IMDb-BEWERTUNG
6,6/10
30.628
IHRE BEWERTUNG
Ein blindes Mädchen bekommt eine Hornhauttransplantation, damit sie wieder sehen kann. Sie bekam jedoch mehr, als sie erwartet hatte: Sie kann sogar Geister sehen.Ein blindes Mädchen bekommt eine Hornhauttransplantation, damit sie wieder sehen kann. Sie bekam jedoch mehr, als sie erwartet hatte: Sie kann sogar Geister sehen.Ein blindes Mädchen bekommt eine Hornhauttransplantation, damit sie wieder sehen kann. Sie bekam jedoch mehr, als sie erwartet hatte: Sie kann sogar Geister sehen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 9 Gewinne & 8 Nominierungen insgesamt
Angelica Lee
- Wong Kar Mun
- (as Lee Sin-Je)
Mylio Lau
- Wah's Secretary
- (as Miyuki Lau)
Empfohlene Bewertungen
There are already several comments left, but what the hey, I liked this movie and I'm gonna have my 10p worth.
Before I mention the movie itself, I'd better comment on modern Asian movies that reach Western shores, and the fact that they have different pacing, priorities and styles to what you would see at the cinema. The fact that a lot of people don't 'get' the parts of this film which seem to have no relevance is probably as much due to the difference in culture more than any wrongdoing on the production team's behalf. The same can be said for a lot of Hong Kong comedies, the 'humour' which would probably illicit a wry laugh back home flies miles over everybody else's head.
In that sort of circumstance, I've developed a good trick, I switch-off trying to figure out what all these little hints and gestures mean and concentrate on the character interactions and the scares. I've had a lot of practice, Western cinema in recent years has been guilty of 'rambling', and they've got no such excuse as 'cultural differences' ;)
Anyway, the movie! (good grief!), the plot's already been explained and probed, so I won't go into that. What this film has is a constant 'pressure', a claustrophobic atmosphere which persists regardless of the location. Clever camera work afoot! The palpable distance which the heroine feels from her family and the people around her (perhaps a symptom of not being able to communicate non-verbally with them so long? Perhaps not, but it's there) is always there too. You get the impression that she could be surrounded by a crowd and still walk alone from one side of a city to the other.
The smaller roles are played out very nicely, great acting considering the film concentrates almost solely on the two main characters.
The ending is a little bit of a let-down, predictable and not entirely 'working'. But, BUT, it isn't a catastrophe which ruins the film, which I'm sure you'll know what I mean. The ending of a film is what you're left with when you switch off the TV, and if it's bad, then so is the film.
This movie is the only one in recent years which actually gave me a start, and that's something. Real horror isn't about dripping guts and hooks with heads on them, it's about the unexpected, it's about being confronted with something terrifying, something which makes you wish the character was elsewhere. In order to achieve that, you need to give a damn about the character in the first place, which is where 90% of cheap horrors fall down. Not here, the characters are likable and have a little childlike innocence about them, you want to get in there and slap the more unpleasant visitors :P
All in all, I very much enjoyed watching this film, and intend to buy it when I find it for a pittance (almost all DVDs can be found for the right price at one time or another, shop around and ask people where they get their bargains). I would heartily recommend renting before buying, however. As several have mentioned already, there are several elements of this film which seem to have been deliberately copied from recent films such as Sixth Sense. If that prospect leaves a sour taste, I'd look elsewhere, but everyone else who hasn't had enough of all that yet should certainly have a look :D
Thanks for reading.
Before I mention the movie itself, I'd better comment on modern Asian movies that reach Western shores, and the fact that they have different pacing, priorities and styles to what you would see at the cinema. The fact that a lot of people don't 'get' the parts of this film which seem to have no relevance is probably as much due to the difference in culture more than any wrongdoing on the production team's behalf. The same can be said for a lot of Hong Kong comedies, the 'humour' which would probably illicit a wry laugh back home flies miles over everybody else's head.
