funny - just like your own coming out is often funny looking back. The confession scene is hilarious, and I laughed my heart out at the gay helpline scene - working for a GLBT helpline myself, I can assure you: this is just as distorted as the image of the Italian community. (We could use that scene for training purposes, though: what not to do...)
In this case truth is "funnier" than fiction. The premise of "Mambo Italiano" - that is, Italian families having to face the vagaries of reality - is certainly a truth, but being Italian-American and viewing this film with my own experiences at hand I can honestly say that this is no fiction. No fiction could be funnier than this. Even if this family's circumstances focus on dealing with the knowledge that their only son is gay, the premise is universal among Italians - life is filled with "catastrophes" but somehow we all survive and hopefully end up better for the process. Call it passion, call it pessimism, call it anything, just call it (this movie) funny. It is a comedy based on tragedy (from the family's point of view), a reverse kind of "Pagliacci", not dark and brooding but colorful (literally filled with color) and humorous - designed for a modern audience. Well cast, well acted, and worth seeing, "Mambo Italiano" can make you laugh and cry (but mostly laugh) at the same time. This is living, Italian style (replete with North American Italian "villas" and statuary). Some say it is a kind of spin-off of "My Big Fat Greek Wedding" and the protagonist Angelo even implies this at the very end of the film - confirming my impression that this is an honest, open and very enjoyable film.
Maybe it's because I come from Italian heritage that I find this film so funny. I honestly think I laughed out loud during this film one of the highest amounts I've ever belly-laughed during a movie. And you know how you laugh later on in a movie when nothing funny is going on because the thought of something hilarious that happened earlier is still stuck with you? Well that happened plenty of times to me here. I believe that it's because the Southern Italian and Sicilian in me both find fat Italian men to be perhaps the funniest group of people in the world. They are not simply funny because they know how to tell a joke, or they know how to pull off a good pratfall, but more because all you have to do is look at them, and they can make you burst out laughing. There is a scene where Paul Sorvino and Ginette Reno, whom I believe plays his wife, sit close together on a small bench in a cemetery facing the camera, and I suddenly started laughing. They look funny. They don't look weird. They just look like the first thing they say or do is going to make me laugh like a hyena.
Every scene for the first half of the film, literally every single one, contains something explosively funny to me, and they are mostly consisting of native Italians speaking rough English with thick Italian accents and fulfilling stereotypes of ardent cultural traditions. Hands down, the scenes that made me cackle so hard I thought my friend watching it with me was going to slap me for the unreasonable sound that can cause me to make were the scenes that depict what Italian families are like when the son moves out.
Mambo Italiano is also a surprise, because really it doesn't look that good. On the cover of the DVD case, you see a bunch of characters in some comical motion lined up across the cover, and you feel like you could pretty much guess completely what their service to the story is. Well, you'll be vaguely right, but if it wouldn't surprise you too much for me to say this at this point, it's a very poignant film about growing up as a homosexual surrounded by conflicting influences and pressure. The film will actually make you angry at society and the reality of what friends and family can end up doing to you in your life. But it's riotous fun.
Every scene for the first half of the film, literally every single one, contains something explosively funny to me, and they are mostly consisting of native Italians speaking rough English with thick Italian accents and fulfilling stereotypes of ardent cultural traditions. Hands down, the scenes that made me cackle so hard I thought my friend watching it with me was going to slap me for the unreasonable sound that can cause me to make were the scenes that depict what Italian families are like when the son moves out.
Mambo Italiano is also a surprise, because really it doesn't look that good. On the cover of the DVD case, you see a bunch of characters in some comical motion lined up across the cover, and you feel like you could pretty much guess completely what their service to the story is. Well, you'll be vaguely right, but if it wouldn't surprise you too much for me to say this at this point, it's a very poignant film about growing up as a homosexual surrounded by conflicting influences and pressure. The film will actually make you angry at society and the reality of what friends and family can end up doing to you in your life. But it's riotous fun.
Wusstest du schon
- WissenswertesBoth the film and the play (which the film is based upon) are based on Steve Galluccio's own life and experiences.
- PatzerWhen Gino and Maria visit the cemetery, Maria says that her sister was 33 when she died, but the dates on the tombstone are 1960-1987, which would make her 27.
- Zitate
Nino Paventi: How'd you get in here? The door was locked, the alarm system was on...
Lina Paventi: Nino, I'm Sicilian.
- SoundtracksMontreal Italiano
Written by Adam James, Deanne Dompierre, Steve Galluccio & FM Le Sieur
Music by FM Le Sieur
Performed by Adam James
Courtesy of F.M.L.S. International & Cinémaginaire Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Matrimonio a la italiana
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 5.000.000 CA$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.253.026 $
- Eröffnungswochenende in den USA und in Kanada
- 406.651 $
- 8. Juni 2003
- Weltweiter Bruttoertrag
- 9.638.258 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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