IMDb-BEWERTUNG
6,5/10
108.950
IHRE BEWERTUNG
Ein Mann erhält auf seinem Handy einen Notruf von einer älteren Frau. Die Frau gibt an, entführt worden zu sein, und die Entführer haben als nächstes ihren Mann und ihr Kind im Visier.Ein Mann erhält auf seinem Handy einen Notruf von einer älteren Frau. Die Frau gibt an, entführt worden zu sein, und die Entführer haben als nächstes ihren Mann und ihr Kind im Visier.Ein Mann erhält auf seinem Handy einen Notruf von einer älteren Frau. Die Frau gibt an, entführt worden zu sein, und die Entführer haben als nächstes ihren Mann und ihr Kind im Visier.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Chase Ellis Bloch
- Timid Boy
- (as Chase Bloch)
Chelsea Ellis Bloch
- Surf Girl's Friend
- (as Chelsea Bloch)
Empfohlene Bewertungen
I like a movie that takes an idea or a theme or just an amusing gimmick and then runs with it. There is something exhilarating about being able to exhaust the possibilities of an idea without beating the whole thing to death. A great example is GROUNDHOG DAY; just when you think the filmmakers have milked the idea for all it's worth, they take off on a totally new tangent and the film ends up getting better and better. It is a sign that the writer and/or the director are thrilled with the sheer joy of creative exploration. They aren't just playing by the numbers, but are eager to go beyond expectations. This is film-making as a challenging game.
CELLULAR, while not in the same league as GROUNDHOG DAY, is nonetheless a good example of this type of storytelling. This time the linchpin of the story is the cell phone. The filmmakers seem to have made a list of everything that makes cell phones great (emergency use, portability, digital photography, etc.) as well as what makes them a nuisance (ringing at inappropriate times, crossed connections, lost signals, dying batteries, etc.) and incorporated both lists into a story. The trick isn't just to gerryrig the list into a story, but to do so in a coherent and plausible fashion. CELLULAR is a crackerjack piece of storytelling. The storyline is unlikely, but not impossible and it all unfolds at a steady clip that makes any loophole or implausibility fly by so fast that the viewer has little time to raise a question.
Beyond the gimmickry of the storytelling, the film also benefits from being a solid, efficient, no-nonsense piece of film-making. Directed by actor-turned-stuntman-turned-director David R. Ellis, this is an action-packed thriller that knows the value of blending action with humor and character. Without loosing its manic pace, the film nevertheless takes time for puckish humor and character development. As the damsel in distress, the Hitchcockian innocent man sucked into a web of intrigue and the retiring cop facing his one last case, the actors could have been saddled with one-note, cliché characters. But Kim Basinger, Chris Evans and William H. Macy are given ample room to not only act, but to create characters who are, more importantly, smart. They aren't at the mercy of the complicated plot, they are what moves it along.
My one genuine reservation with CELLULAR is that it is destined to become dated so very fast. Technology, the film's driving force, will quickly be its undoing. It brings to mind old episodes of the "Columbo" TV series, where Peter Falk's Lt. Columbo is seen to be in awe of computers and answering machines and video cameras and VCRs, and he has to go into great detail explaining how such gadgets and gizmos work and how they can be used as part of a murder plot. The cutting edge technology of the time now seems so elementary that Columbo's naivete seems rather silly. Yet, the Columbo stories still hold up thanks to clever storytelling and strong characters played by good actors. And from that perspective, CELLULAR just might hold up to be a minor classic, albeit as a period piece.
CELLULAR, while not in the same league as GROUNDHOG DAY, is nonetheless a good example of this type of storytelling. This time the linchpin of the story is the cell phone. The filmmakers seem to have made a list of everything that makes cell phones great (emergency use, portability, digital photography, etc.) as well as what makes them a nuisance (ringing at inappropriate times, crossed connections, lost signals, dying batteries, etc.) and incorporated both lists into a story. The trick isn't just to gerryrig the list into a story, but to do so in a coherent and plausible fashion. CELLULAR is a crackerjack piece of storytelling. The storyline is unlikely, but not impossible and it all unfolds at a steady clip that makes any loophole or implausibility fly by so fast that the viewer has little time to raise a question.
