In Mexiko-Stadt schwört ein ehemaliger Attentäter Rache an denen, die eine unaussprechliche Tat gegen die Familie begangen haben, für deren Schutz er angeheuert wurde.In Mexiko-Stadt schwört ein ehemaliger Attentäter Rache an denen, die eine unaussprechliche Tat gegen die Familie begangen haben, für deren Schutz er angeheuert wurde.In Mexiko-Stadt schwört ein ehemaliger Attentäter Rache an denen, die eine unaussprechliche Tat gegen die Familie begangen haben, für deren Schutz er angeheuert wurde.
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Alcoholic mercenary Creasy (Washington) is all washed-up, until his friend (Walken) finds him a job in Mexico City, as bodyguard for a rich family's little girl Pita (Fanning). The taciturn man and melancholy girl slowly develop a strong bond... that is utterly shattered the day that Pita is kidnapped and that negotiations are sorely mishandled.
"Man on Fire"'s title works against it. It proclaims an adrenaline-fueled action film, when in fact what we get is very different. What could be mistakenly thought to be a prologue (Creasy is introduced, meets Pita and the relationship is shown) constitutes a good half of the film's running time. Washington and Faning are on top form, the former tortured and angry and the latter endearing without being cloying, so it is a tribute to Scott and screenwriter Helgeland that the film takes its time showing their odd relationship. This makes things all the more hurtful and outraging when she is captured in a kidnapping that leaves Creasy severely scarred, both emotionally and physically.
The film earns its title in the second half, not because of non-stop action - which it fore-goes in order to give us something more pondered and cruel - but because Creasy is literally ablaze with silent fury. As he hunts down anyone who participated or profited from Pita's kidnapping, dismantling rings of Mexico City's tower of corruption, his methods get bloodier while his movement actually get slower. Creasy races against time and his own likely death, as a tragic figure who's newfound reason to live has been taken away from him.
The performances are fine, with great turns from the two leads and superb supporting turns by the always reliable Christopher Walken and Jiancarlo Giannini. What sometime detracts from the film's quality is Tony Scott's now signature messy visuals. While some shots are magnificent, reminiscent of brother Ridley's work, some are almost trashy and epilepsy-inducing (some unnecessary hyper-MTV editing). the man redeems himself by handling his actors with care, superbly illustrating his environment and creating a stark atmosphere.
This is a precious oddity: a quality blockbuster.
"Man on Fire"'s title works against it. It proclaims an adrenaline-fueled action film, when in fact what we get is very different. What could be mistakenly thought to be a prologue (Creasy is introduced, meets Pita and the relationship is shown) constitutes a good half of the film's running time. Washington and Faning are on top form, the former tortured and angry and the latter endearing without being cloying, so it is a tribute to Scott and screenwriter Helgeland that the film takes its time showing their odd relationship. This makes things all the more hurtful and outraging when she is captured in a kidnapping that leaves Creasy severely scarred, both emotionally and physically.
The film earns its title in the second half, not because of non-stop action - which it fore-goes in order to give us something more pondered and cruel - but because Creasy is literally ablaze with silent fury. As he hunts down anyone who participated or profited from Pita's kidnapping, dismantling rings of Mexico City's tower of corruption, his methods get bloodier while his movement actually get slower. Creasy races against time and his own likely death, as a tragic figure who's newfound reason to live has been taken away from him.
The performances are fine, with great turns from the two leads and superb supporting turns by the always reliable Christopher Walken and Jiancarlo Giannini. What sometime detracts from the film's quality is Tony Scott's now signature messy visuals. While some shots are magnificent, reminiscent of brother Ridley's work, some are almost trashy and epilepsy-inducing (some unnecessary hyper-MTV editing). the man redeems himself by handling his actors with care, superbly illustrating his environment and creating a stark atmosphere.
This is a precious oddity: a quality blockbuster.
