In 80 Tagen um die Welt

Jackie Chan has had a mixed time of late in Hollywood. There was the good fun of Shanghai Knights and around that was the poor duo of Tuxedo and The Medallion. This falls somewhere in the middle. Around The World is good fun. It's not great but it has charm and energy and is the sort of mindless, competent movie making that is hard not to enjoy watching. It's forgettable, could have been much better, but all in all not a bad way to spend a Saturday afternoon.

The look of the film feels very Disney. It is all very much orientated towards satisfying children. It's almost a cartoonish realism with the set design and costumes, clearly evident with Philleas Fogs gadget laden home. The action in the film and the looks could probably have been more gritty but in any case it looks very colourful and the various settings all catch the eye. It is clearly evident that the film had a lot spent on it, although some of the CGI effects are not of the standard expected from a $110 million film.

Cast-wise, Jackie Chan as ever is good. He's a comical genius and as usual performs his own stunts. The fight scenes are good. Nothing compared to Chan's Hong Kong stuff but far superior to much of his Hollywood action. Steve Coogan is someone I am a big fan of. He is the dog's hairy things as Alan Partridge. He is a comical genius. He doesn't seem as entirely natural here though and the character he creates doesn't always work. It seems too cartoony at times especially the accent. Cecile De France is very good as Coogan's love interest. She is attractive, in a cutesy sort of way but she has a charm and a likeability that works very well and the three leads seem to have a good chemistry. The rest of the cast are all excellent with a huge list of supporting parts and cameo's including an excellent Jim Broadbent, a great part for Ah-nuld Schwarzenegger, and it was great to see him on screen with Chan, also Rob Schneider, Luke and Owen Wilson, John Cleese, Kathy Bates, and particularly exciting to me as a Hong Kong action fan, Sammo Hung. The best supporting part for me was Ewan Bremner as the accident prone police sergeant.

Overall it's worth watching and is entertaining enough but don't expect it to blow your socks off. ***

This movie was successful in its genre.

Full of fun moments, fighting battles, seeing different places and traveling around the world in eighty days.

It also had very good actors who could perform well.

The comedy of the movie helped a lot to make the movie entertaining and I did not get tired of watching the movie.

The presence of Jackie Chan was also a positive point for this movie in my opinion because it made the movie much more exciting.

I was also satisfied with the script because some interesting things happened during this trip, in addition to the fact that this trip was prevented.

The end of the movie was a good surprise for the audience I even think that this movie could be expanded and make sequel movies in the form of traveling to different places.

Around the World in 80 Days (2004), starring Jackie Chan, currently has an IMDb user rating of 5.7. And they say it's one of the biggest flops in history, having failed to recoup more than a fraction of its (estimated) $110 million budget.

I say, give it time! Overseas box office plus rentals and DVD sales - this movie will turn a profit in the end. As I understand it, movie companies now make most of their money off the rental market, so I am rather mystified to hear that a movie flopped just because it didn't earn back its cost at the U.S. box office in the first couple of months of release. Doesn't seem like a fair and complete calculation to me.

Anyway, I go to the trouble of wondering about this because I thought this was a great and delightful romp of a comedy, and I believe posterity will be much kinder to it than "5.7". The movie is witty, beautiful, well-acted and contains virtually everything any kung fu adventure fan's heart can desire. Before watching it, I thought it would be more faithful to the original book, so I was surprised to see the Ten Tigers of Kwantung, and let me say the surprise was 100% positive. This movie is, absolutely first and foremost, a comedy. And it is something so rare as a literate one, which does not ridicule the premise it is based on. The movie makes the only right choice, namely to update the classic story and add new levels and new ideas, which keeps it fresh and adventurous. Let's face it, Jules Verne's science no longer holds up in the present day, so we have to make modified versions of the stories for a modern audience (hence also the very entertaining updated version of Journey to the Center of the Earth: The Core).

To see this movie as a remake of the 1956 movie - which seems to be the position that many reviewers take - is completely faulty. This is a riff/homage to the original novel, having nothing whatsoever to do with any previous movie version.

I thought Jackie Chan's part in this movie was great fun, and I was very entertained throughout. I can't think why it bombed in the U.S. I'm gonna get it on DVD very soon.

Movie goers planning to see a faithful and traditional screen adaptation of the Jules Verne novel Around the World in Eighty Days will be disappointed in the new version released by Disney, and produced and starring Jackie Chan. Those looking for a moderately amusing and quite diverting Hong Kong action-comedy will be positively delighted.

