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IMDbPro

Die Geschichte von Marie und Julien

Originaltitel: Histoire de Marie et Julien
  • 2003
  • 12
  • 2 Std. 30 Min.
IMDb-BEWERTUNG
6,8/10
2002
IHRE BEWERTUNG
Emmanuelle Béart and Jerzy Radziwilowicz in Die Geschichte von Marie und Julien (2003)
DramaFantasyMysteryRomance

Füge eine Handlung in deiner Sprache hinzuMiddle-aged Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfr... Alles lesenMiddle-aged Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfriend is dead, the rest of her past a mystery. Although they quickly seem to fall in love, ... Alles lesenMiddle-aged Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfriend is dead, the rest of her past a mystery. Although they quickly seem to fall in love, she sometimes pulls away suddenly from him, is distant, and spends the night in a hotel. S... Alles lesen

  • Regie
    • Jacques Rivette
  • Drehbuch
    • Pascal Bonitzer
    • Christine Laurent
    • Jacques Rivette
  • Hauptbesetzung
    • Emmanuelle Béart
    • Jerzy Radziwilowicz
    • Anne Brochet
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    2002
    IHRE BEWERTUNG
    • Regie
      • Jacques Rivette
    • Drehbuch
      • Pascal Bonitzer
      • Christine Laurent
      • Jacques Rivette
    • Hauptbesetzung
      • Emmanuelle Béart
      • Jerzy Radziwilowicz
      • Anne Brochet
    • 24Benutzerrezensionen
    • 33Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos15

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    Topbesetzung7

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    Emmanuelle Béart
    Emmanuelle Béart
    • Marie
    Jerzy Radziwilowicz
    Jerzy Radziwilowicz
    • Julien
    Anne Brochet
    Anne Brochet
    • Madame X
    Bettina Kee
    • Adrienne
    Olivier Cruveiller
    • L'éditeur
    Mathias Jung
    • Le concierge
    Nicole Garcia
    Nicole Garcia
    • L'amie
    • Regie
      • Jacques Rivette
    • Drehbuch
      • Pascal Bonitzer
      • Christine Laurent
      • Jacques Rivette
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    6,82K
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    Empfohlene Bewertungen

    writers_reign

    One More Time

    This is the kind of film in which we are invited to indulge the director in return for the reward of fine performances/lush photography/gorgeous sets/haunting score, perm any three from four. In this case our indulgence is a tacit agreement not to wonder out loud just WHERE Julian gets the commissions to work on a series of outsize clocks in his home/workshop, or how he stumbled on the material with which he is blackmailing Madame X or indeed how anybody in the plot made the acquaintance of anyone else. Apart from Madame X and Marie he appears to have no other contact with anyone despite being middle aged and apparently well established in his large house/workshop. Trying to write a story like this must be like trying to drink from a collander so we badly need the compensation of the aforesaid fine acting, camera-work, score, etc. To some extent they are present and correct but I doubt they will be enough for the majority of viewers.
    9Red-125

    Not your usual love story

    The French movie Histoire de Marie et Julien was shown in the U.S. with the translated title, The Story of Marie and Julien (2003). It was directed by Jacques Rivette.

    Rivette was the first great proponent of what became known as the French New Wave. His contemporaries like Godard and Truffaut respected him, and followed in his path. (Incidentally, Rivette died in January 2016.)

    As the title tells us, this film is a story--actually a love story--about Marie and Julien. Julien, played by the excellent actor Jerzy Radziwilowicz, repairs large clocks that are placed in bell towers. He lives a quiet life with his cat, Nevermore, until he chances to meet Marie. (Marie is portrayed by Emmanuelle Béart.)

    Also, as we learn when the movie begins, Julien is a blackmailer. He has found some incriminating material about a woman we only know as Madame X (Anne Brochet). She is willing to pay his price, and the blackmailing proceeds, in stages, throughout the film. No one seems to notice or care that Julien is a blackmailer. Apparently, this is just a small quirk.

    For the record, Anne Borchet is a beautiful woman. Rivette loved to direct beautiful women. These included many of the most famous women actors of the era--his muse, Bulle Ogier, Sandrine Bonnaire, and Anna Karina. However, none of them can compare to the chemistry that Rivette shared with Béart.

    Emmanuelle Béart was extraordinarily beautiful. We know it, she knows it, and director Rivette knows it. The part of Marie requires someone truly beautiful, because she is the true protagonist of the movie. There are long takes where only Marie is on screen. We see her wandering around Julien's house, touching things, looking into cabinets, arranging a room. If Marie weren't beautiful, we wouldn't really care about how interesting she is, how unusual she is, or how mysterious she is. With Béart in the role, we care.

    When the film was produced, Béart was 40. She had lost the ingenue qualities we had seen in Manon of the Spring and La Belle Noiseuse. However, she had lost none of her beauty, and Rivette utilized it every time he presented her to us. She made the movie work.

    Special note should be given to Julien's cat, Nevermore, played by Gaspard. Gaspard is everywhere when we are in Julien's home, and although he doesn't have a speaking role, the other actors all talk to him. (At one point Marie tells him, "Stop spying on me. Mind your own business.") Nevermore wears a bell, so when you don't see him, you hear him. (It's true that, when they are hunting, cats are so agile that they keep the bell from ringing. Nevermore doesn't care if the bell rings. It's his theme song.)

    We saw this film on DVD, and it worked very well. Naturally, Rivette crafted it for a movie theater audience, but the small screen was fine.