Certainly one of the finest movies I have seen for quite some time. Exquisite direction and flawless acting make this a very entertaining and often moving film. Denzel Washington plays one of his most engaging and emotional roles to date, and the rest of the cast perform beautifully. Christopher Walken is of course superb in his part although he did not appear as often as I would have liked. A story of ultimate greed that backfires is offset against a childs innocence and love. This is also a film for action movie lovers as it has its fair share of bullets, rockets and revenge. The location of Mexico City adds a feel of seediness and corruption which in itself is an eye opener. All in all, a truly gripping film from beginning to end. Highly recommended!
i liked this film a lot. it's dark, it's not a bullet-dodging, car-chasing numb your brain action movie. a lot of the characters backgrounds and motivations are kinda vague, leaving the viewer to come to their own conclusions. it's nice to see a movie where the director allows the viewer to make up their own minds.
in the end, motivated by love or vengeance, or a desire to repent - he does what he feels is "right". 'will god ever forgive us for what we've done?' - it's not a question mortal men can answer - so he does what he feels he has to do, what he's good at, what he's been trained to do.
denzel washington is a great actor - i honestly can't think of one bad movie he's done - and he's got a great supporting cast. i would thoroughly recommend this movie to anyone.
in the end, motivated by love or vengeance, or a desire to repent - he does what he feels is "right". 'will god ever forgive us for what we've done?' - it's not a question mortal men can answer - so he does what he feels he has to do, what he's good at, what he's been trained to do.
denzel washington is a great actor - i honestly can't think of one bad movie he's done - and he's got a great supporting cast. i would thoroughly recommend this movie to anyone.
This film contains the one ingredient that all revenge movies should have and that is true emotion. Sorrow, love, laughter , anger. There are so many emotions thrown into this film. From start to finish this film is immensely captivating. The plot on paper sounds like the usually rubbish that is mostly thrown In the faces of the audiences but don't be mistaken, this film is powerful. Washington as always puts on a great performance.
The plot in a nutshell: man suffers from depression, a young girl brings life into him, kids gets kidnap, man wants revenge. Doesn't sound like anything special but it far superior than any other similar film out there. For instant, TAKEN is a similar film but when you compare them both, MAN ON FIRE wins hands down. The characters are engaging and everyone puts in a great performance and the directing is great. Mexico City feels alive , it looks like Mexico city, it smells like Mexico city. Everything is portrayed brilliantly . the style of direction was something I enjoyed and brought the best out of Mexico City
This is one of those films you'll bring out once a year to watch again or a film that you'll beg your family and friends to watch. From start to finish you are rooting for the main protagonist, making it a roller-coaster journey. There enough action to keep you happy, there enough character development to please you and then there's Washington to bring a smile to your face . Watch this film, you won't be disappointed
The plot in a nutshell: man suffers from depression, a young girl brings life into him, kids gets kidnap, man wants revenge. Doesn't sound like anything special but it far superior than any other similar film out there. For instant, TAKEN is a similar film but when you compare them both, MAN ON FIRE wins hands down. The characters are engaging and everyone puts in a great performance and the directing is great. Mexico City feels alive , it looks like Mexico city, it smells like Mexico city. Everything is portrayed brilliantly . the style of direction was something I enjoyed and brought the best out of Mexico City
This is one of those films you'll bring out once a year to watch again or a film that you'll beg your family and friends to watch. From start to finish you are rooting for the main protagonist, making it a roller-coaster journey. There enough action to keep you happy, there enough character development to please you and then there's Washington to bring a smile to your face . Watch this film, you won't be disappointed
Seen this movie 25x, it never gets old. The acting, story, soundtrack, film style are nothing short of amazing.
Wusstest du schon
- WissenswertesMost of the scenes between Denzel Washington and Christopher Walken were completely improvised.
- PatzerDespite being a relatively common trope in movies, an experienced soldier would never fire an RPG indoors. The backblast would likely kill everyone inside the confined space of that living room, where hot gasses would be deflected by the walls and ceiling. At the very least, the ancient couple, the birds and Denzel's character himself would have been severely injured.
- Crazy CreditsSpecial thanks to Mexico City. A very special place.
- Alternative VersionenEuropean (PAL) version of the DVD lack the stylized subtitles found through the movie, except for a few in the beginning. Those subtitles are found in the form of regular DVD subtitles.
- VerbindungenFeatured in HBO First Look: The Making of 'Man on Fire' (2004)
- SoundtracksThe Mark Has Been Made
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/Interscope Records
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Hombre en llamas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 77.911.774 $
- Eröffnungswochenende in den USA und in Kanada
- 22.751.490 $
- 25. Apr. 2004
- Weltweiter Bruttoertrag
- 130.834.852 $
- Laufzeit
- 2 Std. 26 Min.(146 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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