IMDb-BEWERTUNG
7,1/10
8399
IHRE BEWERTUNG
Ein zwölfjähriger Junge flieht aus einem bulgarischen kommunistischen Konzentrationslager und begibt sich auf die Reise nach Dänemark.Ein zwölfjähriger Junge flieht aus einem bulgarischen kommunistischen Konzentrationslager und begibt sich auf die Reise nach Dänemark.Ein zwölfjähriger Junge flieht aus einem bulgarischen kommunistischen Konzentrationslager und begibt sich auf die Reise nach Dänemark.
- Auszeichnungen
- 8 Gewinne & 1 Nominierung insgesamt
Krasimir Kutzoparov
- Camp Officer
- (as Krassimir Kutzuparov)
Diyan Machev
- Party Guest
- (as Deyan Machev)
Empfohlene Bewertungen
This is the sort of film that claims merit in allowing you to see a bad situation work out in tear-induced happiness. Its a sort of enigma why there is a market for these; I suppose we all carry unresolved injustices in our hearts and like to see the promise of them resolved. In getting this, we gloss over the mechanics. For instance this has gotten an award from some morality institute though you'd be hard pressed to find anything or character in it that is actually an exemplar.
There's determination, and there's resolution, and somehow we superimpose admiration on the participants.
The really fascinating thing about this is that it really is two films: a long first part, followed by a quite different second part.
The first part follows a boy's escape. There actually is little to say other than this small bit, he escapes, and continues escaping.
The second part finds him with Joan Plowright and takes us to the resolution.
These two parts are from completely different cinematic worlds. It is true that many movies are remembered only for their ending and viewers will forgive all sorts of clunks in the journey if they recall the end fondly. But this first part clunks like old ball bearings in soup. There's one unnecessarily improbable escape after another. Each one adds nothing, except to underscore the difficulty of what our hero is doing. But that difficulty gets undermined at every turn. He never seems hungry, in pain, in the least uncomfortable. He always "gets away." None of the characters or places touch him in any way.
It seems as if the writer is putting us through this long process for only one reason, so that we can get a large number of flashbacks, each one revealing a little more of what becomes the real story. I'm prepared for indirect narrative; its an amazingly effective tool that I study. Here, we sort out the sense of the thing as he does.
But the container of this first part is so sickly sweet almost every viewer will give up, unless you live in a world of Sunday School cartoons.
The second part is as competent as the first is incompetent. Here, we harvest all the information we have been given in the flashbacks. Plus we have a real actor involved instead of folks who believe beatified shining is acting.
Here;s where we get three twists in the narrative, one large. And there's the hint that our boy is an illicit child, and the complications that brings. Its almost enough to make this watchable. But that first part puts us in a prison we cannot escape.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
There's determination, and there's resolution, and somehow we superimpose admiration on the participants.
The really fascinating thing about this is that it really is two films: a long first part, followed by a quite different second part.
The first part follows a boy's escape. There actually is little to say other than this small bit, he escapes, and continues escaping.
The second part finds him with Joan Plowright and takes us to the resolution.
These two parts are from completely different cinematic worlds. It is true that many movies are remembered only for their ending and viewers will forgive all sorts of clunks in the journey if they recall the end fondly. But this first part clunks like old ball bearings in soup. There's one unnecessarily improbable escape after another. Each one adds nothing, except to underscore the difficulty of what our hero is doing. But that difficulty gets undermined at every turn. He never seems hungry, in pain, in the least uncomfortable. He always "gets away." None of the characters or places touch him in any way.
It seems as if the writer is putting us through this long process for only one reason, so that we can get a large number of flashbacks, each one revealing a little more of what becomes the real story. I'm prepared for indirect narrative; its an amazingly effective tool that I study. Here, we sort out the sense of the thing as he does.
But the container of this first part is so sickly sweet almost every viewer will give up, unless you live in a world of Sunday School cartoons.
The second part is as competent as the first is incompetent. Here, we harvest all the information we have been given in the flashbacks. Plus we have a real actor involved instead of folks who believe beatified shining is acting.
Here;s where we get three twists in the narrative, one large. And there's the hint that our boy is an illicit child, and the complications that brings. Its almost enough to make this watchable. But that first part puts us in a prison we cannot escape.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
10jgbush
This movie speaks to the purest parts of the soul, beckoning the viewer to take not just a journey with David, but to the innermost parts of themselves.
If you know someone who is crying out to be heard and understood, someone desperately seeking a safe person to reach out to but doesn't know how to take that first step.....encourage them to go on a journey with this young boy through a harrowing physical and emotional journey of his life.
This movie touched me in a way that very few have. In fact, it moved me so much I had to tell many friends and family members and they too agreed...it is a beautiful story to watch and celebrate. Some have emailed me the day after and said...."We were up late at night with our son...clapping and crying during the final scenes." To the cast and crew of this film....thanks for using your talents to warm our hearts and help us believe again in the good hearts of those around us.
If you know someone who is crying out to be heard and understood, someone desperately seeking a safe person to reach out to but doesn't know how to take that first step.....encourage them to go on a journey with this young boy through a harrowing physical and emotional journey of his life.
