Die Fälle einer FBI-Einheit, die sich auf die Untersuchung von vermissten Personen spezialisiert hat.Die Fälle einer FBI-Einheit, die sich auf die Untersuchung von vermissten Personen spezialisiert hat.Die Fälle einer FBI-Einheit, die sich auf die Untersuchung von vermissten Personen spezialisiert hat.
- 2 Primetime Emmys gewonnen
- 21 Gewinne & 47 Nominierungen insgesamt
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A little while ago,I'd written a user comment that was faintly praising and perhaps a little more than cruel in dismissing this show as a sort of pedestrian,superficial attempt at sincere drama that is acted well-enough and scripted competently enough to be interesting. After watching more episodes(mostly in re-runs) and getting roundly unsupported by those who bothered an opinion of my review,I decided to do a rewrite.
While I still stick by my assertion that this show isn't quite as innovative or searing as it aspires to be,it's still quite compelling a drama. While the acting varies,from superb and sublime(mostly Anthony LaPaglia as the chief,but Marianne Jean-BAptiste and Poppy Montgomery are good as fellow agents),to completely flat(mostly Roslyn Sanchez,who IS easy on the eyes but not much more),the stories DO draw the viewer in,and the earnest and deliberate means of spelling out the Bureau's investigating a missing case. Good storytelling that is not (ordinarily) as graphic or de-humanizing as a CSI episode,that still handles the subject manner soberly(if sometimes short-sighted),this show may not be my favorite on the telly,but I will watch it if it's on more often than not. That,to me,seems like a more accurate assessment.
While I still stick by my assertion that this show isn't quite as innovative or searing as it aspires to be,it's still quite compelling a drama. While the acting varies,from superb and sublime(mostly Anthony LaPaglia as the chief,but Marianne Jean-BAptiste and Poppy Montgomery are good as fellow agents),to completely flat(mostly Roslyn Sanchez,who IS easy on the eyes but not much more),the stories DO draw the viewer in,and the earnest and deliberate means of spelling out the Bureau's investigating a missing case. Good storytelling that is not (ordinarily) as graphic or de-humanizing as a CSI episode,that still handles the subject manner soberly(if sometimes short-sighted),this show may not be my favorite on the telly,but I will watch it if it's on more often than not. That,to me,seems like a more accurate assessment.
9kols
After reading a half-dozen of the reviews convinced that a lot of folks who didn't like it were expecting a typical cop show. It isn't. May have been an experiment on Bruckheimer's part - turning cop show conventions on their head.
First there's the shows low-key tone: no screaming sirens, no melodramatic hooks, no heart-pounding chases or rescues. Chases and especially rescues do exist but, like all of the other expositional elements, they're portrayed in measured, deliberate and muted tones. Just like the "teams" response to each week's puzzle. All very quiet with just a hint of intensity and a clear demonstration that they care about their victims.
All elements that, except for the tone, Without a Trace shares with most cop shows. Just reversed.
Now here's the really radical departure - the show's focus is centered on what are usually the secondary characters: the victims and the lives surrounding them. In fact, most of the "team's" interactions are with the secondary characters.
Think about shows, very good shows, like Bones or Castle or Burn Notice or any one of dozens of cop shows: all centered on the "team" and it interactions. Victims, perps and puzzles exist mainly to highlight those interactions.
This is not a criticism. I love the shows mentioned.
My point is simply that Without a Trace reverses those conventions and does it very successfully. One one hand, enough time is spent on the team to humanize it; on the other, just enough emphasis on the victims and their stories to elevate them to the the primary focus.
Takes some getting used to but well worth the effort. Surprising, those few scenes dedicated to the "team", either as individuals or a whole, wind up describing a very rich set of personalities, though you might have to watch a lot of episodes to realize it.
Like all cop shows there there are problems with plot integrity and, with Without a Trace, the very premise: the FBI getting involved before the local cops and their 48-hour window. And like all cop shows, the inconsistencies and questionable plot lines are simply elements meant to invoke the suspension of disbelief. Nothing more.
If this was an experiment on Bruckheimer's part, seven seasons speak volumes to its success.
First there's the shows low-key tone: no screaming sirens, no melodramatic hooks, no heart-pounding chases or rescues. Chases and especially rescues do exist but, like all of the other expositional elements, they're portrayed in measured, deliberate and muted tones. Just like the "teams" response to each week's puzzle. All very quiet with just a hint of intensity and a clear demonstration that they care about their victims.
