Eine überarbeitete Mutter und ihre Tochter vertragen sich nicht. Als sie die Körper tauschen, muss sich jede für einen Tag an das Leben der anderen anpassen.Eine überarbeitete Mutter und ihre Tochter vertragen sich nicht. Als sie die Körper tauschen, muss sich jede für einen Tag an das Leben der anderen anpassen.Eine überarbeitete Mutter und ihre Tochter vertragen sich nicht. Als sie die Körper tauschen, muss sich jede für einen Tag an das Leben der anderen anpassen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 11 Nominierungen insgesamt
Dina Spybey-Waters
- Dottie Robertson
- (as Dina Waters)
Zusammenfassung
Reviewers say 'Freaky Friday' (2003) is celebrated for its comedic timing, standout performances by Jamie Lee Curtis and Lindsay Lohan, and relatable humor. The film explores generational divides with heartwarming moments and realistic mother-daughter struggles. Critics praise the chemistry between the leads, clever humor, and touching scenes. Despite minor flaws like over-the-top scenes, it remains a fun, family-friendly remake.
Empfohlene Bewertungen
Freaky Friday has just the right touch. In making an identity-switch movie, there is always the temptation to overdo things, in both the comedy and the pathos sides. Jamie Lee Curtis has just about the right balance portraying a 15-year-old in a 40-year-old body. On the comedy side, although on occasions coming across as just a little bit too silly, Curtis has on the whole brought out the funny side of the situation without undue exaggeration. The important thing is her success in making the whole thing believable. On the pathos side, her toasting speech in the engagement ceremony is touching performance. Lindsay Logan, on the other hand, has much less opportunity of repeating her brilliant performance in The Parent Trap (1998). The fault is not hers. It's just that it's much less fun watching a 40-year-old in a 15-year-old body than the other way around. While this is obviously the ladies' show, the two beaus provide reliable support. However, it is the fantastic pair of grandpa (Harold Gould) and little brother (Ryan Malgarini) who stole the show, particularly the little guy. I for one would love to see a sequel with this pair swapping bodies. Good flick; well worth the admission price.
I enjoyed this film, and I do slightly prefer it to the Jodie Foster version. True, the first 15 minutes were a bit slow, and some of the script was a bit weak, not to mention the rather predictable storyline. But you know what, the performances of Lindsey Lohan and Jamie Lee Curtis more than compensated, their performances were really entertaining, and I felt the chemistry between them. I loved the soundtrack, and I thought it was very sensible updating the story, so that it would appeal more to someone like my 13 year old sister, who really enjoyed it. The script, while contrived in some places, was on the whole, very funny, and anyone who's seen the 1976 film, will get a more of the same film, except updated. What I did like, is that Lohan's character is a representation of all of us, someone who doesn't do mornings, doesn't always get on with her mum, and has friends and enemies. In the 1976 version, Jodie Foster's interpretation was more sensible than Lohan's, who put a bit of her other films in, which is quite appealing for this sort of film. Overall, an enjoyable film, with a 7/10. Bethany Cox
Freaky Friday is an underrated Disney flick with a surprisingly sharp script and plenty of great laugh-out-loud moments. It's a good time.
At first I couldn't understand why this was the version to see. It didn't seem any better than the Shelley Long/Gaby Hoffmann version I enjoyed years ago. Lindsay Lohan was a holy terror and her mom was merely uptight but nothing special. But of course all that changed when the magic spell took effect and Anna woke up horrified.
There are many deserving performances, mostly dramatic, that get Oscar nominations each year. It's easier for a movie like this to get recognition when comedy has its own categories. But Jamie Lee Curtis was amazing. Such a bizarre sight, this middle-aged woman acting like a teen! Maybe Oscar would be asking too much because of the competition, but Curtis certainly deserved a Golden Globe nomination. And Lindsay Lohan did a capable job of the mom in a teen's body, trying so hard to fit in at school.
Harold Gould's performance also should be noted. He made quite a likable buffoonish grandfather. I liked Rosalind Chao's clueless, almost stereotypical restaurant hostess. Lucille Soong made us notice as Chao's meddling mom who just HAD to help this family. And Jeff Marcus as one of Tess' more troubled patients.
