Ella steht unter dem Bann, ständig gehorsam zu sein, eine Tatsache, die sie vor ihrer neuen Stieffamilie verbergen muss, um den Prinzen des Landes, ihren Freund, in den sie sich verliebt, zu... Alles lesenElla steht unter dem Bann, ständig gehorsam zu sein, eine Tatsache, die sie vor ihrer neuen Stieffamilie verbergen muss, um den Prinzen des Landes, ihren Freund, in den sie sich verliebt, zu schützen.Ella steht unter dem Bann, ständig gehorsam zu sein, eine Tatsache, die sie vor ihrer neuen Stieffamilie verbergen muss, um den Prinzen des Landes, ihren Freund, in den sie sich verliebt, zu schützen.
- Auszeichnungen
- 1 Nominierung insgesamt
Aidan McArdle
- Slannen
- (as Aidan Mcardle)
Steve Coogan
- Heston
- (Synchronisation)
Empfohlene Bewertungen
Boy, I'm glad I saw this movie before reading the comments here. I found this film to be delightfully funny and sweet. sure it's utter predictable but so what? Yes, in the 'fractured fairy tale' department it's a far cry from the genius of Princess Bride or Shrek, but it's an entertaining enough 90 minutes. The effects are decent (they can't all be Lord of the Rings perfect) and I found myself laughing frequently.
I'm certainly glad I was completely unaware that this was based on a book as most of the negative comments here seem to be from people who complain about changes. I can say, that not knowing the original, this story flowed just fine. Certainly, if one were to over-analyze the plot one could come up with innumerable ideas based on the idea 'if she must always obey, why doesn't this happen?' but that's not really the point here is it? it's a fairy tale for young girls. My partner's 18 year old little sister (who made me watch this as I never would have on my own) loved it, and I had to admit that I liked it enough to give it a thumbs up 7 out of 10 rating.
I'm certainly glad I was completely unaware that this was based on a book as most of the negative comments here seem to be from people who complain about changes. I can say, that not knowing the original, this story flowed just fine. Certainly, if one were to over-analyze the plot one could come up with innumerable ideas based on the idea 'if she must always obey, why doesn't this happen?' but that's not really the point here is it? it's a fairy tale for young girls. My partner's 18 year old little sister (who made me watch this as I never would have on my own) loved it, and I had to admit that I liked it enough to give it a thumbs up 7 out of 10 rating.
It seems that many, many commentators disliked this movie because it wasn't at all like the book. Fair enough, I suppose, but movies seldom are. In any case, I haven't read that book, and was blissfully unaware that this film was supposedly adapted from one. I found it surprisingly cute. Many of the campy things hit the mark, like the "medeival modern" anachronistic setting, reminiscent of The Flintstones cartoon wherein it was filled with modern things constructed from prehistoric materials; and the modern songs transposed to the time setting herein. That last was a bit like Moulin Rouge, which annoyed me at first, but then grew on me. I don't believe that I've seen this Anne Hathaway before, but she is intriguing. Her vivacity and wide smile remind me a bit of Julia Roberts. Can't say that I was much impressed with Hugh Dancy or Aiden McArdle. Minnie Driver was most charming as the incompetent fairy, and Vivica Fox was quite amusing as the lush fairy. It's too bad that Parminder Nagra's part was so small, as she always lights up a screen. And Cary Elwes couldn't hide his amusement with the material as he munched on the scenery. I say check this out, if you aren't going to throw a fit over the book.
The story of young Ella who was given the gift of obedience is a very frustrating movie, it should be wild and charming and funny and the best thing since sliced bread, or if not sliced bread then The Princess Bride, but some how it doesn't quite work as whole.
The cast is game, the special effects are good and the direction seems to be mostly on target, but somewhere along the way the movie decided to be too hip, too happening, too many things all at once. Its a comedy, fantasy, adventure, musical and a few other things all at the same time. It has timeless humor and humor that is in danger of dating very badly. It feels some times like a TV movie for kids and at other times something that should be on the big screen for everyone. It doesn't seem to know what it wants to be. Somehow I think that there were too many people with too many ideas (good ideas) but no one to say too much is a bad thing.
I like this movie a lot, the pieces much more than the whole, but I can't help but wanting to beat up everyone involved in it because this should be so much better.
Six out of ten. Wait for video.
The cast is game, the special effects are good and the direction seems to be mostly on target, but somewhere along the way the movie decided to be too hip, too happening, too many things all at once. Its a comedy, fantasy, adventure, musical and a few other things all at the same time. It has timeless humor and humor that is in danger of dating very badly. It feels some times like a TV movie for kids and at other times something that should be on the big screen for everyone. It doesn't seem to know what it wants to be. Somehow I think that there were too many people with too many ideas (good ideas) but no one to say too much is a bad thing.
I like this movie a lot, the pieces much more than the whole, but I can't help but wanting to beat up everyone involved in it because this should be so much better.
Six out of ten. Wait for video.
Love it, made me laugh do to stupid jokes and witty ones. Many people are too thick to just get some punchlines and the ingenious of the concept the movie has.
Given the recent success of fantasy movies, it was probably inevitable that "Ella Enchanted" would get its turn on the silver screen. Like "Harry Potter," Gail Carson Levine's delightful re-imagining of Cinderella has been popular with both readers and critics, and contains plenty of imagination and engaging characters. One only wishes it had translated to screen better.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
Wusstest du schon
- WissenswertesThe first song Ella sings, "Somebody to Love" was not the original song choice. Tommy O'Haver had discovered that Anne Hathaway didn't have very good chemistry with their first choice, a more classical "fairy-tale" song. O'Haver and Hathaway were relaxing when she starting singing along and dancing to the song that was currently playing: Queen's "Somebody to Love". They both decided that "this was it".
- PatzerElla's enchantment fails on at least two occasions: when Prince Charmont says "Allow me" and she continues to refuse his help, and when Slannen says "Forget it" and she continues to discuss his legal aspirations. The earlier "bite me" scene established that Ella's enchantment takes colloquial "commands" literally, thus she should have allowed Char to help her, and literally forgotten about Slannen's peeves.
- Crazy CreditsThe cityscape of the Miramax logo dissolves into the cityscape of the medieval city in the movie.
- Alternative VersionenAn extended version of this film is only available on Sky Cinema. Some of the changes include: Char and Uncle Edgar's extended talk in the carriage. Sloan talking to Ella about the Brother Grimns after the elves were arrested instead of during the day. The fight scene with Char and the Ogres is extended. The song If You Believe which was co written by Brian Adams, is cut and replaced with a different song during the ending credits. The song When You Believe doesn't play in the film when Hattie is talking about Char. Theatrical 91 minutes Extended 96 minutes.
- VerbindungenEdited into Ella Enchanted: Deleted and Extended Scenes (2004)
- SoundtracksStrange Magic
Written by Jeff Lynne
Performed by Darren Hayes
Arranged and Orchestrated by James Seymour Brett (as James Brett)
Produced by James Seymour Brett (as James Brett)
Darren Hayes appears courtesy of JWM Pty Ltd and Columbia Records
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ella está encantada
- Drehorte
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Box Office
- Budget
- 31.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.918.387 $
- Eröffnungswochenende in den USA und in Kanada
- 6.100.000 $
- 11. Apr. 2004
- Weltweiter Bruttoertrag
- 27.388.767 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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