IMDb-BEWERTUNG
3,2/10
1183
IHRE BEWERTUNG
Dieser Unterwasserthriller folgt einem Mann und seinem Taucherteam auf der Suche nach einem riesigen Hai, der eine ganze Forschungsstation zerstört hat.Dieser Unterwasserthriller folgt einem Mann und seinem Taucherteam auf der Suche nach einem riesigen Hai, der eine ganze Forschungsstation zerstört hat.Dieser Unterwasserthriller folgt einem Mann und seinem Taucherteam auf der Suche nach einem riesigen Hai, der eine ganze Forschungsstation zerstört hat.
- Regie
- Drehbuch
- Hauptbesetzung
Christian Toulali
- Dr. William Atkins
- (as Christain Toulali)
Boyka Velkova
- Mrs. Northcut
- (as Bojka Velkova)
Vesela Dimitrova
- Student #2
- (as Vessela Dimitrova)
Greg Aronowitz
- Peters
- (Nicht genannt)
Empfohlene Bewertungen
The better of the giant Shark films. Compared to Megalodon (2002) and Shark Attack 3: Megalodon (2002), Shark Hunter is almost Oscar material when it comes to acting and script. Although it suffers with a low budget and shamelessly borrows elements from Steve Alten's novel 'Meg' it's the closet thing you'll get to an attempted prehistoric shark film.
The pacing and editing are a little awry but some of the practical and special effects are well executed.
Die Hard actor Grand L. Bush and hammy Antonio Sabato Jr. for the most part are watchable. Director Matt Codd is wise to hide to shark in the shadows and considering it was made in 2001 the SPFX are adequate. The music score is worthy of note and it has a nihilistic element that breaks the b-film mould with and ending that refreshingly going against the norm.
Overall, it's far from great but the best Megalodon film to date.
The pacing and editing are a little awry but some of the practical and special effects are well executed.
Die Hard actor Grand L. Bush and hammy Antonio Sabato Jr. for the most part are watchable. Director Matt Codd is wise to hide to shark in the shadows and considering it was made in 2001 the SPFX are adequate. The music score is worthy of note and it has a nihilistic element that breaks the b-film mould with and ending that refreshingly going against the norm.
Overall, it's far from great but the best Megalodon film to date.
People, seriously, you can't go watching a direct-to-video movie like this expecting material worthy of an Oscar, okay? You just can't come on here, slap it with a 2/10 rating just saying it was the worst movie ever. You don't go looking for plot holes in a virtually plot less movie. You just don't go complaining about under-developed characters or implausible events in a movie like this. This movie is about a Megalodon, which is a giant prehistoric monster-shark. So lighten up, folks. If you don't know what to expect from a movie like this, than you clearly haven't seen enough of them yet. So lower your standards and try to see it for what it really is. SHARK HUNTER (which is a very awful title in general and even a rather inappropriate one for this movie in particular) is in the same league as many of those recent underwater CGI sci-fi/horror/action quickies we've come to know recently (DEEP SHOCK, MEGALODON, OCTOPUS
). And it's even a bit in the same vein as those lovable 80's gems, like LEVIATHAN and DEEPSTAR SIX (albeit not on par with those), with the only difference that instead of some unknown mutating monster, it now features a
Megalodon.
The set-up to the story is negligible. They use the opening-sequence to provide Antonio Sabato Jr.'s character traumatic background (yes, the dude's clearly still active in motion pictures): He saw his parents attacked and killed by a Megalodon (anyone seen the recent KRAKEN: TENTACLES OF THE DEEP? they did the exact same thing in that one too). Then we learn that Antonio designed and built a complete submarine, but isn't allowed to play with it anymore by his superiors. He sobs and nags about it until an underwater research facility is destroyed by our over-sized granddaddy shark. So Antonio finally gets his chance to go underwater sailing again. And thus we quickly get to what this movie is all about: A crew, trapped in the claustrophobic setting of a submarine, which priority quickly shifts from capturing the Megalodon to eventually trying to kill it. Now let's rate it for what it is, because it is that and nothing more.