Disney has obviously pitched this latest screen version of the well loved adventure tale to a young audience, and the marketing strategy is ideal. American kids, forced to take standardized tests but not required to do real learning in school will be totally ignorant of the wholesale changes the ham handed screen writers have made to the literary source material and will have no clue what so ever that the 'historic' references and interpolated real characters and situations are vastly inaccurate. They will recognize mentions of Thomas Edison or the Wright Brothers with out ever knowing why they don't fit in. At the top of the film, an on-screen title identifies the time as before the turn of the century, and that inexact reference provides most of the historical bloopers through out, as it seems no one involved in the film knew what could be forgiven in the name of entertaining fiction and what strains credibility.

The bare bones of the plot that Verne set down in 1872 are still here, but what director Frank Coraci and a trio of screen writers have done is follow the Verne book so loosely that you can hear those bare bones rattle as this action picture careens from one corner of the globe to the other.: A proper British gentleman, orderly and efficient, accepts a wager that he can circle the globe in the span of just more that two months, or 80 days. He is assisted by his resourceful valet, who is not British and along the way wins the heart of a fair maiden and finds true love as well as the successful completion of his wager.

Knowing that Mr. Coraci is the film maker who gave us The Wedding Singer and The Waterboy will give some idea of the level of humor involved in most scenes. Further confidence will not be gained from the writing trio's pat efforts, as one is making his feature film debut and another wrote for the sitcom Who's the Boss. The most obvious stamp on this production is made by star Jackie Chan, who is also and executive producer and stunt arranger on this film.

My young son has developed a taste for martial arts film after seeing a Bruce Lee movie on cable, so I have taken in a few of Mr. Chan's more recent efforts on DVD. Chan's American films are less serious than his Chinese language pictures, playing on Chan's ability to perform the most amazing physical feats along with his charming method of not acting. The action sequences are always astonishing, and Around the World serves up a superb sampling of what he can do, and do very well. The character Chan plays was a Frenchman in Verne's rendering, but the movie changes things in an almost plausible way to account for the obvious fact that Chan is not of that background.

Changes are made in the main character as well. Steve Coogan plays Philieas Fogg, the Englishman who makes the wager and travels the globe to win it, and Coogan should learn from Chan's example the wisdom of being not only actor but producer. Though he plays what is arguably the main character in the story, Coogan is billed second, behind Chan in the film's credits. Coogan delivers a character that is far more 'obviously' eccentric that Verne may have imagined, and the script plays up some of this in making Fogg and mad inventor type who concocts outlandish-and ahead of their time-inventions that the scientific establishment will not embrace. I am ready to bet good money that the director or one of the screen writers was making a sort of homage to Chitty Chitty Bang Bang with this characterization of Fogg, since he comes across much like the genial mad scientist that Dick Van Dyke played in that film.

Seeing this film reminded me of the affection that I have for a previous screen version, the one that starred David Niven as Fogg, in a masterful performance that seems to sum up the effete bravado that is a stereotypical British Gentleman. At one point of the circumnavigation while in India, Niven as Fogg is given what every Britisher needs in a warm clime, a pith helmet, but his has a sort of veil or ribbon that hangs down the back. It is an usual sartorial flourish that not every actor could carry off, because wearing a hat with a veil just looks girly on most guys, but Niven not only makes it work but makes it work for him.

Any good adventure story, and this is one, needs a villain to hiss at, and Jim Broadbent has obvious fun as the blustering Lord Kelvin that he threatens to steal the show from some of the less raucous performers. Kathy Bates has a forcefully memorable cameo as Queen Victoria, and looks like the best screen Victoria in some time. Arnold Schwarzenegger shows up as Turkish prince and displays the acting prowess that indicate his continued occupancy of the Governor's office is a good thing for the art of cinema.

Although the costumes don't give a clear definition of time period, they are handsome to look at, and there is a lot of good design work that has gone into this film. Each culture and geographic region is set off in contrast to the others we encounter, and the animated transitions between live action scenes are an effective and charming way to move along in style.

My bottom line: 2.5 out of 5 stars. Worth a matinee.

My son's bottom line 'I liked the fights' He didn't fall asleep or ask to leave.

What a fun movie. Far from perfect but far from boring! Nice cast, great choreographed action scenes performed by Jackie Chan and comedy delivered by Steve Coogan! Deserves a higher rating. Great for a Sunday afternoon! 8/10