IMDb-BEWERTUNG
7,6/10
12.584
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuFollows eight teenagers on their quest to win the 1999 National Spelling Bee.Follows eight teenagers on their quest to win the 1999 National Spelling Bee.Follows eight teenagers on their quest to win the 1999 National Spelling Bee.
- Für 1 Oscar nominiert
- 17 Gewinne & 19 Nominierungen insgesamt
Ubaldo Arenivar
- Self - Angela's Father
- (as Ubaldo)
Jorge Arenivar
- Self - Angela's Brother
- (as Jorge)
Scott McGarraugh
- Self - Ranch Owner
- (as Mr. McGarraugh)
Lindy McGarraugh
- Self - Ranch Owner
- (as Mrs. McGarraugh)
Concepción Arenivar
- Self - Angela's Mother
- (as Concepción)
Neelima Marupudi
- Self - Potter County Champion
- (as Neelima)
Parag Lala
- Self - Nupur's Father
- (as Parag)
Meena Lala
- Self - Nupur's Mother
- (as Meena)
Kuna Lala
- Self - Nupur's Brother
- (as Kuna)
Tim Brigham
- Self - Ted's Brother
- (as Tim)
Earl Brigham
- Self - Ted's Father
- (as Earl)
Empfohlene Bewertungen
When one says that they are excited to see a documentary on the 8th graders' National Spelling Bee, that person is met with a look and an `Oooookaaaay
.' I was on the receiving end of these looks for the last two years when I wanted to see `Spellbound', Jeffrey Blitz's 2002 documentary about the `spelling elite'. I finally got my wish recently and was thrilled that it met (and exceeded) my high expectations for the film.
For `Spellbound', Blitz traveled around the United States and chose eight competitors, aged 11-14, to profile before the eventual climax of the actual spelling bee. We see the home lives of the eight students, who range from poverty to upper middle class affluence, single parent families, and two-parent homes. There are even Archie and Edith Bunker reincarnated as the parents of one girl, and another girl whose parents, though having lived in the United States for over twenty years, don't speak English. Though these students come from fairly different backgrounds, they seem to be treated slightly different because of their intelligence, and therefore descend upon Washington D.C. for the Spelling Bee with a commonality.
`Spellbound' is Jeffrey Blitz's first film and he already exhibits a masterful eye for the documentary genre. Though the profiles are fairly routine, the second half of the film, the Spelling Bee itself, is so compelling that I felt the same effect as your average suspense film. The viewer is naturally led to pick a `favorite', though not guided to any specific child. My `favorite' was knocked out fairly early and I truly felt something. There is nothing fancy about the camera work, there are no stark white backgrounds or a Phillip Glass score, or a reactionary topic. What I felt while watching this film was that I was sitting among the audience and letting the camera be my guide one of the most important elements of a good documentary film.
Whether you think the subject matter isn't worthy of an hour and a half treatment, or didn't notice it in the year of `Bowling for Columbine' (which beat `Spellbound' to win the Best Documentary Oscar for 2003) I would recommend picking up this film. It's heart breaking at times, but mostly, inspirational because some of these kids have more maturity in one arm than a lot of adults I know, and their grace under pressure is both awe-inspiring and something to aspire to.
--Shelly
For `Spellbound', Blitz traveled around the United States and chose eight competitors, aged 11-14, to profile before the eventual climax of the actual spelling bee. We see the home lives of the eight students, who range from poverty to upper middle class affluence, single parent families, and two-parent homes. There are even Archie and Edith Bunker reincarnated as the parents of one girl, and another girl whose parents, though having lived in the United States for over twenty years, don't speak English. Though these students come from fairly different backgrounds, they seem to be treated slightly different because of their intelligence, and therefore descend upon Washington D.C. for the Spelling Bee with a commonality.
`Spellbound' is Jeffrey Blitz's first film and he already exhibits a masterful eye for the documentary genre. Though the profiles are fairly routine, the second half of the film, the Spelling Bee itself, is so compelling that I felt the same effect as your average suspense film. The viewer is naturally led to pick a `favorite', though not guided to any specific child. My `favorite' was knocked out fairly early and I truly felt something. There is nothing fancy about the camera work, there are no stark white backgrounds or a Phillip Glass score, or a reactionary topic. What I felt while watching this film was that I was sitting among the audience and letting the camera be my guide one of the most important elements of a good documentary film.
