IMDb-BEWERTUNG
5,3/10
40.823
IHRE BEWERTUNG
Zwei LAPD-Detektive, die in anderen Bereichen Mondschein haben, untersuchen den Mord an einer aufstrebenden Rap-Gruppe.Zwei LAPD-Detektive, die in anderen Bereichen Mondschein haben, untersuchen den Mord an einer aufstrebenden Rap-Gruppe.Zwei LAPD-Detektive, die in anderen Bereichen Mondschein haben, untersuchen den Mord an einer aufstrebenden Rap-Gruppe.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
André 3000
- Silk Brown
- (as Andre Benjamin)
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I went to see this movie not expecting much from a Star who you least expect to be funny, but Ford is funny, but I am not sure about Hartnet. The movie is gripping with some amazing car chases, courtesy of the Digital editors. I happen to be seeing Italian Job on the same day, I came out thinking it was well worth my money since I have squandered my earnings on hollywood decadance that started with Beutiful mind.
I've always been a fan of Harrison Ford and odds are I always will be, regardless of what comes out of his personal life now. Considering how Hollywood can screw a man up, Harrison still ranks as one of the few to have successfully held his head together. That and I usually find something entertaining his films. It's hard not to be entertained by him in the old Star Wars films, where he was hilarious as Han Solo, or to root/feel for him in the Indiana Jones trilogy and films like "Blade Runner", "Witness", the Jack Ryan films, "The Fugitive" and "Air Force One".
Thing is, "Witness" marked the turning point of Harrison's career in which he would mature into the modern day quiet, reluctant hero. Understandably, after playing this role again and again for about 20 years Ford would naturally want to go back to playing things a little funnier than he had previously been allowed. It's a bit of a shame that he picked such a weak script for a return to comedy. All in all, it's just an excuse to let Harrison reprise his Han Solo persona as an older man. But in the opinions of some, his age dried him out, preventing him from being as funny as he used to be.
This one tries very hard to be both apart OF the mismatched buddy cop genre AND to make fun of it. As a result, it never quite realizes it's potentially funny premise or even serve as usual time filler.
Ford plays Joe Gavilan, a cop working real estate on the side and Josh Hartnett is his younger partner KC Calden, who works a yoga class on the side, sleeps with his customers and is also an aspiring actor. They get assigned to solve the murder of an up and coming rap group and are repeatedly dogged by Bruce Greenwood as Ford's nemesis. The cliche of Josh's dad being a cop who got killed by way of his partner could have been left on the cutting room floor.
Ford and Josh do the young cop/old cop bit as well as anyone else, but Ford deserves a better than this, and after "Black Hawk Down" Josh should be more picky about his vehicles. The only real comic highlight is when they're being interrogated and are either mouthing off or playing quiet. This is the only gem in an otherwise dull film.
Here's hoping they both make better decisions in the future.
Thing is, "Witness" marked the turning point of Harrison's career in which he would mature into the modern day quiet, reluctant hero. Understandably, after playing this role again and again for about 20 years Ford would naturally want to go back to playing things a little funnier than he had previously been allowed. It's a bit of a shame that he picked such a weak script for a return to comedy. All in all, it's just an excuse to let Harrison reprise his Han Solo persona as an older man. But in the opinions of some, his age dried him out, preventing him from being as funny as he used to be.
This one tries very hard to be both apart OF the mismatched buddy cop genre AND to make fun of it. As a result, it never quite realizes it's potentially funny premise or even serve as usual time filler.
Ford plays Joe Gavilan, a cop working real estate on the side and Josh Hartnett is his younger partner KC Calden, who works a yoga class on the side, sleeps with his customers and is also an aspiring actor. They get assigned to solve the murder of an up and coming rap group and are repeatedly dogged by Bruce Greenwood as Ford's nemesis. The cliche of Josh's dad being a cop who got killed by way of his partner could have been left on the cutting room floor.
Ford and Josh do the young cop/old cop bit as well as anyone else, but Ford deserves a better than this, and after "Black Hawk Down" Josh should be more picky about his vehicles. The only real comic highlight is when they're being interrogated and are either mouthing off or playing quiet. This is the only gem in an otherwise dull film.
Here's hoping they both make better decisions in the future.
Anyone who has seen this movie and commented on it as a serious action film should be shot.
From the very start it is fairly obvious it crosses the cheese line into a parody. From the totally pointless/unrelated cheesy opening scene of HF on a shooting range, the lake chase scene, the whole buddy buddy chemistry (or total deliberate lack thereof) to the non stop annoying phone ringing or maybe the complete lack of an interesting plot? Some of these should have given away to most people the real intentions of this film.
The 'love' scene with Harrison Ford should be the last clue to anyone blind enough, that this is really not to be taken seriously and can be considered made specially for Mystery Science Theatre.