The crew constantly battling the shark and the shark constantly damaging the sub (and even infiltrating it in one scene) are mildly entertaining events as far as that goes. The Megalodon vs. the mini-sub was fun too (although scenes like these are always inevitable in flicks of this kind). The underwater CGI (both of the machines and the Megalodon) were surprisingly good (they wisely decided to use a lot of shadows to hide all too obvious CGI). A tad bit better even than what you'd expect from a movie like this. They apparently used their little budget to the fullest and hired capable set designers to built the convincing, nice-looking interior sets of the submarine (although I admit, it looks pretty small inside if you compare all that to the exterior CGI shots of the sub). The acting even wasn't too bad, and Grand L. Bush (as Harrington) quickly became my favorite crew-member. Not only did he come across as the most talented actor of the whole cast, he also has the best lines of the movie. My summary-line of this comment is one of them (nice nod to Spielberg's JAWS, of course) but he's got more to say. The "Bambi vs. Godzilla" line and calling the Megalodon "a goddamn train with teeth" was funny, and you should see him during that whole "Stay out of my torpedo room"-conversation with Antonio (especially the look on his face when he says "Big f***ing deal."). That man really should move on to do bigger pictures.
But what really made sitting through this movie all worthwhile was the ending. You've seen this type of movies a zillion times before and you just know how it's going to end, right? Well think again, because what happens near the end earns this movie a whole big extra point. I for one sure didn't see this one coming.
The set-up to the story is negligible. They use the opening-sequence to provide Antonio Sabato Jr.'s character traumatic background (yes, the dude's clearly still active in motion pictures): He saw his parents attacked and killed by a Megalodon (anyone seen the recent KRAKEN: TENTACLES OF THE DEEP? they did the exact same thing in that one too). Then we learn that Antonio designed and built a complete submarine, but isn't allowed to play with it anymore by his superiors. He sobs and nags about it until an underwater research facility is destroyed by our over-sized granddaddy shark. So Antonio finally gets his chance to go underwater sailing again. And thus we quickly get to what this movie is all about: A crew, trapped in the claustrophobic setting of a submarine, which priority quickly shifts from capturing the Megalodon to eventually trying to kill it. Now let's rate it for what it is, because it is that and nothing more.
The crew constantly battling the shark and the shark constantly damaging the sub (and even infiltrating it in one scene) are mildly entertaining events as far as that goes. The Megalodon vs. the mini-sub was fun too (although scenes like these are always inevitable in flicks of this kind). The underwater CGI (both of the machines and the Megalodon) were surprisingly good (they wisely decided to use a lot of shadows to hide all too obvious CGI). A tad bit better even than what you'd expect from a movie like this. They apparently used their little budget to the fullest and hired capable set designers to built the convincing, nice-looking interior sets of the submarine (although I admit, it looks pretty small inside if you compare all that to the exterior CGI shots of the sub). The acting even wasn't too bad, and Grand L. Bush (as Harrington) quickly became my favorite crew-member. Not only did he come across as the most talented actor of the whole cast, he also has the best lines of the movie. My summary-line of this comment is one of them (nice nod to Spielberg's JAWS, of course) but he's got more to say. The "Bambi vs. Godzilla" line and calling the Megalodon "a goddamn train with teeth" was funny, and you should see him during that whole "Stay out of my torpedo room"-conversation with Antonio (especially the look on his face when he says "Big f***ing deal."). That man really should move on to do bigger pictures.
But what really made sitting through this movie all worthwhile was the ending. You've seen this type of movies a zillion times before and you just know how it's going to end, right? Well think again, because what happens near the end earns this movie a whole big extra point. I for one sure didn't see this one coming.
Low budget movie about a giant shark. It really seems that Spielberg's JAWS (1975) made quite an impression on the world. SHARK HUNTER is just another film from an entire genre in the shadow of JAWS. Antonio Sabato Jr. stars as some sort of marine biologist hell bent on proving that his parents were killed by a prehistoric megalodon shark. Next thing you know he's at the bottom of the ocean with an experimental navy sub (crew included) fighting the twenty ton shark. Blah blah blah and loopholes so big, the shark could swim through them. However, no one is watching this type of movie for the story line...or even the acting. You are watching it for the killer shark.