Whether you think the subject matter isn't worthy of an hour and a half treatment, or didn't notice it in the year of `Bowling for Columbine' (which beat `Spellbound' to win the Best Documentary Oscar for 2003) I would recommend picking up this film. It's heart breaking at times, but mostly, inspirational because some of these kids have more maturity in one arm than a lot of adults I know, and their grace under pressure is both awe-inspiring and something to aspire to.
--Shelly
"Spellbound" is the acclaimed documentary that follows four young contestants in the 72nd Annual National Spelling Bee. One might think a spelling bee wouldn't be an even interesting enough to warrant a documentary. But this is the grand championship of spelling bees, the equivalent of the Super Bowl, the Academy Awards or the Presidential Election. Out of nine million schoolkids, only 249 make it to the finals. The young contestants and their families struggle to make it to the top. It's an exciting and stressful experience for those involved. "Spellbound" covers what these people are going through. You will feel for the young contestants, and want them to win it all. It's thrilling to see these children tackle the most overwhelming words in the English language. One young standout is Harry, the eccentric young boy from New Jersey. He lightens up the doc, and steals the show! You won't understand the prestige and daunting psychology of spelling bees until you see "Spellbound."
In one sense, the U.S. National Spelling Bee is a strange thing, a freakish competition for freaks to take part in, and designed to make them only more freakish. You don't have to understand the words to win, you merely have to spell them, and the winner would seem to have proved little else than their willingness to work hard for no social benefit, and their ability to withstand extreme pressure. Make no mistake, the kids featured in this documentary are bright and talented, but one can't help but wonder whether such ruthless competition, or the attitude that they are in some sense a "gifted" elite, is really good for society or for the individuals themselves.
But it's not the competition that makes 'Spellbound', a documentary about 1999's contest, so gripping (we follow eight of the 249 finalists, but the film is sympathetic to them all, and does not encourage us to set one against the rest). Rather, this comes from the way the 'Spellbound' reminds us what a diverse country America is: ethnically, socially, physically. These kids come from all over, and while on one hand we see a very unusual slice of American life in this film, it's nonetheless a surprisingly broad one. Some of the contrasts are obvious: a family of Indian descent say that in America, if you work hard, you will succeed; but we also meet a family of Mexican descent (who consider that they have worked hard and succeeded, but who have little compared with the Indians), and a black family in a grim district of Washington (arguably failing to thrive after several hundred years). Yet in spite of their differences, their children are all (give or take the final few words) as good as each other (at least when it comes to spelling). Today, social mobility in America is lower than in Europe; but the old American dream, it seems, lives on in the spelling bee. And although the extreme preparation of most competitors appears to place a ludicrously inflated value on the work ethic, and though some (though not all) of the parents are frighteningly pushy, there's also something quite sweet, in this age of guns and violence, in such a fierce competition fought only with words.
'Spellbound' is filmed without tricks, or any special artiness, but nonetheless offers an unexpected insight into contemporary American society. But please let us not copy them and bring the bee back here!
But it's not the competition that makes 'Spellbound', a documentary about 1999's contest, so gripping (we follow eight of the 249 finalists, but the film is sympathetic to them all, and does not encourage us to set one against the rest). Rather, this comes from the way the 'Spellbound' reminds us what a diverse country America is: ethnically, socially, physically. These kids come from all over, and while on one hand we see a very unusual slice of American life in this film, it's nonetheless a surprisingly broad one. Some of the contrasts are obvious: a family of Indian descent say that in America, if you work hard, you will succeed; but we also meet a family of Mexican descent (who consider that they have worked hard and succeeded, but who have little compared with the Indians), and a black family in a grim district of Washington (arguably failing to thrive after several hundred years). Yet in spite of their differences, their children are all (give or take the final few words) as good as each other (at least when it comes to spelling). Today, social mobility in America is lower than in Europe; but the old American dream, it seems, lives on in the spelling bee. And although the extreme preparation of most competitors appears to place a ludicrously inflated value on the work ethic, and though some (though not all) of the parents are frighteningly pushy, there's also something quite sweet, in this age of guns and violence, in such a fierce competition fought only with words.
'Spellbound' is filmed without tricks, or any special artiness, but nonetheless offers an unexpected insight into contemporary American society. But please let us not copy them and bring the bee back here!
NOTE TO SELF: No typos allowed in this review!
