IMDb-BEWERTUNG
5,3/10
548
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuRobert Adams was a valorous southern Captain who used his heart of fire to rally his men to fight. He fell in love with Eveline, a smart, kind and strong willed school teacher from the north... Alles lesenRobert Adams was a valorous southern Captain who used his heart of fire to rally his men to fight. He fell in love with Eveline, a smart, kind and strong willed school teacher from the north. As they met, the Civil War was upon them.Robert Adams was a valorous southern Captain who used his heart of fire to rally his men to fight. He fell in love with Eveline, a smart, kind and strong willed school teacher from the north. As they met, the Civil War was upon them.
- Auszeichnungen
- 9 wins total
Foster Walker
- John Boone
- (as Mick Walker)
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In 1860 Captain Robert Adams of South Carolina (Julian Adams) falls in love with Eveline McCord from Pennsylvania (Gwendolyn Edwards). Their challenges during the Civil War are chronicled. Eveline's brother and his wife are peripheral characters (Joshua Lindsey & Amy Redford), as is the comrade played by Eric Holloway.
Based on a true story, "The Last Confederate: The Story of Robert Adams" (2005), originally titled "Strike the Tent," is a Civil War story produced, written, and directed by the descendants of Robert and Eveline, which compelled critics to write it off as a 'vanity project.' The low budget (about $1 million) is comparable to "The Colt" (2005) and "Pharaoh's Army" (1995), but with a story akin to "Cold Mountain" (2003).
This is basically a Western transplanted to the Eastern Front of the Civil War. The tone is lyrical in a pleasant way that entrances the viewer, but the brutalities of combat are also depicted. Gwendolyn and Amy Redford (Robert's daughter) are beautiful and Adams makes for a convincing protagonist. The ironies of war are shown, e.g. The hero mercilessly mows down four Union soldiers and then is spared for unknown reasons by a Federalist.
The film runs 1 hour, 36 minutes, and was shot in South Carolina (Columbia & lower Richland County), North Carolina (Wilmington & another area), Georgia (Conyers) and Maryland (Hagerstown). Mickey Rooney and Tippi Hedren have small parts.
GRADE: B-
Based on a true story, "The Last Confederate: The Story of Robert Adams" (2005), originally titled "Strike the Tent," is a Civil War story produced, written, and directed by the descendants of Robert and Eveline, which compelled critics to write it off as a 'vanity project.' The low budget (about $1 million) is comparable to "The Colt" (2005) and "Pharaoh's Army" (1995), but with a story akin to "Cold Mountain" (2003).
This is basically a Western transplanted to the Eastern Front of the Civil War. The tone is lyrical in a pleasant way that entrances the viewer, but the brutalities of combat are also depicted. Gwendolyn and Amy Redford (Robert's daughter) are beautiful and Adams makes for a convincing protagonist. The ironies of war are shown, e.g. The hero mercilessly mows down four Union soldiers and then is spared for unknown reasons by a Federalist.
The film runs 1 hour, 36 minutes, and was shot in South Carolina (Columbia & lower Richland County), North Carolina (Wilmington & another area), Georgia (Conyers) and Maryland (Hagerstown). Mickey Rooney and Tippi Hedren have small parts.
GRADE: B-
10bkz2457
OK, first and foremost i like good "realistic" war films, secondly i like films even better if they are based on fact. This was both, and a bonus to both of those critical points is the lead role, who is a descendant of the "historical" character who is the main focus of the film. My wife enjoyed the film too, hard to find a film both of you can watch knowing there's going to be some bloodshed mixed in with a love story, but it works and it works well. Its hard to tell at times this is not a big budget film, but reading about it elsewhere you know its not and you can appreciate it even more. You can see there's a lot of personal effort gone into getting this film made. You see so many people on here saying "well thats 90 minutes of my life wasted" well this is just the opposite, i wish it had been longer, you get a great insight into some real peoples lives during the civil war, and the authentic backdrops and locations just add to its quality.
Very well done, especially considering the budget. I liked the independent, realistic feel to it, vs manufactured or contrived Hollywoodism.
I read somewhere a reviewer saying that this was "revisionist history" wrt this movie's depiction of how the slave owners treated their slaves so nicely. Absolutely untrue... there really wasn't that much depiction of slave owners with slaves to begin with, and to see one white gentleman actually talk nicely to a few slaves was totally believable.
That same reviewer also said this movie was about "nostalgia" for the pre-war south. But I think it was more about southerners protecting their tradition, and then finally knowing when to surrender (hence the title "Strike the Tent"). Otoh, the extra featurette on the DVD about how the film was conceived did show that Julian's intention was to proudly depict his much beloved, land-owning family history.
