The Kiss

I rewatched this film on DVD and am stunned as to WHAT HAPPENED?

I was lucky enough to have seen the director's cut of this film in an editing room during August of 2002. Not that it was ever a great film, but it was certainly watchable, with some fun moments. Eliza Dushku, especially, was charming and funny. Really...she stole the film.

But now the fun is gone, lost to these insipid Billy Zane scenes (which had barely existed) and these voice-overs from the book that make me want to gag. Everything is so melodramatic.

I know the star is the producer's wife, but even she was so much better in the original cut. This cut really does make it seem like a vanity project, a reel for Surel.

Why hire the director of The Pretty Girl for such a task?

Having heard the film was recut from scratch, and seeing the final results, I can only wonder: WHY? Did the producers want to make it unwatchable? If that was their goal, they succeeded.

And if they wanted to give us the sappiest collection of mis-matched tunes ever, ditto.

I so remember the Getup Kids song "Mass Pike" playing during the road trip (when Dushku and Surel are driving in the red Mustang)...how cool was that? So cool that the producer pulled it and every lick of the director's music.

And the opening...this brilliant montage of Paris with a Django-type tune in the background...also gone.

What's left...a lot of Zane and Surel...overacting.

There should be a law here like in France where the director controls the film! The Kiss could be exhibit #1.

I liked this movie. I really did. I rented it on a whim, because of the presence of Eliza Dushku, Terrence Stamp and yes, I admit it, even Billy Zane. This is what the producers wanted me to do-- these are the actors featured most prominently on the DVD cover art. I was suckered, which is unfortunate, but I'm not mad I watched it.

The writing, direction, production value, and make-up are nothing I can complain about--- . This is a cute idea for a story and the music is pleasant and the costuming is really great, subtly but instantly telling you someone is an ex-professor, or party animal, or all business. The actors mentioned above really came to play, making the most of dialogue that varied from mediocre to cheesy, though the cheesy can be passed off as being quoted from a manuscript that is the center of the films plot.

My lone complaint, though this is a major one, is the actress playing the lead, Cara. She's awful. Atrocious. Community Theater bad. She has one facial expression-- this goofy, awkward smile-- which goes away when she says her lines, then returns instantly. Every actor around her exudes charisma and demands your attention just by being there, but Francoise Surel (the DVD credits say she's a former make-up artist) is a blank slate, her several costume changes are more interesting than she is.

All I can think is, the director cast his girlfriend, which was unfortunate because the rest of the movie works so well around her. Ultimately it doesn't matter, because even with a skilled, experienced or interesting actress in the lead, the film still wouldn't be worthy of a theatrical release, but it was still sweet and charming nonetheless. Perhaps a subplot would have helped-- though it doesn't feel like it, the film only runs 80 minutes.

I can see the producers sitting in their office... "Wow, Terrence Stamp said yes? We're LUCKY to get Terrence Stamp. Eliza Dushku said yes? Wow, she's really popular, we're LUCKY to get Eliza Dushku. Ileana Douglas said yes? Wow, she's an indie-QUEEN, we're LUCKY to get Ileana Douglas. Now, we need to cast the romantic lead, to really bring in an audience... hmm.... do you think Francoise Surel is available?"

Yeah, she's totally some dudes girlfriend. She might be nice in real life, but on film she's just a 6-foot skinny-as-a-rail liability (with D-cups, which seems unlikely). Still, this charming, slightly predictable movie overcomes her... by a hair. It's sweet, romantic and better than whatever is on Lifetime this week.... worth a look.

Just to set the record straight, Francoise Surel is the wife of producer Arthur Chang. She was on board the project from the get-go.

And while I truly appreciate some of the kind comments about the film, please know that I had nothing to do with the final version of the film. It was completely recut to focus on Ms. Surel. Likewise, the music was changed. I'm not at all fond of this final cut. And to say that I dislike the music is an understatement. And please know that the voice overs from the novel were written by other writers, not myself or Mr. Manzi.

While some of the better moments survived this cut (it's hard to make Eliza and Terence look bad), many unfortunately have not.

But nonetheless, thank you for watching, Gorman Bechard.

Reading the disclaimer from the director of this film, Gorman Bechard, makes a lot of sense, as it explains a lot of questions one asked about it while watching it. "The Kiss" must have shown a lot of potential in order for this project to have gone ahead, but it appears there was a lot of cutting, making the film incomprehensible, at times.

The best thing in the film are Terence Stamp and Eliza Dushku, who make the best out of their characters. In flashbacks we see Billy Zane and Francoise Surel as the protagonists of the novel without an ending, and in real life. Alas, these two actors don't live up to what Mr. Bechard probably had in mind.

Since the director was not consulted in the cuts, one can't hold him accountable for what comes out in the screen, yet, one sees the possibilities of what could have been in small doses.

Finally, a film with content and true character development. The Kiss, which I viewed at the San Diego Film Festival, is one of the most refreshing films I've seen for a long time. Is it setting the scene for a turnaround in the American film style? I hope so. The storyline flows elegantly throughout the scenes from beginning to end. A realistically rendered emotional scene with Terrence Stamp and Francoise Surel toward the end only makes you wish that the film would not end so soon. A genuine change from the vapid, in-your-face, so-called dramas we have been subjected to over the last few years. This film brings the whole concept of movie watching up a notch. Highly recommend it.