Beyond the gimmickry of the storytelling, the film also benefits from being a solid, efficient, no-nonsense piece of film-making. Directed by actor-turned-stuntman-turned-director David R. Ellis, this is an action-packed thriller that knows the value of blending action with humor and character. Without loosing its manic pace, the film nevertheless takes time for puckish humor and character development. As the damsel in distress, the Hitchcockian innocent man sucked into a web of intrigue and the retiring cop facing his one last case, the actors could have been saddled with one-note, cliché characters. But Kim Basinger, Chris Evans and William H. Macy are given ample room to not only act, but to create characters who are, more importantly, smart. They aren't at the mercy of the complicated plot, they are what moves it along.
My one genuine reservation with CELLULAR is that it is destined to become dated so very fast. Technology, the film's driving force, will quickly be its undoing. It brings to mind old episodes of the "Columbo" TV series, where Peter Falk's Lt. Columbo is seen to be in awe of computers and answering machines and video cameras and VCRs, and he has to go into great detail explaining how such gadgets and gizmos work and how they can be used as part of a murder plot. The cutting edge technology of the time now seems so elementary that Columbo's naivete seems rather silly. Yet, the Columbo stories still hold up thanks to clever storytelling and strong characters played by good actors. And from that perspective, CELLULAR just might hold up to be a minor classic, albeit as a period piece.
The movie centers the abduction of Kim Basinger and her son carried out by Jason Statham and others . She speaks by telephone with Chris Evans' cellular and he tries to free her. Chris is helped by a good police, played by William H. Macy , and his girlfriend , Jessica Biel.
In the movie there are car pursuits , thriller , surprises , emotions and it is enough amusing . From start to finish the noisy action pace is unstopped. The confrontation between the starring and the nasties is stimulating and stunning . The races of cars in the motorway are breathtaking and overwhelming and there are a little bit of humor concerning to a cocky driver. The picture obtained a great success at the box office all around the world , it's a real blockbuster. Kim Basinger interpretation is top-notch , she is beautiful in spite of being fifty years old . Chris Evans is nice , he has a good future . Chris Evans did his own car stunts. Before production began, he was trained for five weeks at a Los Angeles stunt school. Most of the stunts are done by the actors themselves, too . The support cast is riveting : Jason Statham makes an fascinating villain and William H. Macy interprets magnificently an agreeable pólice .
The motion picture was well directed by David R. Ellis, a good craftsman who started as stuntsman and director assistant . He has made nice and suspenseful thrillers such as Final destination , Asylum , Snakes on the plane and Jaws 3D . The yarn will appeal action-packed and suspense fans. Rating : 7/10 .Well catching.
In the movie there are car pursuits , thriller , surprises , emotions and it is enough amusing . From start to finish the noisy action pace is unstopped. The confrontation between the starring and the nasties is stimulating and stunning . The races of cars in the motorway are breathtaking and overwhelming and there are a little bit of humor concerning to a cocky driver. The picture obtained a great success at the box office all around the world , it's a real blockbuster. Kim Basinger interpretation is top-notch , she is beautiful in spite of being fifty years old . Chris Evans is nice , he has a good future . Chris Evans did his own car stunts. Before production began, he was trained for five weeks at a Los Angeles stunt school. Most of the stunts are done by the actors themselves, too . The support cast is riveting : Jason Statham makes an fascinating villain and William H. Macy interprets magnificently an agreeable pólice .
The motion picture was well directed by David R. Ellis, a good craftsman who started as stuntsman and director assistant . He has made nice and suspenseful thrillers such as Final destination , Asylum , Snakes on the plane and Jaws 3D . The yarn will appeal action-packed and suspense fans. Rating : 7/10 .Well catching.