Although the musicians showed talent, I will say I agree with the first opinion Tess had of her daughter's music. It was all just noise! I liked the music for the wedding rehearsal.
I still want to see the Jodie Foster original, and twice I have been annoyed that someone felt the need to do a remake rather than show the original. But this one was really worth it!
There are many deserving performances, mostly dramatic, that get Oscar nominations each year. It's easier for a movie like this to get recognition when comedy has its own categories. But Jamie Lee Curtis was amazing. Such a bizarre sight, this middle-aged woman acting like a teen! Maybe Oscar would be asking too much because of the competition, but Curtis certainly deserved a Golden Globe nomination. And Lindsay Lohan did a capable job of the mom in a teen's body, trying so hard to fit in at school.
Harold Gould's performance also should be noted. He made quite a likable buffoonish grandfather. I liked Rosalind Chao's clueless, almost stereotypical restaurant hostess. Lucille Soong made us notice as Chao's meddling mom who just HAD to help this family. And Jeff Marcus as one of Tess' more troubled patients.
Although the musicians showed talent, I will say I agree with the first opinion Tess had of her daughter's music. It was all just noise! I liked the music for the wedding rehearsal.
I still want to see the Jodie Foster original, and twice I have been annoyed that someone felt the need to do a remake rather than show the original. But this one was really worth it!
Fun and harmless remake of the popular 1977 Disney film of the same name.
Jamie and Lindsay star as a mother and teenage daughter, who don't exactly see eye to eye. They constantly argue and don't understand each others livelihoods and problems in any way shape or form. That is of course until they are magically transferred into each others bodies for a day with genuinely funny consequences.
Despite the over familiarity of this type of subject, it is handed with real skill and does more than enough to have you chuckling throughout and basically watching the stars make fools of themselves! Lindsay Lohan is great, but the real star of the show is Jamie Lee Curtis in her best performance for years, she clearly enjoys herself in her role as mother (and daughter!!).
Jamie and Lindsay star as a mother and teenage daughter, who don't exactly see eye to eye. They constantly argue and don't understand each others livelihoods and problems in any way shape or form. That is of course until they are magically transferred into each others bodies for a day with genuinely funny consequences.
Despite the over familiarity of this type of subject, it is handed with real skill and does more than enough to have you chuckling throughout and basically watching the stars make fools of themselves! Lindsay Lohan is great, but the real star of the show is Jamie Lee Curtis in her best performance for years, she clearly enjoys herself in her role as mother (and daughter!!).
Wusstest du schon
- WissenswertesWhen Jamie Lee Curtis found out that Lindsay Lohan, who was going to be playing her daughter, had starred in Ein Zwilling kommt selten allein (1998), she asked, "Which twin did she play?", unaware that Lohan had performed both roles.
- PatzerWhen Tess (in Anna's body) wakes up after the swap, she makes her way out of Anna's room and the door, which was removed the night before, is still there. In subsequent shots, and conversations, it's obvious that the door isn't supposed to be there.
- Zitate
Anna (in Tess's body): Like cooking: I mean, have you never heard of takeout? And cleaning: let's don't and say we did. Quality time with your kids: You know what? Quit bugging 'em. Leave 'em alone. They like it!
- Crazy CreditsThe beginning of the end credits are shown to appear hand-written.
- Alternative VersionenScenes cut from a 2008 ABC airing include Jake singing "Hit Me Baby" to Tess's bedroom window and Pei-Pei's mother attempting to switch Harry and his grandfather. The ABC version instead ends with Tess and Anna dancing with their respective lovers before cutting to Anna's end credits performance.
- VerbindungenEdited into Freaky Friday: Deleted Scene (2003)
- SoundtracksUltimate
Written by Jeff Coplan and Robert Ellis Orrall
Produced by Michael Simpson
Performed by Lindsay Lohan
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Un viernes de locos
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 110.230.332 $
- Eröffnungswochenende in den USA und in Kanada
- 22.203.007 $
- 10. Aug. 2003
- Weltweiter Bruttoertrag
- 160.849.833 $
- Laufzeit1 Stunde 37 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Hindi language plot outline for Freaky Friday - Ein voll verrückter Freitag (2003)?
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