Garam Coat

Rajinder Singh Bedi has a repute as one of the big guns of progressive Urdu/Hindi literature, so when I saw his name in the credits, I expected a much better film than what ultimately unfolded. Well, maybe as a writer he didn't have much say as compared to the director; then again, Bedi himself was the producer so he can't be acquitted of the blame entirely. In any case, this is certainly not in the league of 'Dastak' (1970), which Bedi directed himself. The storyline and subject matter are handled with competence, though the pace is a bit awkward and the numerous songs tend to dilute the dramatic intensity. The sudden mood swings and behavioral changes of the central character are at times mystifying and actors are often called on to perform hysterically. At other times, the performances are grounded and subtle, as per the milieu. I would have liked it better if the film didn't become so melodramatic as often as it does, but still, it is a decent enough effort. Nirupa Roy is excellent as the housewife and mother coping with poverty and strife.