Swimming Pool

Released in 2003, "Swimming Pool" is a drama/psychological thriller about a popular English novelist named, Sarah (Charlotte Rampling), who vacations at her publisher's villa in France to find inspiration for her next book. Unfortunately, the publisher's oversexed daughter, Julie (Ludivine Sagnier), visits and disrupts her activities.

If you remember 70s' films like "Orca" and "Zardoz" you'll know that Rampling was stunning in her physical prime in a looks-that-kill way. In "Swimming Pool" she's still in decent shape for a woman verging on 60, but her character's a joyless biyatch desperately seeking inspiration. Julie, by contrast, is young, friendly and overflowing with sexuality, but – like Sarah – she's not a pushover in the least.

Sagnier shines as the wild child French hottie. There's just something about the female French accent that's a turn-on. Despite her sexiness, it's clear in some scenes that Julie's actually sort of plain in a girl-next-door kind of way. It's what she does with what she's got that makes her stunning.

Like 2005's "Match Point," "Swimming Pool" is the antithesis of the modern 'blockbuster' and all its moronic trappings -- there's no quick editing, no CGI, no goofy one-liners, no explosions and no promise of $400 million at the box office. No, "Swimming Pool" is movie-making based simply on excellent writing and cinematic storytelling. The end is a revelation to the viewer even if you were expecting it, particularly because, if you research it, it's way more than even that, believe it or not. It's amazing how good writing & storytelling can create a 'Wow' reaction more so than the most elaborate overkill action sequence with all its requisite CGI and explosions.

The film runs 102 minutes and was shot in Luberon, Vaucluse, France, and London.

GRADE: A-

***SPOILER ALERT*** (Don't read further if you haven't seen the film)

The obvious interpretation is that Julie isn't real, but rather a character created by Sarah for her next book whereas Julia is the publisher's real daughter, revealed at the end. People who draw this conclusion, like me on my first two viewings, are on the right track, but this interpretation is only accurate to a point. For details see the thread on the IMDb message board "The Definitive Answer / Color-Key to Swimming Pool."

In London, the successful and weird middle-aged writer of crime and mystery novels Sarah Morton (Charlotte Rampling) is passing through a phase of lack of inspiration. Her publisher John Bosload (Charles Dance) invites her to spend some summertime days in his house in a small town in France, where there is inclusive a swimming pool. He also suggests her to make the experience of writing about a different theme to break her block. Sarah accepts the invitation and travels to the wonderful and lonely place. A few days later, she starts writing again, but her quiet rest is shaken with the unexpected arrival of Julie (Ludivine Sagnier), the sexy daughter of John. From that moment on, reality and dream blend in Sarah's world.

"Swimming Pool" is a film with ambiguous conclusion by François Ozon. I did not dislike this movie, but I believe it is indeed an excellent idea, wasted in a very disappointing conclusion. There are many unexplained subplots and the story is completely open to the most different interpretations, and of course I have mine. But without reading any information or clue from the writer and director François Ozon about his real intention, it is impossible to give a precise clarification. Europeans usually like this type of open-ending to discuss about, but in this situation, the film does not give necessary hints about the real intention of the plot. The viewer can speculate only. Charlotte Rampling has a magnificent interpretation, Ludivine Sagnier has a very erotic performance, but to become an excellent film, many clarifications are missing. The Unrated DVD from Focus Features offers deleted scenes that may help the interpretation that Sarah was alone in the house. My vote is seven.

Title (Brazil): "Swimming Pool: À Beira da Piscina" ("Swimming Pool: On the Edge of the Swimming Pool")

Note: On 21 January 2025, I saw this film again.

This film owes a great deal of gratitude to the second collaboration between Francois Ozon and his leading lady, Charlotte Rampling. They ought to team up more.

As with the previous film, Under the Sand, this is an enigmatic piece of cinema. This film, I believe, has more to do with Sarah Morton's imagination than with the actual story presented to us. There are so many hidden clues within the story that everyone will have a different take in what is presented in the film and what the actual reality is.

Francois Ozon is not a boring director. He will always present an interesting story, fully developed, with many twists to get his viewer into going in different directions trying to interpret it all.