In that sort of circumstance, I've developed a good trick, I switch-off trying to figure out what all these little hints and gestures mean and concentrate on the character interactions and the scares. I've had a lot of practice, Western cinema in recent years has been guilty of 'rambling', and they've got no such excuse as 'cultural differences' ;)
Anyway, the movie! (good grief!), the plot's already been explained and probed, so I won't go into that. What this film has is a constant 'pressure', a claustrophobic atmosphere which persists regardless of the location. Clever camera work afoot! The palpable distance which the heroine feels from her family and the people around her (perhaps a symptom of not being able to communicate non-verbally with them so long? Perhaps not, but it's there) is always there too. You get the impression that she could be surrounded by a crowd and still walk alone from one side of a city to the other.
The smaller roles are played out very nicely, great acting considering the film concentrates almost solely on the two main characters.
The ending is a little bit of a let-down, predictable and not entirely 'working'. But, BUT, it isn't a catastrophe which ruins the film, which I'm sure you'll know what I mean. The ending of a film is what you're left with when you switch off the TV, and if it's bad, then so is the film.
This movie is the only one in recent years which actually gave me a start, and that's something. Real horror isn't about dripping guts and hooks with heads on them, it's about the unexpected, it's about being confronted with something terrifying, something which makes you wish the character was elsewhere. In order to achieve that, you need to give a damn about the character in the first place, which is where 90% of cheap horrors fall down. Not here, the characters are likable and have a little childlike innocence about them, you want to get in there and slap the more unpleasant visitors :P
All in all, I very much enjoyed watching this film, and intend to buy it when I find it for a pittance (almost all DVDs can be found for the right price at one time or another, shop around and ask people where they get their bargains). I would heartily recommend renting before buying, however. As several have mentioned already, there are several elements of this film which seem to have been deliberately copied from recent films such as Sixth Sense. If that prospect leaves a sour taste, I'd look elsewhere, but everyone else who hasn't had enough of all that yet should certainly have a look :D
Thanks for reading.
"The Eye"(2002)has to be one of the creepiest horror movies I have seen this year.The "transplant gone awry" concept has been done before-just check out "Body Parts"(1991)or the third story in the horror anthology "Body Bags"(1993),but the Pang Brothers created extremely eerie psychological horror with plenty of genuine scares.Angelica Lee is excellent as a young girl named Mun.Her numerous and extremely creepy encounters with the spirits Mun sees are filled with excellent use of sound.The conclusion is amazing and totally unexpected.The film is very scary and uncanny-it actually reminds me a bit Japanese horror hit "Ringu"(1998).Check it out,if you dare.9 out of 10.The elevator scene blew me away!
Wong Kar Mun went blind at the age of two, 18 years later she undergoes a cornea transplant that appears to be a success. Unfortunately that success comes with a terrifying side-effect; the ability to see unhappy ghosts.
Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.
No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on though is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying the over familiarity with its central themes. If you have seen Irvin Kershner's The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything thematically new here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.
Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses and so does the time for reflection arrive. Gin Gwai ends up being one of this decades best horror pictures. Well to me at least. 9/10
Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.
No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on though is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying the over familiarity with its central themes. If you have seen Irvin Kershner's The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything thematically new here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.
Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses and so does the time for reflection arrive. Gin Gwai ends up being one of this decades best horror pictures. Well to me at least. 9/10
This is a good little Asian horror film that I would definitely recommend renting or even buying, if you like foreign films. A young blind woman receives a cornea transplant and soon finds out that she got way more than she bargained for when she starts being visited by some very unhappy dead souls. It's not very original, true, but the acting is good, the lead character (played by Angelica Lee, is that her name?) is adorable, as is the little girl who plays Ying Ying; there is some serious tension and dread here, especially in the first half hour. The scene in the hospital hallway had my skin trying to crawl off my body, as well as the "Why are you sitting in my chair?" scene. We're talking serious chills. Some of the music IS a bit cheesy and over the top, but hey, you can't have everything, right? The scenes where we see through Mun's eyes in the first few minutes are very effective; we know someone is standing there, we just don't know who it is, and we feel her fear and uncertainty. Not the best movie ever made, but it's definitely worth seeing.
Before I close, I would like to respond to the attitude expressed here by some people that American films are all stupid, and that American filmgoers are all drooling idiots who have to see a throat slashed every few minutes in order to be engaged by a movie. When you make comments like that, you really show how ignorant you are when it comes to American cinema, as some of the finest movies ever made came right out of Hollywood, and no they aren't all slasher films or mindless teen comedies. But then I'm sure you folks already know that, you just want to feel intellectually superior to others. I enjoy a good foreign film, and so do many Americans, but just because they're foreign doesn't mean they're perfect. They have flaws just like any other human effort, so please get over yourselves and try to watch movies with an open mind, because you'll enjoy them much more that way. That's just my two cents.