All elements that, except for the tone, Without a Trace shares with most cop shows. Just reversed.
Now here's the really radical departure - the show's focus is centered on what are usually the secondary characters: the victims and the lives surrounding them. In fact, most of the "team's" interactions are with the secondary characters.
Think about shows, very good shows, like Bones or Castle or Burn Notice or any one of dozens of cop shows: all centered on the "team" and it interactions. Victims, perps and puzzles exist mainly to highlight those interactions.
This is not a criticism. I love the shows mentioned.
My point is simply that Without a Trace reverses those conventions and does it very successfully. One one hand, enough time is spent on the team to humanize it; on the other, just enough emphasis on the victims and their stories to elevate them to the the primary focus.
Takes some getting used to but well worth the effort. Surprising, those few scenes dedicated to the "team", either as individuals or a whole, wind up describing a very rich set of personalities, though you might have to watch a lot of episodes to realize it.
Like all cop shows there there are problems with plot integrity and, with Without a Trace, the very premise: the FBI getting involved before the local cops and their 48-hour window. And like all cop shows, the inconsistencies and questionable plot lines are simply elements meant to invoke the suspension of disbelief. Nothing more.
If this was an experiment on Bruckheimer's part, seven seasons speak volumes to its success.
The show is still very good though my friends and I, who watch it together, agree with another viewer that Ms Sanchez ruined an excellent #10 show. There were already two women and a Spanish-American on board, so the show was politically correct and the ensemble fantastic. I never wished anybody (besides Hitler and heads of the soviet Union) to die, but I heartily wish that Ms Sanches' character would be shot for good and the show would return to its previous magnificence. Well, then I could purchase the following seasons' disks as well as those I had without Ms Sanchez' not enjoyable and unwanted presence. Could there be a possible hope in that direction? What a great thing it would be.
The early seasons were good! The story lines were well written mysteries. The romance between Poppy and Eric Close was a good idea. The romance between her and Anthony La Paglia was not!!
I always enjoy a good mystery and this is definitely one of those.....They are not afraid to tackle social issues like Abortion and Middle Eastern politics and much more.....Definitely a great series and I wish it had lasted even longer...but it did have a long run..........
Wusstest du schon
- WissenswertesDuring each episode, a 15-second presentation appears, asking the public for help in finding real-life missing persons. The FBI provides a picture and descriptive information about the missing person to be displayed with a voice-over message recorded by one of the series stars.
- PatzerSince the inception of the agency, FBI agents travel in pairs when interview subjects. This is both to have a witness to the interview as well as for protection in case unexpected things occur. Multiple times during the show, single agents are shown talking with subjects alone, even in their homes or places unfamiliar to the agents.
- Zitate
Martin: I think he's sleeping with her. The way he talks about her and she's climbing that corporate ladder pretty quick.
Jack Malone: He may be in love with her, but he's not sleeping with her. Never even thought about it.
[Martin looks quizzically at Jack]
Jack Malone: He's gay.
Martin: What, because he called her a "fireball"?
Jack Malone: No... 'cause he was checking you out.
- Crazy CreditsAmongst the opening credits, for a brief moment the words "Amber Alert" are flashed on the screen. The Amber Alert system was formally inaugurated in the state of California, July 31, 2002. It drew both national and international recognition in its success in aiding authorities in their search for abducted children. In less than one year, the California Amber Alert system has been credited with aiding in the rescue of over a dozen children. The intial system was formulated in Texas in 1996, and is named after 9-year-old Amber Hagerman who was kidnapped and murdered. As of April 10, 2003 a bill creating a national Amber Alert system has passed in the House of Representitives, and unanimously approved in the Senate. "Without A Trace" (2002) aired its first episode shortly after a summer littered with nationally covered child kidnappings including the famous Elizabeth Smart abduction. The show aired Elizabeth's profile following its November 21, 2002 episode, In Extrimis. All Profiles are chosen by the FBI, not the show's producers.
- VerbindungenFeatured in The 55th Annual Primetime Emmy Awards (2003)
- SoundtracksOne (Is The Loneliest Number)
Performed by The Tao of Groove
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By what name was Without a Trace - Spurlos verschwunden (2002) officially released in India in Hindi?
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