Every scene of this film with the sixty-foot long shark is computer-generated and it looks like the movie's budget went into these effects. And it surprisingly pays off. They did a pretty damn good job. The CG shots look better than the majority of scenes with CG sharks in Renny Harlin's DEEP BLUE SEA (1999).
The only disappointment for me in this film were the shark attacks. The shark is so big that it can easily swallow a mini-sub (as shown in the movie). My point is that the shark is to big to attack people.
The highlight of SHARK HUNTER, for me, was the ending. It took me by surprise...really unexpected.
In conclusion, this is a really bad movie. However, if you love killer shark movies and have seen JAWS one too many times, this one's for you.
Every scene of this film with the sixty-foot long shark is computer-generated and it looks like the movie's budget went into these effects. And it surprisingly pays off. They did a pretty damn good job. The CG shots look better than the majority of scenes with CG sharks in Renny Harlin's DEEP BLUE SEA (1999).
The only disappointment for me in this film were the shark attacks. The shark is so big that it can easily swallow a mini-sub (as shown in the movie). My point is that the shark is to big to attack people.
The highlight of SHARK HUNTER, for me, was the ending. It took me by surprise...really unexpected.
In conclusion, this is a really bad movie. However, if you love killer shark movies and have seen JAWS one too many times, this one's for you.
In the wake of the surprise success "Deep Blue Sea" (1999), which is still well worth seeing, this less ambitious follow-up was made in inexpensive Bulgaria.
Antonio Sabato Jr. Goes on the hunt for the legendary ancient shark Megalodon with a motley crew. The young, dynamic marine researcher (Sabato Jr. With long hair like the ones nerds wore at the turn of the millennium) carries a traumatic childhood experience with him and, despite all the difficulties, can now face the final battle with the monstrous primal fish .
As a former underwear model, Antonio Sabato Jr. Of course, he sometimes takes off his shirt and shows off his abdominal muscles, but he doesn't achieve the charisma of his father Antonio Sabato (GOLDEN GLOBE nomination in 1967 for GRAND PRIX).
The megalodon has more charisma, as it can bare its teeth in a fearsome manner. The rest of the crew consists of Christian Toulali, Grand L. Bush and the very blonde Heather Marie Marsden, none of whom rise above stereotypical portrayals.
You can watch it if you like shark horror!
Antonio Sabato Jr. Goes on the hunt for the legendary ancient shark Megalodon with a motley crew. The young, dynamic marine researcher (Sabato Jr. With long hair like the ones nerds wore at the turn of the millennium) carries a traumatic childhood experience with him and, despite all the difficulties, can now face the final battle with the monstrous primal fish .
As a former underwear model, Antonio Sabato Jr. Of course, he sometimes takes off his shirt and shows off his abdominal muscles, but he doesn't achieve the charisma of his father Antonio Sabato (GOLDEN GLOBE nomination in 1967 for GRAND PRIX).
The megalodon has more charisma, as it can bare its teeth in a fearsome manner. The rest of the crew consists of Christian Toulali, Grand L. Bush and the very blonde Heather Marie Marsden, none of whom rise above stereotypical portrayals.
You can watch it if you like shark horror!
this could have been good,but sadly,its too inplausible,anthony sabato jr has a grudge...PLEASE!I wanted to like it,love shark movies ,someone should have asked my opinion before they wrote this.ha!ha! the shark is cool but the story lacks...alot!
Wusstest du schon
- PatzerEvery character claims that the megalodon went extinct 40 million years ago. Actually, this species didn't appear till 20 million years ago and the proposed date of its extinction is only around 1'6 million years ago.
- Zitate
Rob Harrington: Guys, we're gonna need a bigger sub.
- VerbindungenFeatured in Cinemassacre Video: Top 40 Shitty Shark Movies (2013)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Shark Hunter?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Killerhai - Die Jagd auf den Megalodon
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen