I Am David

There's just so much to say about "I am David" that I feel like I can't get it all in. From the directing, to the script; from the photography to the acting... it all just works.

This movie is a breath of fresh air from the Hollywood machine that churns out lifeless epics, tasteless comedies, and meaningless dramas in the name of money. "I Am David" aims not to collect big at the box office, but to convey passion and art through cinema.

It follows the escape of a young boy named David from a concentration camp during the Bulgarian War. Carrying only a small satchel with a mysterious envelope and a few other items, David sets across the countryside to reach Denmark. He doesn't know (and neither do we until the end) why he's going to Denmark or what's in the envelope; he's just doing as instructed by a mentor at the concentration camp.

The characters in the film are phenomenal. Jim Caviezel's character is surprisingly absent for most of the film; but nevertheless is an integral part of the story. (I have yet to see him in a role that I didn't like.) I don't think you could draw up a more perfect child actor for the role of David than Ben Tibber. His performance in this movie is Oscar-worthy to me. And Joan Plowright (you'll recognize her from "Dennis the Menace") is verrrrry convincing in her role. Director Paul Feig has a cameo in the movie.

The soundtrack and colors work wonders; taking your breath away with each shot. The Damien Rice piece at the end is very heartfelt and true to the movie as well. The limited dialogue makes the characters seem simple, yet true to life.

Without giving too much away, I highly recommend this movie to EVERYONE. It's charming, funny, sad, and inspirational. Most movies these days have no redeeming value whatsoever, but with "David" this is not the case. It saddens me that Americans would prefer the rehashed, regurgitated crap of Hollywood over this brilliant work of art. I'm not familiar with Feig's work, but following this movie, I'm going to be sure to check out other works by him.

Please watch this one. It's a real winner.

Greetings again from the darkness. A very touching, heartfelt film without the Hollywood gloss, "I Am David" takes us on a journey of hope and discovery. We get to experience the world through the eyes of a first timer. Ben Tibber (a child actor well-schooled at the Tiny Tim role) follows the advice he is given prior to his escape from concentration camp as his journey takes him throughout Europe. While in the camp, David befriends Jim Caviezel ("The Passion of the Christ" and the upcoming Bobby Jones biopic). Caviezil's courageous death sets in motion the plan to allow for David's escape. Tibber's expressive eyes and the breathtaking countryside scenery carry the film until Joan Plowright explodes on the screen. The movie really gains spirit at this point, but regrettably, this is also where it appears the producers ran out of money. The last 10 minutes of the film are harried and rushed with little dialogue. The result is a wonderful ending spoiled. Still, the film is a delight to watch and will tug at your heartstrings as you admire and pull for David to complete his journey. Couldn't help but notice that at the concentration camp, The Man is played by Bulgarian actor Hristo Shopov, who also played (to a chilling effect) Pontius Pilate is "The Passion of the Christ".

Europe is one of the most complicated places on Earth. There are good countries and there are some bad ones. Set in one notorious police state, is Anne Holm's touching story called " I am David. " He is a Dutch boy (Ben Tibbler) who's parents were arrested and imprisoned when he was too young to remember why. At the age of twelve he is befriended by Johannes (James Caviezel) a fellow prisoner who mentors' the boy in the enduring nature of man as he is growing up amid the cruel, barbarous, atmosphere of a harsh Bulgarian Prison camp. Thereafter he is instructed by 'the man' (Hristo Shopov) who is a sympathetic officer risking all to help the boy. With a knapsack containing a few essentials, the boy narrowly escapes and begins a harrowing thousand mile trek towards his homeland in Denmark. During the arduous journey, the boy reflects on the horrendous treatment he and the other prisoners suffered at the hands of guards. Then too, he slowly realizes the open kindness of others as he makes his way across Europe. Eventually, he meets Sophie (Joan Plowright) a lonely swiss woman who discovers who the boy really is and helps to send him home, but not before allowing her to find a bit of solace in his eyes. The film is a wonderful college of dark images, illuminated by the bright rays of hope and panoramic scenery. Easilly recommended as a movie dedicated to the spiritual humanity of all good people. ****

This is the sort of film that claims merit in allowing you to see a bad situation work out in tear-induced happiness. Its a sort of enigma why there is a market for these; I suppose we all carry unresolved injustices in our hearts and like to see the promise of them resolved. In getting this, we gloss over the mechanics. For instance this has gotten an award from some morality institute though you'd be hard pressed to find anything or character in it that is actually an exemplar.

There's determination, and there's resolution, and somehow we superimpose admiration on the participants.

The really fascinating thing about this is that it really is two films: a long first part, followed by a quite different second part.

The first part follows a boy's escape. There actually is little to say other than this small bit, he escapes, and continues escaping.

The second part finds him with Joan Plowright and takes us to the resolution.

These two parts are from completely different cinematic worlds. It is true that many movies are remembered only for their ending and viewers will forgive all sorts of clunks in the journey if they recall the end fondly. But this first part clunks like old ball bearings in soup. There's one unnecessarily improbable escape after another. Each one adds nothing, except to underscore the difficulty of what our hero is doing. But that difficulty gets undermined at every turn. He never seems hungry, in pain, in the least uncomfortable. He always "gets away." None of the characters or places touch him in any way.

It seems as if the writer is putting us through this long process for only one reason, so that we can get a large number of flashbacks, each one revealing a little more of what becomes the real story. I'm prepared for indirect narrative; its an amazingly effective tool that I study. Here, we sort out the sense of the thing as he does.

But the container of this first part is so sickly sweet almost every viewer will give up, unless you live in a world of Sunday School cartoons.

The second part is as competent as the first is incompetent. Here, we harvest all the information we have been given in the flashbacks. Plus we have a real actor involved instead of folks who believe beatified shining is acting.

Here;s where we get three twists in the narrative, one large. And there's the hint that our boy is an illicit child, and the complications that brings. Its almost enough to make this watchable. But that first part puts us in a prison we cannot escape.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

In a day when few films are wholesome or uplifting, this film was a breath of fresh air. All those who have made negative remarks about Ben Tibber's performance - it is clear you have never met anyone from Bulgaria. His stoic and serious role was accurate and well done.

As I did not know anything about this movie when I watched it, it seemed slow and at times frustrating. However, I am extremely glad I watched the entire film, as the message of this film is outstanding.

It is unfortunate that many have forgotten that films can be educational as well as entertaining, and uplifting as well as meaningful. Children and adults alike can learn history through films such as I Am David, as they experience stories they may have forever been ignorant of if not for the makers of this film.