I watched"Cellular" recently in 2015,and I was very satisfied. This film revolves around Jessica(Kim Basinger) she was kidnapped, and she dials a random number which is Ryan's number (Chris Evans) who being coward person , he avoids helping people too .Howeve Ryan will launch in an incredible race against time to save Jessica, as well as he has no idea about what await him.
The film was very amusing,exciting and entertaining. Besides i was well written,well acted and well directed. We as Moroccan people we can watch it with our parents, that's means that this movie does no include scenes which are inappropriate, so "Cellular" can be watched by all age categories.
Personally I think that this film transmit an important message to boys, especially to careless boys.
All in all, I really enjoyed watching this captivating film
The film was very amusing,exciting and entertaining. Besides i was well written,well acted and well directed. We as Moroccan people we can watch it with our parents, that's means that this movie does no include scenes which are inappropriate, so "Cellular" can be watched by all age categories.
Personally I think that this film transmit an important message to boys, especially to careless boys.
All in all, I really enjoyed watching this captivating film
Awesome flick! Kept me on the edge of my seat from start to finish. The plot twists were surprisingly convincing and I didn't have to stretch too far to suspend disbelief. It way outshone my expectations and I found myself swept right up in the action. The acting was superb and the direction kept us moving from nail-biting suspense to laughing at the stereotyped ignorant store clerks, nasty lawyers and others that are encountered at various points in the script. What a great balance of believable and amusing! We had the greatest time enjoying this film. The parts that weren't so believable were very satisfying and the parts that were believable were incredibly suspenseful. The point is, the whole thing made for a terrific package. No, you won't go home a better person for having seen this. And you won't carry the images with you or ponder great philosophies because of it. It's not a To Kill a Mockingbird of Of Mice and Men, but it is a wonderful escape from all you problems for a couple hours and you'll feel like you've been on the most exhilarating thrill ride you could find in the park! All thumbs up for this one!
My husband and I saw this movie last night, and were extremely pleased by it. The movie starts with a bang immediately and keeps going! We found it well written, well acted and well directed. It's suspenseful and quite thrilling. I thought the actor's characters were right on target - the self centered young man, the distraught and frantic mother, the tired cop waiting for a retirement he's not quite sure he wants, and the baddies - whooo boy! In this movie, the baddies are without any redeemable features - the kind that you yourself would like to beat the tar out of!! Speaking of beating the tar out of someone, wait until you get a dose of the lawyer - egads. The movie is fast paced with nary a dull moment. The action scenes were great, and the building of the tense moments was very well done. Drama, suspense and with a touch of comedy - what more are you looking for in a movie?
Wusstest du schon
- WissenswertesChris Evans did his own car stunts. Before production began, he was trained for five weeks at a Los Angeles stunt school. Most of the stunts are done by the actors themselves.
- PatzerWhen Jessica cuts the goon's arm, she tells him that he will bleed 30 liters per minute. The blood flow through a brachial artery is nowhere near that much. During vigorous exercise the entire heart puts out a total of 30 liters per minute, but that's the sum total flow through every artery of the body. The flow though a single brachial artery is fraction of that. In addition, the goon was not vigorously exercising. At rest, the cardiac output is about 5 liters per minute.
- Zitate
[last lines]
Jessica Martin: I don't know if there's anything I could ever do to thank you
Ryan: I do. Don't ever call me again.
- Crazy CreditsThe first part of the closing credits show cast and crew names on cellular telephone screens, in scenes from the film.
- VerbindungenEdited into Cellular: Deleted/Alternate Scenes (2005)
- SoundtracksLike You Like an Arsonist
Written by Nicholas Zinkgraf, Scott Sherpe, Matthew Tennessen, Samuel Vinz and Nolan Treolo
Performed by Paris Texas
Courtesy of New Line Records, a division of New Line Productions, Inc.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Celular: Llamada desesperada
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.003.620 $
- Eröffnungswochenende in den USA und in Kanada
- 10.600.000 $
- 12. Sept. 2004
- Weltweiter Bruttoertrag
- 57.678.321 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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