The film is called 'Hollywood Homicide', I believe, so titled as to ruffle some Hollywood feathers with the notion that Hollywood has been killed by the never ending rain of terrible buddy cop movies. The real joke is that some suit somewhere probably OK'd this as a real action movie.
In fact, the funniest thing is that some people took it seriously and enjoyed it as a serious action movie.
The chases are deliberately over the top lame (I mean really, really bad), the dialogue is so silly and pointless it just makes you laugh, the character development is totally non-existant, the cliches flow non-stop, the whole side plot of internal affairs is placed there because it's in every buddy cop movie, etc, etc. How anyone took this movie as a serious action film is beyond me.
I give it 6/10 because, it's hilarious in places (in a MST kind of way), I agree with their intentions (THE COP FILMS MUST END!!!). Just please, don't take it anything more than a parody.
From the very start it is fairly obvious it crosses the cheese line into a parody. From the totally pointless/unrelated cheesy opening scene of HF on a shooting range, the lake chase scene, the whole buddy buddy chemistry (or total deliberate lack thereof) to the non stop annoying phone ringing or maybe the complete lack of an interesting plot? Some of these should have given away to most people the real intentions of this film.
The 'love' scene with Harrison Ford should be the last clue to anyone blind enough, that this is really not to be taken seriously and can be considered made specially for Mystery Science Theatre.
The film is called 'Hollywood Homicide', I believe, so titled as to ruffle some Hollywood feathers with the notion that Hollywood has been killed by the never ending rain of terrible buddy cop movies. The real joke is that some suit somewhere probably OK'd this as a real action movie.
In fact, the funniest thing is that some people took it seriously and enjoyed it as a serious action movie.
The chases are deliberately over the top lame (I mean really, really bad), the dialogue is so silly and pointless it just makes you laugh, the character development is totally non-existant, the cliches flow non-stop, the whole side plot of internal affairs is placed there because it's in every buddy cop movie, etc, etc. How anyone took this movie as a serious action film is beyond me.
I give it 6/10 because, it's hilarious in places (in a MST kind of way), I agree with their intentions (THE COP FILMS MUST END!!!). Just please, don't take it anything more than a parody.
I'm a Harrison Ford fan so I had to see this movie even though the reviews were not that good. It was a perfect way to spend a hot Tuesday afternoon. As I watched the movie, I also watched the audience to get a sense of their reaction. Everyone laughed from beginning to end of the movie! Everybody was having a great time! To hell with the critics! This is a great summer movie and Harrison Ford and Josh Hartnett are a joy to watch! Harrison Ford admirably stretches himself to give a comedic performance as Joe Gavilon, a police detective who also moonlights as a real estate agent. I love the way Harrison Ford switches from cop mode to real estate agent mode at the drop of the hat and he was so funny being a slave to his cell phone. Josh Hartnett plays his rookie partner who has a part time job as a yoga instructor and who thinks of quitting the force to become an actor. Their interactions with each other and with the people around them are very funny. Never mind about the plot of the movie. The plot doesn't really matter. The plot has to do with the mystery of why these up and coming rappers were murdered in a club. There are guest stars galore in this movie and it was fun to spot Smoky Robinson doing a bit part as a cabbie. It's a funny movie! Everyone just sit back and enjoy the movie and forget about the critics! Harrison Ford is very funny and just to watch him is a real treat!
I really enjoyed watching Harrison & Josh acting together. It was a fun, action-packed film with two great hunks! They made it look like they enjoyed filming it too. I always enjoy watching Harrison Ford! The only time he freaked me out was in What Lies Beneath, at the end.
Wusstest du schon
- WissenswertesReportedly, Harrison Ford and Josh Hartnett did not get along during production, and neither were very warm with each other when they went out to go promote the movie. Hartnett later revealed in an interview that he and Ford got along better by the end of filming, but said that there were times they would end up just sitting in the car when they were supposed to be doing a scene and neither of them would say anything for like an hour.
- Patzer"Streetcar Named Desire" was performed on Friday night. The two detectives get the call during the show, yet when they arrive at the crime scene ten minutes later, it's daytime.
- Zitate
Joe Gavilan: Don't call me sir. I work for a living.
- Crazy CreditsDuring the end credits, Joe and K.C. arrive at the location of their new crime scene investigation.
- SoundtracksI Love Cali (In the Summertime) The Hollywood Version
Written by Roscoe and John 'Fingazz' Stary
Produced by Laylaw and D-Maq (as D-Maq)
Performed by Roscoe
Roscoe appears courtesy of Priority/Capitol Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hollywood: Departamento de homicidios
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 75.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.940.691 $
- Eröffnungswochenende in den USA und in Kanada
- 11.112.632 $
- 15. Juni 2003
- Weltweiter Bruttoertrag
- 51.142.659 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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