The Missing

`The Missing' is as close to a feminist movie as can be telling a story that engrosses on the traditional level of the Western without offending warring cultural factions. Cate Blanchette plays a frontier single mom and local healer, whose teenage daughter is abducted by Apaches and army deserters to sell for prostitution in Mexico.

She must find her daughter and also deal with her estranged father, played by Tommy Lee Jones, who deserted his family 20 years ago to live with the Apaches and now tracks them with Blanchette to find his granddaughter.

Blanchette is not John Wayne, who played one of the `Searchers' in John Ford's memorable Western, certainly a source for this story. She lacks Wayne's easy bigotry about Indians, yet she carries toughness in adversity every bit as strong as Wayne at his most macho.

Nor is she Audrey Hepburn in John Huston's `The Unforgiven,' who is mostly protected from abduction-minded Kiawas by Burt Lancaster. No, Blanchette carves out a memorable stand-alone heroine in another sterling performance, certainly one of the top 2 actresses in film today.

Cinematographer Salvatore Totino uses aerial shots to capture the vast but imprisoning New Mexico landscape; James Horner's swelling music now and then feels as if it can't wait for another `Titanic'; Ron Howard's direction is unobtrusive, in the same way he allowed Russell Crowe to save Howard's middling `Beautiful Mind' screenplay. Actually Howard prepared himself by directing the Mel Gibson `Ransom,' also about abduction and pursuit.

The realism starts in the first scene with Blanchette extracting a tooth from an almost toothless hag and proceeds with multiple bloody encounters, too many for me in a long movie that could have edited out several encounters. But seeing Blanchette and Jenna Boyd as her younger daughter act with apparent full chops is to be happy that we no longer have to rely on Wayne for rugged individualism. As Gloria Steinem reminds us, `When both sexes realize that either one can be on top, we're all going to enjoy our relationships a lot more.'

The premise of this film that the main character (played by Cate Blanchett) is a rancher and doctor living in the wilds of New Mexico. Her daughter is kidnapped by a group of outlaws led by a psychopathic witch doctor. At the same time, her estanged father (played by Tommy Lee Jones) enters her life, and she is faced with her deep hatred of him, weighed against her need for his help. The rest of the story I won't give away.

I've read whisperings of Oscar nominations, which may be a fair statement, but although these rumors have been directed towards Blanchett, I would say that Jones had the stronger performance. Blanchett was excellent as well though, depicting a hard-laboring no-nonsense rancher perfectly, not trying to inject any glamour into her role whatsoever, as might have been the case if certain other big name actresses had played the role. I am forever amazed by Blanchett's versatility! The girls playing the daughters were excellent

too, specially the youngest one, who had a number of intense emotional scenes.

I liked the bleak feeling presented in the film...the raw climate, the hopelessness combined with determination that the characters portrayed. The heroic rescue attempts were not without their screw-ups, making the story much more realistic than a typical Western shoot-em-up hero movie.

I also enjoyed the element of mysticism, which was pulled off without being too corny. The main villain in this film was quite possibly the creepiest, ugliest villain to grace the screen in years! Yet somehow it wasn't too trite either.

My personal beef with most Hollywood epics is that friggin' annoying sweeping soundtrack music, which practically spells out to you how you are supposed to feel, replacing the emotion that should have been created by the acting and directing. Thankfully, the soundtrack didn't overwhem this film. Just some well placed ambient music which supplemented the scenes nicely.

Definitely one of the better films I've seen lately. I rate it 8/10.

The picture deals with a family formed by the mother (Cate Blanchett) , two daughters and her lover (Aaron Eckart ). The grandfather (Tommy Lee Jones) appears after long time . Then , the oldest daughter (Evan Rachel Wood) is kidnapped by the Chiricaghua Apaches and they set out in looking her for . They will have to confront a lot of dangers and they will track down a group of Indians commanded by a villain and ominous sorcerer . The confrontation will be terrible .

In the film there are shootouts , noisy action , wonderful landscapes , fights and a little bit of violence . In the support cast of the film appears various actors who usually play Indians roles , such as Eric Schweig and Steve Reevis , because being native origin , and both of them along with Tommy Lee Jones learned some words of the Chiricaghua language . Eric Schweig along with Wes Studi , Graham Greene , Tantoo Cardinal , Michael Spears , Rodney A Grant and Floyd Westerman , among others , appear in almost all movies with Indians , starting with : ¨Dancing with wolves¨ and continuing with ¨The last Mohican¨ . And a brief role for Val Kilmer, who previously worked together director Ron Howard in Willow , as Kilmer lives on a nearby New Mexico ranch, agreed to producers a secondary cameo in this film . The motion picture didn't obtain success and was a real flop at box office , in spite of the extraordinary sets (New Mexico) , enjoyable cinematography and atmospheric musical score by the great James Horner. The flick will appeal to Indians western fans

It's 1885 New Mexico, Samuel Jones (Tommy Lee Jones) has return to reconcile with his estranged daughter Maggie Gilkeson (Cate Blanchett). He had abandoned her 20 years ago, and she rejects him right away. When her oldest daughter Lilly (Evan Rachel Wood) is kidnapped by Indian outlaws, Maggie must seek his father's help.

This is a departure from the usual Ron Howard fare. It's moody atmosphere can be attributed mostly to Tommy Lee Jones' performance. It's a fascinating side note to Howard's career and great to see him imitate 'The Searchers'. There is a lot of ugliness being shown but the ending is too traditional for this stark dark tale. I think Howard couldn't really go to the lower depths in the end. It's a great effort for an accomplished director to go outside his comfort zone.

Ron Howard did not intend to make a straight up Western movie. That's the first problem here. Howard didn't want The Missing to be identified with a specific genre. This is part Western, part period drama, part mystical thriller, part action movie. Using several genres to make this unique could have worked, if Howard had combined them all in one. But the problem is that he seemed to keep changing his mind every 25 minutes of screentime. At first it's a period drama about a family, then it's a western, then it's an action movie, then it's a mystical thriller. There was no consistency with what the story was supposed to be. To add to this, The Missing was too long. I have no problem with long movies. I don't mind movies that are 3:30 hours long, if every scene feels like it belongs and is relevant. But here, there are several scenes that could have been cut. And going back to my complaint about there not being a specific genre, I think it could have worked if it was only a period drama/action/western. But when it got into the mystical Indian witchcraft, I checked out. We had more than an hour and a half building this up as a legitimate and realistic dramatic film taking place in the western time period, and all of a sudden, it's a fantasy movie. If it had been about mystical Indian witchcraft from the start, those scenes would not have been out of place. But to spring it on the audience the way it was done, it was totally out of place.

I feel a little weird making my complaints about The Missing, because I actually did enjoy watching it, for the most part. I thought it built an interesting story and I was satisfied with how it concluded. Tommy Lee Jones is at his best since Rules Of Engagement. Cate Blanchett was without a doubt at her best since Elizabeth. And the dialogue is fantastic, as is the Cinematography. James Horner surprise me with his score. It was different from what I'm used to him doing. I loved the story and thought it was entertaining to watch. So why doesn't The Missing work as well as it could have? Simply because Ron Howard had a very ambitious idea about how to make a Western movie different and unique, but didn't spend quite enough time developing it. If Howard had taken an extra 6 months of pre-production, I'm convinced this could have been the brilliant movie that Howard probably had a vision for.