Encrypt - Der Schlüssel zum Überleben

I switched to this movie because nothing else was on and expected the usual garbage that comes out of a "Sci-Fi Channel Original", due to low budgets and everything else. I was actually pretty impressed with the script when I took considerations for what TV writers have to go through in terms of rigorous formulas and budget crises. There were definitely some issues: was it really necessary to have a bad guy? What if the team really was going after what the hero thinks they are going after? The worst was that stupid robot Rook; although it's not a bad name for a robot, it looked like a 30s scifi plastic piece of junk. We could have skipped all of that. The psychological games between the hologram and the hero actually make up about 90% of this film anyway. The rest is just 10 minutes of silly subplot. Without any of the extra fluff and with a budget this movie actually had the potential to work.

As the "other writer" on this project, let me give a few of you an eduction on the wonderful world of TV production. While the original screenplay Encrypt, written by Richard Taylor, was solid, it was written as a big movie. At a studio level, it would have been budgeted between $60-80 million. On an independent level, it probably would have cost around $10 million. The original movies for the Sci-fi channel are budgeted at $2 million, which after above the line costs (actors, directors, writers, producers), it's actually considerably less. Obviously, for this kind of money, the production quality on every level is going to be less than your standard Fox movie of the week. Secondly, this is a TV MOVIE, which means it has to fit into a formula predetermined by the network by past successes (i.e. commercial breaks every twenty minutes, and a structure that leaves cliff hangers before every break). It has an "episodic feel" because it is episodic TV. And for this genre, that means action beats with a body count. That means adding a team. Now, while the character development for the team members clearly didn't work, some of that was due to casting (Torontonian actors don't seem to "get" the American commando stuff), and a last minute order to "cut one character" riddled the piece with lost lines and lost moments. Lastly, (and we go back to the budget for this one), everything has to take place in one or two locations (moving around is costly), which means you usually end up forcing your set-pieces into whatever rooms are available at your primary location. As a result, things feel less organic than they should. That being said, Encrypt was better received than the few readers here have commented. The director did tremendous things within the limitations given him and both Grant and Vivian grounded the film with strong, emotional performances. Could the movie have been better? Sure. But given the time, budgetary and other constraints, the efforts put forth by many deserves a little more respect, especially given all of their good intentions.

A user comment by Roger Tay states: "How on earth does dreck written as badly as this actually get made?" Well Roger, let me explain.

This was an original script and I happen to know the screenwriter on this project, (God I love living in L.A.). I read the script way before it was produced. This is not what was written. Producers, and there are many on a project, try to dance around each other making changes to justify their existence.

When enough changes are made, the producers bring in another writer who knows nothing of the original intent of the writer and tries not only to make the lame changes the producers want, but will do his/her best to change at least 51% of the script in order to share a full "screenplay by" credit on the project. And that's how this was re-written.

So, to answer your question.... you take a bunch of 30 year olds who know how to dress but know nothing about story telling and give them a decent script to destroy.

"Encrypt" is a medium-budget film that tries to do at least three genres simultaneously: post-apocalyptic sci-fi, commando-type action, and philosophical rumination on what it means to be a human or a machine. It achieves modest success in all three fields. Occasionally the budget constraints show through and it becomes a bit too talky, but in general the effects are pretty good and the relatively unknown actors play their parts solidly (the most familiar name is probably Vivian Wu, who appears exclusively as a hologram). The script is rather ambitious and concludes with a hopeful but not happy ending. If you can find this movie, it's worth a look. **1/2 out of 4.

I'm a big fan of camp, but when every plot 'twist' is predictable and bad, while obviously not trying to be, even I lose interest. I was going to rate this a 3, but the ending dropped it a point easily. Its only saving grace is that I hated other movies more. Not enough beer in the world for this one.