I was an excellent speller in school. I thought I was still pretty good now...until the pre-teen dynamos in 'Spellbound' left me in the dust. As 'Bowling For Columbine's chief competition for the 2002 Best Documentary Oscar, this modest gem about 8 contenders for the '99 National Spelling Bee is thrilling. Read that sentence again. A documentary about spelling is thrilling. Wow! How? Is it gripping to see a kid standing in front of a microphone, desperately trying to figure out how to spell words that most of us can't even pronounce? You bet it is. Who needs guns and explosions? THIS is tension.
When one of the girls crumbles and misspells a word, my heart sank. Really, how can you not root for all of these kids? Each entrant in the competition is a super-smart youngster, and it's not cheesy to say they're all winners for having gotten to the National Bee in the first place. Director Jeffrey Blitz can't focus on all of the spellers, so he chooses to highlight 5 girls and 3 boys. We see them at home as they & their families give us the low-down on what makes these brainiacs tick. Then it's off to the Bee, where it's high drama as errors are made and the field is whittled down, one by one.
I was cheering for all of Blitz's star spellers, but Harry Altman was my favourite. He's a hyperactive weirdo and I liked him immediately. Harry is the stand-out oddball in a group of diligent, nerdy types who share the stage. As engaging as he is, it's wonderful that this contest allows for quiet, shy, so-called geeks to be stars. This is the Super Bowl for scholars and it showcases kids from all backgrounds. Plus, there are about as many girls as there are boys. Truly, if you're a great speller, that's good enough.
'Spellbound' is the rare documentary that's more entertaining than it is informative. The kids reveal a great deal about themselves in the interviews, but the film is always building to the climactic moment when one of the last two children makes a mistake and the other wins the crown. You might be surprised by the result, although you shouldn't be. It's almost a 'Hoosiers' moment when the winning speller clinches the title. Every single kid in this movie is a better speller than anybody I know. If they want a job, I could use a proof-reader...even if that proof-reader is a lot smarter than me.
I was an excellent speller in school. I thought I was still pretty good now...until the pre-teen dynamos in 'Spellbound' left me in the dust. As 'Bowling For Columbine's chief competition for the 2002 Best Documentary Oscar, this modest gem about 8 contenders for the '99 National Spelling Bee is thrilling. Read that sentence again. A documentary about spelling is thrilling. Wow! How? Is it gripping to see a kid standing in front of a microphone, desperately trying to figure out how to spell words that most of us can't even pronounce? You bet it is. Who needs guns and explosions? THIS is tension.
When one of the girls crumbles and misspells a word, my heart sank. Really, how can you not root for all of these kids? Each entrant in the competition is a super-smart youngster, and it's not cheesy to say they're all winners for having gotten to the National Bee in the first place. Director Jeffrey Blitz can't focus on all of the spellers, so he chooses to highlight 5 girls and 3 boys. We see them at home as they & their families give us the low-down on what makes these brainiacs tick. Then it's off to the Bee, where it's high drama as errors are made and the field is whittled down, one by one.
I was cheering for all of Blitz's star spellers, but Harry Altman was my favourite. He's a hyperactive weirdo and I liked him immediately. Harry is the stand-out oddball in a group of diligent, nerdy types who share the stage. As engaging as he is, it's wonderful that this contest allows for quiet, shy, so-called geeks to be stars. This is the Super Bowl for scholars and it showcases kids from all backgrounds. Plus, there are about as many girls as there are boys. Truly, if you're a great speller, that's good enough.
'Spellbound' is the rare documentary that's more entertaining than it is informative. The kids reveal a great deal about themselves in the interviews, but the film is always building to the climactic moment when one of the last two children makes a mistake and the other wins the crown. You might be surprised by the result, although you shouldn't be. It's almost a 'Hoosiers' moment when the winning speller clinches the title. Every single kid in this movie is a better speller than anybody I know. If they want a job, I could use a proof-reader...even if that proof-reader is a lot smarter than me.
If you need proof that fact is indeed more compelling than fiction, look no further than `Spellbound,' a fascinating and aptly named documentary centered on that great American competition for brainiacs known as the National Spelling Bee.
