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IMDbPro

The L Word: Wenn Frauen Frauen lieben

Originaltitel: The L Word
  • Fernsehserie
  • 2004–2009
  • 16
  • 50 Min.
IMDb-BEWERTUNG
7,7/10
30.003
IHRE BEWERTUNG
BELIEBTHEIT
1.097
4
The L Word: Wenn Frauen Frauen lieben (2004)
The L Word
trailer wiedergeben1:33
4 Videos
99+ Fotos
Sinnliche RomanzeDramaRomanze

Folgt dem Leben und der Liebe einer kleinen, engen Gruppe von schwulen Frauen, die in Los Angeles leben, sowie den Freunden und Familienmitgliedern, die sie entweder unterstützen oder verabs... Alles lesenFolgt dem Leben und der Liebe einer kleinen, engen Gruppe von schwulen Frauen, die in Los Angeles leben, sowie den Freunden und Familienmitgliedern, die sie entweder unterstützen oder verabscheuen.Folgt dem Leben und der Liebe einer kleinen, engen Gruppe von schwulen Frauen, die in Los Angeles leben, sowie den Freunden und Familienmitgliedern, die sie entweder unterstützen oder verabscheuen.

  • Stoffentwicklung
    • Michele Abbott
    • Ilene Chaiken
    • Kathy Greenberg
  • Hauptbesetzung
    • Jennifer Beals
    • Leisha Hailey
    • Laurel Holloman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    30.003
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.097
    4
    • Stoffentwicklung
      • Michele Abbott
      • Ilene Chaiken
      • Kathy Greenberg
    • Hauptbesetzung
      • Jennifer Beals
      • Leisha Hailey
      • Laurel Holloman
    • 143Benutzerrezensionen
    • 29Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 5 Gewinne & 24 Nominierungen insgesamt

    Episoden70

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    Videos4

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    Season 2 Official Trailer
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    The L Word
    Trailer 1:33
    The L Word
    The L Word: Season 2
    Trailer 1:14
    The L Word: Season 2

    Fotos456

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    Topbesetzung99+

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    Jennifer Beals
    Jennifer Beals
    • Bette Porter
    • 2004–2009
    Leisha Hailey
    Leisha Hailey
    • Alice Pieszecki
    • 2004–2009
    Laurel Holloman
    Laurel Holloman
    • Tina Kennard
    • 2004–2009
    Mia Kirshner
    Mia Kirshner
    • Jenny Schecter
    • 2004–2009
    Kate Moennig
    Kate Moennig
    • Shane McCutcheon
    • 2004–2009
    Pam Grier
    Pam Grier
    • Kit Porter
    • 2004–2009
    Rachel Shelley
    Rachel Shelley
    • Helena Peabody
    • 2005–2009
    Daniel Sea
    Daniel Sea
    • Max Sweeney…
    • 2006–2009
    Erin Daniels
    Erin Daniels
    • Dana Fairbanks
    • 2004–2007
    Marlee Matlin
    Marlee Matlin
    • Jodi Lerner
    • 2007–2009
    Rose Rollins
    Rose Rollins
    • Tasha Williams
    • 2007–2009
    Sarah Shahi
    Sarah Shahi
    • Carmen de la Pica Morales
    • 2005–2009
    Dallas Roberts
    Dallas Roberts
    • Angus Partridge
    • 2006–2009
    Preston Cook
    • James
    • 2004–2009
    Olivia Windbiel
    • Angelica…
    • 2006–2009
    Lauren Lee Smith
    Lauren Lee Smith
    • Lara Perkins
    • 2004–2006
    Cybill Shepherd
    Cybill Shepherd
    • Phyllis Kroll
    • 2007–2009
    Jon Wolfe Nelson
    Jon Wolfe Nelson
    • Tom Mater
    • 2007–2009
    • Stoffentwicklung
      • Michele Abbott
      • Ilene Chaiken
      • Kathy Greenberg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen143

    7,730K
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    Empfohlene Bewertungen

    youdontsmellbad

    i'm a straight man who watches it for the right reason

    i checked out the show, to be honest, for the reason you might expect. and for that purpose i was pretty disappointed. but i'm not entirely crass and i continued watching. now i'm a cinephile who doesn't make a lot of time for TV shows, but this was a truly terrific achievement.

    this is a top shelf, highbrow, a-class, quality show for intelligent people almost exclusively. the characters are well-developed, and backed by nuanced performances. the dialogue rings true, never TV-like at all. and the story arcs are present without that pesky soap-opera feeling.

    on top of that, the shot selection and cinematography are freewheeling and experimental(sometimes to a fault-as in the rotating camera in the Chinese restaurant-but no matter). the show is more than worth an hour out of my week.

    that damn theme song however is the worst. so ham-handed and silly, ugh. it practically undoes all the subtlety of the show when it wails "this is the way that we live!!" not to mention that awful list of verbs in the middle. and such a long song too! that and the sometimes equally obtuse selection of music for the soundtrack is the worst bit.
    10caelyng-41508

    Groundbreaking for it's time

    I think we often forget that The L Word was a groundbreaking show for its time. It was one of the first TV shows to focus on the lives and relationships of lesbian women (with the addition of other parts of the LGBTQ+ community). We watch each character navigate lovers, heartbreak, friendships, and careers. Regardless of whether you like the character or not, each actor portrayed their role in a uniquely original way. The L Word was never simple. Each character was complex, flawed, and passionate-traits we don't always see on TV. The show has some controversial moments, but it tackled issues that weren't fully understood at the time. Above all, The L Word provided representation for queer women that they had longed for.
    average_of_deviance

    See it before you critique it...