Watch this movie, it's good.
Before I close, I would like to respond to the attitude expressed here by some people that American films are all stupid, and that American filmgoers are all drooling idiots who have to see a throat slashed every few minutes in order to be engaged by a movie. When you make comments like that, you really show how ignorant you are when it comes to American cinema, as some of the finest movies ever made came right out of Hollywood, and no they aren't all slasher films or mindless teen comedies. But then I'm sure you folks already know that, you just want to feel intellectually superior to others. I enjoy a good foreign film, and so do many Americans, but just because they're foreign doesn't mean they're perfect. They have flaws just like any other human effort, so please get over yourselves and try to watch movies with an open mind, because you'll enjoy them much more that way. That's just my two cents.
Watch this movie, it's good.
For the most part, "The Eye" is a competent effort from HK cinema. While most HK films nowadays involve big pop stars in pointless romantic comedies, this film (and also Infernal Affairs) show that there are still talented filmmakers in HK.
The story is about a blind girl named Mun getting a cornea transplant. When she gets her vision back, she begins seeing supernatural beings (ghosts, to be precise). For the first half of the story, we see her experiencing all these haunting encounters. One notable scene is in an elevator. The mystery and creepiness in this first half is incredibly effective and well-made.
The same cannot be said about the second half though. Like "The Ring" (or "Ringu"), Mun travels to Thailand to figure out the origin of the owner of her cornea. What starts out as a supernatural thriller turns into a mystery.
The film seems to be a mix of "The Sixth Sense", "Ringu", and a touch of "Final Destination." The switch of style in the middle and toward the end is somewhat annoying. The ending is an effort of the directors to show that they can do big CGI action sequences too. But, this film would have been good enough to stand on its own without that.
The acting is pretty good. Angelica Lee as Mun is very believable. The same cannot be said about the doctor though. I think this is mostly because his character's motivations are not convincing enough. Why does he give up his whole career to travel all the way to Thailand to help her after meeting her for a few times only? For love? Probably...but I don't buy it at all.
Overall, this film is pretty good. It is a nice effort from promising directors.
The story is about a blind girl named Mun getting a cornea transplant. When she gets her vision back, she begins seeing supernatural beings (ghosts, to be precise). For the first half of the story, we see her experiencing all these haunting encounters. One notable scene is in an elevator. The mystery and creepiness in this first half is incredibly effective and well-made.
The same cannot be said about the second half though. Like "The Ring" (or "Ringu"), Mun travels to Thailand to figure out the origin of the owner of her cornea. What starts out as a supernatural thriller turns into a mystery.
The film seems to be a mix of "The Sixth Sense", "Ringu", and a touch of "Final Destination." The switch of style in the middle and toward the end is somewhat annoying. The ending is an effort of the directors to show that they can do big CGI action sequences too. But, this film would have been good enough to stand on its own without that.
The acting is pretty good. Angelica Lee as Mun is very believable. The same cannot be said about the doctor though. I think this is mostly because his character's motivations are not convincing enough. Why does he give up his whole career to travel all the way to Thailand to help her after meeting her for a few times only? For love? Probably...but I don't buy it at all.
Overall, this film is pretty good. It is a nice effort from promising directors.
Wusstest du schon
- WissenswertesThe beginning (the operation for a blind girl to see again) and the end of the film are based on true stories the Pang brothers read about in the news.
- PatzerWhile playing the violin solo, Mun's fingers on her left hand never move.
- Zitate
Wong Kar Mun: Are you okay, madam?
Old Lady in the Hospital: I'm freezing...
- Crazy CreditsThe credits at the beginning of the film first appear as braile.
- VerbindungenFeatured in Gin gwai 10 (2005)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- The Eye
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 SGD (geschätzt)
- Bruttoertrag in den USA und Kanada
- 512.049 $
- Weltweiter Bruttoertrag
- 12.165.016 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was The Eye - Mit den Augen einer Toten (2002) officially released in India in English?
Antwort