Kurz vor Ihrer Heirat entbrennt in Carmen die Leidenschaft für den jungen Schauspieler Kit. Sie ahnt nicht, auf welches riskante Spiel sie sich eingelassen hat, in dem nichts ist, wie es sch... Alles lesenKurz vor Ihrer Heirat entbrennt in Carmen die Leidenschaft für den jungen Schauspieler Kit. Sie ahnt nicht, auf welches riskante Spiel sie sich eingelassen hat, in dem nichts ist, wie es scheint.Kurz vor Ihrer Heirat entbrennt in Carmen die Leidenschaft für den jungen Schauspieler Kit. Sie ahnt nicht, auf welches riskante Spiel sie sich eingelassen hat, in dem nichts ist, wie es scheint.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
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Reading through the commentary left by others, I'm troubled by the negativity being attached. Exactly when did it become a crime to invoke plot-twists as a story device? The last I knew, filmmakers such as Hitchcock and Preminger relied upon them incessantly. A twist in plot, if carried off well, can satisfy viewers and fire the imagination.
Personally, I find the romantic drama as a genre in dire need of a wake-up call. Films such as this one, Closer, Unfaithful, Wicker Park, and very few others, are daring to attempt something original, whether it be a more frank look at relationships, a less clichéd or sexist view of infidelity, or a new take on the love triangle... and by new I mean new in both this film and Wicker Park. Rather than recycle Shakespeare, Jane Austen, or An Affair To Remember for the forty-billionth time, the director and cast broke new ground.
This is not a perfect film, and really, honestly, who gets entertainment from "perfect" films? Admiration, yes. Respect, yes. Are perfect films fun though? That's an argument for a forum... I gave this an eight out of ten, with two points off for those imperfections. The three leads are solid; the story is clever and solid enough. The two points to perfection can easily be forgiven.
I had fun watching this movie.
First, the acting throughout is excellent. You can't take your eyes off any of the characters, which are richly developed and complex - for the first two-thirds of the movie.
Then the characters become two dimensional, and I ceased to care as much what happens to them - not because of the acting, but because of the plot. Characters with which we identify act in ways that are incongruous and we lose connection with them.
At that point, the plot remains interesting, but it's almost as if we were dwelling inside the story and now we've been pushed out. We still want to know what happens next, but now we're distracted by the distance between us and the characters. But maybe that's the whole point - that people act in ways we don't expect given the situations they face.
It's a good movie and I'd recommend a viewing. As I said the acting is excellent and the plot is very solid - what you think is one thing may actually be another - but there aren't any holes. Just the opposite.
It's just that the first part (the love triangle) is so engaging that some of the plot twists that follow are annoying.
I would still recommend this film. Don't listen to critics anyway - obviously people really loved this film 100% - you might also.
This is the "Must See" movie of the year! "MOMENTO" fans, who are chomping at the bit for another clever movie, will love the twists and turns of "DOT THE I".
To share the plot would be an injustice. SEE THIS MOVIE! You will laugh, you will cry, you will be dumbfounded, but never disappointed!
Wusstest du schon
- WissenswertesFilm debut of Charlie Cox ("Theo").
- Zitate
Kit Winter: Theo, for Christ's sake, life is not a movie.
Theo: Yeah it is. Come on, whatever you say, whatever you do, movies always got there first. Even that line you just said comes from a movie, um - Kevin Spacey in the end of, uh, Swimming With Sharks.
- VerbindungenFeatures Das siebente Siegel (1957)
- SoundtracksThe Movement
Written by Christian Basso and Kal Cahoone
Performed by Christian Basso featuring Kal Cahoone
Published by Warner Chappell 2001
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Details
- Erscheinungsdatum
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- Auch bekannt als
- Dot the I
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Box Office
- Bruttoertrag in den USA und Kanada
- 307.486 $
- Eröffnungswochenende in den USA und in Kanada
- 9.581 $
- 13. März 2005
- Weltweiter Bruttoertrag
- 307.486 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix