Good Fences

Nothing new is this tired serio-comedy that wastes the talents of Danny Glover and Whoopi Goldberg. Considering that this was produced by the stars and Spike Lee, it's pretty tame and tired stuff. And how come the Whoop never changes her hair or glasses over the many years this film covers? Blah!

I enjoyed this movie quite a lot. I have always been a fan of Whoopi Goldberg and this movie only emphasizes it. She portrays a housewife in an African-American family which is moving up the social chain due to the husband's (Danny Glover) success as an attorney. She moves to an all white neighborhood where the people are friendly, yet a little awkward toward her. The various events that arise during the course of the movie make for SOME laughs but mostly appeal to the other emotions. This movie is not so much a comedy as a drama. I give it a strong 8/10. I highly recommend you catch it on TV or rent it soon.

Given the two big stars,this was a monumental disappointment. Predictable, stale, and full of cliches Boring!

There is a lot of undertone and subtle humor that not everyone will pick up in this movie. I found it highly intriguing and I could not help to compare my current situation to theirs, as I am moving to an even less diverse all white neighborhood tomorrow. It helped to be reminded that we shouldn't lose our own identities within the environments we live in. It think ABCs "Blackish" tackles this issue much more humorously. The issue with the patriarch in this movie is that he has internalized racism, which is something that is not talked about enough and is becoming widespread.

Rarely have so many talented people worked together to make movie that is such a mess. Everyone associated with Good Fences -- not just Glover and Goldberg, but also director Dickerson and screenwriter Ellis -- has done much better work in the past, and will do better work again in the future. But this pudding has no theme, as Churchill said. It is neither comedy nor drama, neither funny nor moving. If it has any message, it is that all white people are foolish and that black people are racially inauthentic if they value success, accomplishment, wealth, or even suburban comfort. The movie seems to agree with the character in the Robert Frost poem ("Mending Wall") that "good fences make good neighbors"; its tone argues that integration was a failure, and that blacks should stick to neckbones and avoid brie. But the narrator of Frost's poem is wiser, and says, "Something there is that doesn't love a wall, That wants it down."