    This is a slow film, with many long quiet moments. If you want action and excitement, it's the wrong movie for you. However, if you want to see a thoughtful, unusual movie, find Marie and Julien and watch it.
    10Franchini

    Boring is the absence of ideas

    Why do certain people that go to the movies think that (their) being bored is important for the destiny of the world? Why do they keep punching us with their problems of boredom?

    Can't they understand that, to share something with the others, it's important to have some ideas (just a small one, please...) about the movie itself? Do they think that when they proclaim their boredom they are giving to the world some kind of undisputed law?

    Is it so difficult to understand that the Rivette work cannot be understood by the rules of mediocre entertainment? Is it so painful to address the simple idea that Rivette keeps filming the mystery of love? And that he doesn't want to bore us with the vulgar ideas of a vulgar TV-movie?
    7pzzow

    Just a note for people adding comments

    Perhaps a few of the above comments mights be useful if they were sure to not do these two things:

    1.Admit up front that the only reason you attended a screening was because you always wanted to be seen at a film festival and because you happen to have a thing for an actress (what does her attire at the festival have to do with the film at all?)

    2.Admit that you didn't even make the effort to sit through the entire film.

    By doing these two things you immediately discredit yourself as a critic (casual or professional, it does not matter) and as a serious movie goer. Why don't you save such trivial opinions for Spielberg and Cameron movies, where people might care? When viewing a film from a director with Rivette's past, one can't expect light fair at a lightening pace. I suppose you expect an action film from Godard or Tarkovsky too? I will myself admit that it was not a fantastic film, but the reasons for which these others so unjustly scrutinize the film are the exact reasons that make it interesting. I personally could have watched Julien toy with his clocks and his cat "Nevermore" and Marie 'set up house' the entire two and a half hours. The territory that this film explores is the relationship between two individuals and how their own consciousness relates to the cinematic narrative through these relationships. Granted this topic of "the abyss" between two lovers or siblings is common fair in high-culture drama, yet it becomes nonetheless intriguing for the patient spectator in that it eventually dives into the terrain of low-culture genre film. The subject chosen by M. Rivette is expertly relayed through painstaking detail and precision, something absolutely necessary to it, and something that can only be accomplished after a lifelong devotion to the cinematic medium. If he had done this movie 30 years ago when he first started filming it, before giving it up until now--thats right folks and mindless commentators, 25 years before the movies its said to have ripped off--I'm not sure he would have created a similar film, one infused with a comparable, patient interrogation of human relationships and suffused with the same amount of warm compassion and empathy for his characters.
    gorbman

    A different sense of time

    The thing that has always been interesting about Rivette is the different sense of time that he creates through a more slowly developed story, spanning 2-4 hours on screen. Then when a real development comes along, it's such a surprise and pleasure (dare I say "as in real life?"). MARIE AND JULIEN has a mysterious story, but it's not suspenseful--you can guess what's going on fairly early into the film. Pleasure lies in getting to know the characters, watching Marie arrange a room, watching Julien take a clock apart and put it back together--and having your suspicions about the story verified. It's all perhaps more like reading a novel than watching a normal Hollywood film characterized by a tightly formulaic, time-bound 90-minute plot. And it's no accident that Julien is a clock repairman: that big clock he dismantles seems to stand for the very method and structure, and sense of duration, of this wonderful movie. A clock's ticking is supposed to be even, "in beat," but it's interesting too when the ticking is uneven!

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    Handlung

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    Wusstest du schon

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    • Patzer
      When we see Marie choosing chairs to place in the garret, after she removes the second chair and returns to the garret empty-handed, a small stool is inexplicably where the chair had been.
    • Zitate

      Marie: [during sex] I'm a warrior.

      Julien: An amazon.

      Marie: No. I keep my breasts for you, my friend. we're in the middle of a plain, a dessert.

      Julien: Around us, a horde. It's our first battle.

      Marie: I take over, come on top of you. I hunger for you. I eat you till I'm sick.

      Julien: You tear me apart with your teeth, your nails.

      Marie: You eat my sex.

      Julien: It smells like wet soil. I stick my tongue and fingers in. Smell.

      Marie: It's true. It smells like wet soil.

      Julien: You faint. I take you in my arms. I take you...

      Marie: Far... far from the battleground.

      Julien: You wake up... you cry... scream.

      Marie: You will deliver me.

    • Verbindungen
      Referenced in Un film fantôme: Stéphane Tchal Gadjieff à propos de Jacques Rivette et 'Histoire de Marie et Julien' (2019)
    • Soundtracks
      Our Day Will Come
      Written by Mort Garson and Bob Hilliard

      Performed by Blossom Dearie with Joe Harnell et son quartet, Joseph Harnell (as Joe Harnell) (piano) - Dick Romoff (bass) - Ted Summer (drums) - Jerome Richardson (flute)

      © 1962 publishing by Better Half Music and MCA Music Publishing (Renewed), A.D.O. Universal Studio

      (p) DIW Records/disk union Co., Ltd.

      Avec l'aimable autorisation de Unisersal Music projets spéciaux

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    Details

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    • Erscheinungsdatum
      • 26. August 2004 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Italien
    • Sprache
      • Französisch
    • Auch bekannt als
      • The Story of Marie and Julien
    • Drehorte
      • Place Michel Debré, Paris 6, Paris, Frankreich
    • Produktionsfirmen
      • Pierre Grise Productions
      • Cinemaundici
      • Arte France Cinéma
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 66.543 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
    • Seitenverhältnis
      • 1.85 : 1

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