In designing his film, director Jeffrey Blitz has chosen to focus on eight competitors from widely varying racial, geographical and socioeconomic backgrounds, interviewing them and their families before, during and after the competition. In the first half of the film he introduces us to each of the contestants, giving us behind-the-scenes glimpses into their home lives, their study techniques, their aspirations and their attitudes towards competition and the value of dedication and hard work. The common denominators these eight individuals all share are intelligence, drive, determination and a supportive family structure. Even though the pressure of the experience seems almost too much for any youngster to bear, all of these participants come across as levelheaded, sensible individuals who manage to keep it all in a healthy perspective. The parents, too, seem reasonable in their expectations, encouraging their children without placing undue pressure on them and beaming with justifiable pride at their amazing progeny. Yet, for all their seeming `nerdness' and gift for articulation, Blitz makes it clear that these kids are really just kids (albeit highly gifted ones) after all.
In the second half of the film, we move to the competition itself, watching as all except one of the people we have come to know over the course of the film eventually become eliminated (Blitz had the grand good fortune of choosing the eventual winner as one of his subjects). The scenes at the competition itself provide more edge-of-the-seat suspense than a truckload of fictional Hollywood thrillers. You'll find your mind and heart racing as each child endeavors to spell out the arcane, tongue-tying words chosen by the officials for the competition. Throughout the proceedings, the audience is on as much of an emotional roller coaster as the participants and their families. As a filmmaker, Blitz knows that the human face is really a map revealing what is taking place inside our hearts and minds and this he captures with uncanny precision as the children sweat, tear up, furrow their brows and even in some cases act out their thought processes in humorously absurd muggery while formulating their answers.
`Spellbound' succeeds in its twofold purpose: to honor that commitment to competition that has defined what it means to be an American and to demonstrate that achieving in a competitive field using one's mind can be just as exciting and rewarding as achieving one's greatness on a court, field or gridiron. That's a message all too rarely conveyed by American culture.
Watching this film, you will indeed be spellbound.
In designing his film, director Jeffrey Blitz has chosen to focus on eight competitors from widely varying racial, geographical and socioeconomic backgrounds, interviewing them and their families before, during and after the competition. In the first half of the film he introduces us to each of the contestants, giving us behind-the-scenes glimpses into their home lives, their study techniques, their aspirations and their attitudes towards competition and the value of dedication and hard work. The common denominators these eight individuals all share are intelligence, drive, determination and a supportive family structure. Even though the pressure of the experience seems almost too much for any youngster to bear, all of these participants come across as levelheaded, sensible individuals who manage to keep it all in a healthy perspective. The parents, too, seem reasonable in their expectations, encouraging their children without placing undue pressure on them and beaming with justifiable pride at their amazing progeny. Yet, for all their seeming `nerdness' and gift for articulation, Blitz makes it clear that these kids are really just kids (albeit highly gifted ones) after all.
In the second half of the film, we move to the competition itself, watching as all except one of the people we have come to know over the course of the film eventually become eliminated (Blitz had the grand good fortune of choosing the eventual winner as one of his subjects). The scenes at the competition itself provide more edge-of-the-seat suspense than a truckload of fictional Hollywood thrillers. You'll find your mind and heart racing as each child endeavors to spell out the arcane, tongue-tying words chosen by the officials for the competition. Throughout the proceedings, the audience is on as much of an emotional roller coaster as the participants and their families. As a filmmaker, Blitz knows that the human face is really a map revealing what is taking place inside our hearts and minds and this he captures with uncanny precision as the children sweat, tear up, furrow their brows and even in some cases act out their thought processes in humorously absurd muggery while formulating their answers.
`Spellbound' succeeds in its twofold purpose: to honor that commitment to competition that has defined what it means to be an American and to demonstrate that achieving in a competitive field using one's mind can be just as exciting and rewarding as achieving one's greatness on a court, field or gridiron. That's a message all too rarely conveyed by American culture.
Watching this film, you will indeed be spellbound.
Wusstest du schon
- WissenswertesIn 2007, it was added to "IDA's Top 25 Documentaries" of all-time by the International Documentary Association ranked #4.
- PatzerWhile interviewing Harry in his room the boom mic is deliberately shown after Harry asks "Is that thing edible?"
- Zitate
Harry Altman - Spelling Bee Participant: Does this sound like a musical robot?
- Crazy CreditsThere is no cast list; a cast member is considered credited if a subtitle or an item in the film prints the name (or partial name).
- VerbindungenFeatured in The 2003 IFP Independent Spirit Awards (2003)
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- Bruttoertrag in den USA und Kanada
- 5.728.581 $
- Eröffnungswochenende in den USA und in Kanada
- 17.508 $
- 4. Mai 2003
- Weltweiter Bruttoertrag
- 7.457.710 $
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