Perfect Strangers

I borrowed this film on video knowing only that it might be good because of Sam Neill. The other actors were not well known, at least,to me. I liked this film very much because I watched the film unfold not knowing what's going to happen next. There were no obvious 'surprises,' which is why I think this film is clever. Rachael Blake was fantastic in this film. It is really her story. The film had the elements of a fine Hitchcock movie –- surprises are really unpredictable, not 'put-on unpredictable' as some films of the same genre tend to be. One might think because the jacket write-up talked about a woman going out with a stranger purposely knowing it to be a one-night stand that the film would be full of steamy sex scenes. Wrong. The one love scene with the 'ghost' Sam Neill actually was tender. This is the essence of the story – the strangeness of relationships. I don't understand why other reviewers 'didn't get it'. This is not a literal film that expects the audience to think that the story is based on reality. It is not. But it touches on human nature. Before some of you misunderstand me, I said 'literal' not 'literate,' which is an entirely different word. The film is very well edited, not slow, as far as I am concerned. 'Lost in Translation' and 'Girl with a Pearl Earring' are painfully slow films and it's only hype that made them known to the public. 'Cold Mountain' was unbearably slow. I didn't get to Renee Zelwegger's part – I gave up not even half-way through the film. 'Perfect Strangers' intrigued me and it deserves to be seen. It is not about looniness. It is about the narrowness of the line between sanity and insanity. Acting, editing, direction and photography were top-notch. Go see it. It will make you think. Some may think the ending is macabre, but if you view this film as an allegory, you will better appreciate the story. Just be sure you understand that the 2 main characters never really had a sexual relationship. It is all in the mind. C'mon, people, be literate, not literal and you'll enjoy this movie. The irony of this movie is that the 'villain' Sam Neill turns out to be of tender heart and the 'tough' Rachael Blake really a vulnerable woman.

I liked this movie (or at least I think so... I'm not quite sure). It's very strange, but funny.

Maybe it's the best role in which I've seen Sam Neill, even though I believe he doesn't convince completely in that scene in which he gets rough and hit the girl.

In the other hand she does a good job (and during all the movie!!): I liked it, despite she's not very famous here in Spain. It's the first of her movies I have heard...

The best: The end (frightening!)

This movie has been hanging out in the New Release section of blockbuster stores since the day it arrived on DVD around a year ago. That's because people keep re-renting it (no, not me...I bought my own copy). My praise will not do this movie justice. I have not seen Sam Neill act more convincingly in a movie. He got that mysterious stranger role down perfectly. Rachel Blake was extraordinary. You just couldn't take your eyes off either one of them (regardless of the condition they were in). This is a beautiful movie, with stunning actors, breathtaking scenery, and haunting music. While watching the movie, you'll find yourself asking yourself "what would I do?". You'll also say to yourself "I must get that soundtrack!" I highly recommend it! @-->--> Kris

Saw Perfect Strangers at the Vancouver Film Fest, September 30, 2003. Well made, and thouroughly engaging movie that suprises at many turns. The simple story of a working class woman who goes home from a bar with an interesting stranger becomes first a story of kidnapping but then moves to a more complex story of love, obsession, and fear.

As with many foreign films, Pefect Strangers is not afraid to mix fantasy with reality. And, it helps to have excellent direction, music, and above all acting by the two leads.

I recommend this film if you get a chance to see it, or eventually rent it.

It starts like a conventional girl-goes-home-with-the-wrong-man-horror. After a while it is almost relation comedy and psycho drama and relation comedy again.

You miss the traditional agenda here. This is perhaps a form experiment, mixing genres. But the mix is not done in a clever way. You expect something to happen, a real climax, but it never comes and you are slowly getting uninterested.

This kind of genre mixing can be exciting, but the actors here are not capable of fulfilling the director's intentions. A failure and not a very good one.