This movie touched me in a way that very few have. In fact, it moved me so much I had to tell many friends and family members and they too agreed...it is a beautiful story to watch and celebrate. Some have emailed me the day after and said...."We were up late at night with our son...clapping and crying during the final scenes." To the cast and crew of this film....thanks for using your talents to warm our hearts and help us believe again in the good hearts of those around us.
Greetings again from the darkness. A very touching, heartfelt film without the Hollywood gloss, "I Am David" takes us on a journey of hope and discovery. We get to experience the world through the eyes of a first timer. Ben Tibber (a child actor well-schooled at the Tiny Tim role) follows the advice he is given prior to his escape from concentration camp as his journey takes him throughout Europe. While in the camp, David befriends Jim Caviezel ("The Passion of the Christ" and the upcoming Bobby Jones biopic). Caviezil's courageous death sets in motion the plan to allow for David's escape. Tibber's expressive eyes and the breathtaking countryside scenery carry the film until Joan Plowright explodes on the screen. The movie really gains spirit at this point, but regrettably, this is also where it appears the producers ran out of money. The last 10 minutes of the film are harried and rushed with little dialogue. The result is a wonderful ending spoiled. Still, the film is a delight to watch and will tug at your heartstrings as you admire and pull for David to complete his journey. Couldn't help but notice that at the concentration camp, The Man is played by Bulgarian actor Hristo Shopov, who also played (to a chilling effect) Pontius Pilate is "The Passion of the Christ".
In a day when few films are wholesome or uplifting, this film was a breath of fresh air. All those who have made negative remarks about Ben Tibber's performance - it is clear you have never met anyone from Bulgaria. His stoic and serious role was accurate and well done.
As I did not know anything about this movie when I watched it, it seemed slow and at times frustrating. However, I am extremely glad I watched the entire film, as the message of this film is outstanding.
It is unfortunate that many have forgotten that films can be educational as well as entertaining, and uplifting as well as meaningful. Children and adults alike can learn history through films such as I Am David, as they experience stories they may have forever been ignorant of if not for the makers of this film.
As I did not know anything about this movie when I watched it, it seemed slow and at times frustrating. However, I am extremely glad I watched the entire film, as the message of this film is outstanding.
It is unfortunate that many have forgotten that films can be educational as well as entertaining, and uplifting as well as meaningful. Children and adults alike can learn history through films such as I Am David, as they experience stories they may have forever been ignorant of if not for the makers of this film.
In 1952, the polyglot twelve year-old David (Ben Tibber), who was raised in the Communist Belene Prison Camp in Bulgaria, witnesses the death of his friend and protector Johannes (Jim Caviezel) and escapes from the concentration camp in the night. He is advised to mistrust everybody and together with a piece of bread, a compass, a piece of soap, a jackknife and a sealed envelope to be delivered in Denmark, he travels though Greece and Italy heading North. Along his journey, David discovers the beauty of the world and slowly he changes his behavior with people. When he meets Sophie (Joan Plowright), an old lady that lives in Switzerland and likes to paint as hobby, she asks David to paint his face; later she invites David to have lunch with her in her house, and David finally discloses his quest to her.
"I Am David" is a magnificent journey to the goodness of people. The expressive Ben Tibber has a stunning performance in the role of the boy David, who was raised confined in a concentration camp and surrounded by cruelties, that begins to smile and trust people along his travel through Europe. It is amazing how this young actor is able to transmit these sensations and emotions through his face and eyes. Joan Plowright performs a wise old woman that teaches David that most of the people are good and opens his heart. The direction, performances, cinematography, locations, pace, message etc., everything works perfectly in this great movie. Last but not the least, the conclusion is heartbreaking. My vote is nine.
Title (Brazil): Not Available
"I Am David" is a magnificent journey to the goodness of people. The expressive Ben Tibber has a stunning performance in the role of the boy David, who was raised confined in a concentration camp and surrounded by cruelties, that begins to smile and trust people along his travel through Europe. It is amazing how this young actor is able to transmit these sensations and emotions through his face and eyes. Joan Plowright performs a wise old woman that teaches David that most of the people are good and opens his heart. The direction, performances, cinematography, locations, pace, message etc., everything works perfectly in this great movie. Last but not the least, the conclusion is heartbreaking. My vote is nine.
Title (Brazil): Not Available
Wusstest du schon
- WissenswertesStewart Copeland, drummer for rock band The Police, composed the soundtrack for this movie. For inspiration, he immersed himself in Eastern European Gypsy and folk music.
- PatzerWhen Maria shows David a globe, David asks her to show him Denmark. The camera focuses on Denmark, then traces down the globe to Italy. Though antique in appearance, modern country names on the globe (Czech Republic, Slovakia, Bosnia) show it dates at least from 1993.
- VerbindungenReferenced in Die Bankdrücker (2006)
- SoundtracksRuphinka is Taken Ill
Written by Kosta Kolev
Performed by Vesselin Djigov
Courtesy of Bulgarian National Radio
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 288.552 $
- Eröffnungswochenende in den USA und in Kanada
- 160.346 $
- 5. Dez. 2004
- Weltweiter Bruttoertrag
- 329.577 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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