The film depicts pre-war southern life favorably, yet doesn't demonize the north (much), even after it's clear that the south had lost the war and had to free their slaves. It was a good depiction of one side "protecting their own", but pretty much intentionally blind to the issue of slavery itself. An interesting "real life" depiction of real history--at least from a southern, white-man's point of view.
I read somewhere a reviewer saying that this was "revisionist history" wrt this movie's depiction of how the slave owners treated their slaves so nicely. Absolutely untrue... there really wasn't that much depiction of slave owners with slaves to begin with, and to see one white gentleman actually talk nicely to a few slaves was totally believable.
That same reviewer also said this movie was about "nostalgia" for the pre-war south. But I think it was more about southerners protecting their tradition, and then finally knowing when to surrender (hence the title "Strike the Tent"). Otoh, the extra featurette on the DVD about how the film was conceived did show that Julian's intention was to proudly depict his much beloved, land-owning family history.
The film depicts pre-war southern life favorably, yet doesn't demonize the north (much), even after it's clear that the south had lost the war and had to free their slaves. It was a good depiction of one side "protecting their own", but pretty much intentionally blind to the issue of slavery itself. An interesting "real life" depiction of real history--at least from a southern, white-man's point of view.
The story is based on a true person (although only a corporal in real life portrayed as a captain). The family connection of the writer and actors was appreciated. The movie had unnecessary cursing and a sex scene, all of which could have been omitted and the story would have been enhanced. These "modern" devices insult the imagination and taste of viewers like me. My Christian family could have enjoyed it without these elements. The story and action stalled about three quarters of the way through, kind of like a sermon gone too long.
Appreciated the inclusion of a "Copperhead" character, a Northerner who had sentiment for the Southern society and cause. There were a multitude of these "Southern sympathizers" throughout the North, but one would be hard-pressed to find such facts in history books. Good movie except for the elements already mentioned.
Appreciated the inclusion of a "Copperhead" character, a Northerner who had sentiment for the Southern society and cause. There were a multitude of these "Southern sympathizers" throughout the North, but one would be hard-pressed to find such facts in history books. Good movie except for the elements already mentioned.
Being a native of South Carolina, I just truly "lived" in this movie. The actors 'became' the characters and I could feel what it was like during that turbulent time.
This is not a "slick" film one way or the other. Gwendolyn Edwards makes you want to bow and offer her your hand for a promenade; Julian Adams makes you realize what true Southern men went through during that time: it was not easy, nor pat, nor automatic. It was a time that was hard on all Southerners.
This film made it natural that you identify with the characters: they were not heroes, supermen, or plastic celebrities. They were real people.
I'll add this to my collection, and that is a rare honor indeed. Movies are so cheap and easily attainable that it's not worth the time and trouble to buy them. But I will definitely buy this one so that I always have it near to hand.
A million thanks to Julian and Weston Adams and to Gwendolyn Edwards. You all made it so real and so natural.
Thank you.
Jim Kirk
Paris, Tennessee
This is not a "slick" film one way or the other. Gwendolyn Edwards makes you want to bow and offer her your hand for a promenade; Julian Adams makes you realize what true Southern men went through during that time: it was not easy, nor pat, nor automatic. It was a time that was hard on all Southerners.
This film made it natural that you identify with the characters: they were not heroes, supermen, or plastic celebrities. They were real people.
I'll add this to my collection, and that is a rare honor indeed. Movies are so cheap and easily attainable that it's not worth the time and trouble to buy them. But I will definitely buy this one so that I always have it near to hand.
A million thanks to Julian and Weston Adams and to Gwendolyn Edwards. You all made it so real and so natural.
Thank you.
Jim Kirk
Paris, Tennessee
Wusstest du schon
- WissenswertesThe music book being used by older Eveline, played by Tippi Hedren, at the opening of the movie was an actual music book owned and used by Eveline McCord Adams, played by Gwendolyn Edwards.
- PatzerIn the scene where Robert first sees Eveline the bodice of the dress has very thin, synthetic looking material (authentic materials are MUCH heavier) and it appears to be the middle of the day (off-shoulder gowns were not worn until evening/night by anyone of marrying age).
- Crazy CreditsTo the memory of: Charles St. George Sinkler Adams
- SoundtracksA Cold Wind
Music by Atli Örvarsson
Lyrics by Julian Adams and Atli Örvarsson
Performed by Atli Örvarsson and Þórhildur Örvarsdóttir
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- Laufzeit1 Stunde 36 Minuten
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