    ...and by seeing it, I mean watching more than just one episode, particularly a pilot which automatically alerts someone to the fact that a show is just starting out and hey, give it some credit or a chance before you blow it off.

    that said, obviously I'm a huge fan of the show. While it does have a somewhat shaky start (and what doesn't?) the show really hits it's stride during the middle of the season as the characters and, I'm led to believe, actors really begin making and displaying the bonds they share.

    While it may a lesbian show, an hour long, a drama, a comedy, a creative reflection of real life, it is ultimately a television show and I personally think it's brilliant for what it is. Some argue that the characters aren't believable, the plots too 'out there', the lesbian characters too beautiful or glamorous and I don't agree with any one of them for the simple reason that it's a TELEVISION SHOW, television itself being the epitome of glamour and idealization, and a damn good television show at that. Television is, as I said above, a creative reflection of real life, it's not meant to actually be real life.

    Erin Daniels, in particular, is amazing as Dana Fairbanks. She has you laughing hysterically one minute and in sympathetic tears the next. Not to mention the rest of the cast, who neither under or over play their characters and sort of allow their characters to come through them instead of being forced. It's hard to explain, but there's something about the dynamic of this cast, of this show, that just draws you and doesn't let you go.

    I recommend you give it a watch, and a chance and if at the end you still don't enjoy it than it's fair enough, at least you tried. However, I do believe the show is strong enough and that well put together that you can't help but like it, you can't help but care what becomes of these characters, and you can't help but want more.

    on a side note, Lauren Lee Smith who plays a guest character called Lara is so adorable it's not even funny. As Leisha Hailey. And Jennifer Beals. (who are both mains)

    (as you can see, the show also makes it hard to have and hold onto a favourite character, they're all appealing and all wonderful)
    jazzest

    Well-Done TV Series about Lesbians with Universal Themes that Appeal to All Audience

    This artistically well-done Showtime-made TV series primarily focuses on portrayal of lesbians in their 20s to 40s as urban professionals and deals with their everyday issues; at the same time, thematic materials such as working on relationships or struggling against temptations have universal qualities so that any open-minded persons, regardless of gender and sexual orientation, can associate with the happenings in the show. Also, dramas without males' chauvinistic nature create a uniquely comfortable mood, which even the straight audience may feel refreshing. Gaining a wide range of supporters and fans beyond the lesbian community must be a big factor of the show's success, which made it possible for the series to continue to Season Two.

    Speaking of the show's success, one cannot overlook its artistic merits, which are extraordinary as a TV show's. Many incidents are interwoven into one compelling story; a lovable ensemble cast that consists of a variety of personas engages in acting; and the director of photography Robert Aschmann takes full advantage of his skills and creativity in amazing long takes, aggressive crane shots, and illuminative lightings. There is inconsistency among episodes on writing, directing, and editing due to the fact that several different artists have worked on each episode; this drawback may be inevitable for a TV series. Among writers and directors, Rose Troche, the legendary director of Go Fish, writes believable dialogues and directs intimate scenes with crafts, while Lenka Svab stands out among editors, dazzling and mesmerizing the viewers with a deliberate disorientation. Some writers make homage to historic filmmakers such as Godard, Cassavetes, and Soderbergh by having the characters refer to them; this is a tiny detail but certainly amuses film fans.
    falconerouge

    Gay or Straight...you've gotta see this

    The L Word is one of the most original shows I've ever seen. It's the only real lesbian show ever made. It's breaks down stereotypes, and shows you that not all lesbians are butch. It deals with real issues that lesbians have, but at the same time maintains its humor (some of the one liners are hilarious). It's not trying to be perfect or overly explicit (although the sex scenes are nowhere near self-conscious). The women on the show are all gorgeous and very talented. The acting is the most solid part of the show. Some of the characters show so much emotion with so little dialogue (like my personal favorite, Marina, played by Karina Lomabrd). The show has no limitations. Pretty much every boundary was crossed by the end of the first episode, and that's a good thing. This is by far my favorite show, and if you haven't seen it you really should. Gay or straight, you'll love it.

    My only complaint is that Karina isn't coming back for season 2. Hopefully she'll be back for future seasons.

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    Handlung

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    • Wissenswertes
      Shane, played by Kate Moennig, is sometimes seen wearing a t-shirt bearing the word "gush". Leisha Hailey, who played Alice Pieszecki, was in a band called Gush.
    • Zitate

      Kit Porter: Let me talk to Tina.

      Bette: What would you say?

      Kit Porter: That my sister is a pootie chasin' dog, who deserves to be tied down and whupped upside the head, but it doesn't change the fact that she loves you more than she loves her own life. And that you should finish punishing her and get back to figuring on how to live with one another for the next 50 years or more.

      Bette: You could give it a try.

      [Goes to take a bite of food, and stops, looking as if she's about to cry]

      Kit Porter: Now don't you go and pull a Marina on me now.

    • Verbindungen
      Featured in Class Dismissed: How TV Frames the Working Class (2005)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 18. Januar 2004 (Kanada)
    • Herkunftsländer
      • Vereinigte Staaten
      • Kanada
    • Offizieller Standort
      • Showtime (United States)
    • Sprache
      • Englisch
    • Auch bekannt als
      • The L Word
    • Drehorte
      • Santa Monica Mountains, Los Angeles, Kalifornien, USA(Hiking trail)
    • Produktionsfirmen
      • Anonymous Content
      • Dufferin Gate Productions
      • Showtime Networks
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    Technische Daten

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    • Laufzeit
      • 50 Min.
    • Farbe
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    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.78 : 1

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