Charlotte Rampling is magnificent as Sarah Morton, the repressed author of mystery novels. Ludivine Sagnier is very good as the mysterious Julie, the alleged daughter of Sarah's publisher, but now, is she really that person?

The ending will baffle the viewer. This is a film that will stay and haunt one's mind for days.

Swimming Pool is a first rate film from French genius François Ozon. This thriller makes best use of everything that makes cinema great, and it is therefore a delight to view. Swimming Pool follows Sarah Morton, a British author that travels to her publisher's dream home in France in order to have a rest while she works on her new book. However, her tranquillity is soon disturbed when her publisher's daughter; a sex-crazed, good time girl, turns up out of the blue and turns Morton's rest into something quite different. One criticism that could be, and has been, made of this film is that not a lot a lot happens. That, however, depends on your viewpoint; the action is stretched, but the relaxed tone of the film blends magnificently with the beautiful French scenery, and Ozon's attention to detail with the characters ensures that, although slow, Swimming Pool never descends into boredom and there's always something on offer for it's audience to enjoy. I, personally, was completely entranced from start to finish.

The casting of Charlotte Rampling as the uptight British novelist really was an inspired move. She's absolutely brilliant in the role, and you can't imagine anyone else playing that character to such a degree. Speaking of great casting choices, Ludivine Sagnier is similarly brilliant as Rampling's sexy co-star. She brings just the right amount of insecurity and lustfulness to her role, and it's not hard to see why Ozon continues to cast her in his movies. The film is very melodramatic, but never overacted; and this is a testament to the quality of acting on display. Swimming Pool benefits implicitly from a haunting soundtrack, which perfectly accents the happenings on screen, and certain points in the movie where the soundtrack is used are truly electrifying. François Ozon is truly one of cinema's greatest assets at the moment. This is only my second taste of his work (the hilariously fabulous 'Sitcom' being the other), and if his backlog and future releases match the quality of the two films I've seen from him so far; he may well become one of cinema's all time greats.

Swimming Pool (2003)

All I had heard before recently viewing Francois Ozon's Swimming Pool is that the lead actress, Ludivine Sagnier, was searingly sexy. Well, if that's what you want in a movie, you might agree. But it lowered my expectations, nearly to the point of not watching it. In the end, Sagnier's character is mostly coy and bratty, and her nudity, in France around her own very private swimming pool, shouldn't really be an issue-- except maybe for the viewer. For me, there was sometimes a mismatch in my head between watching the actress and watching the character, and if this is a flaw in some movies, here, in some basic way, it ties into the intention.

This is an odd starting point, for sure, but it is Sagnier's brazen outwardness that makes the more complex role played by Charlotte Rampling take on interest. How else to portray the theme of a woman who uses her body and her confidence to seduce the other characters in front of an older woman who wishes she could do the same? Swimming Pool really isn't about sex, but it absolutely is about the appearances that lead to sex--of being sexy, to put it a little stupidly--and Rampling increasingly takes on the role of viewer within her own character, and she ends up as perplexed as we do. All to good effect.

The minimal plot is about the failure by a successful novelist to see alluring from allusion, fact from fantasy. It's about storytelling, fiction, and ultimately fear of failure. The reconstruction of the past becomes the inner confusion in the mind of the main character, a charming and effective Rampling playing a novelist who was once, by all the hints, the very seductress suggested by the younger woman.

This is certainly a film worth watching. For some it will seem willfully confusing to the point of manipulation--the viewer is fooled and taken for a ride, and it feels confusing for the sake of confusion. For others it will seem endlessly mysterious and clever, even if requiring a kind of blindness to certain narrative conflicts (which may or may not be logically resolved by the end--I watched parts a second time to check). Right from the start there is an ingenious mismatch of facts that you start to brush off, and when things develop in ways I don't dare suggest for fear of ruining it, these clues grow in meaning. It will certainly be great for discussion, heated or not, and that's a sign (for me) of a good experience, though not necessarily a superior movie.

It is notable how economical the filming is--the setting is limited, the characters few, the range of situations reasonable and not requiring trickery or effects. And it comes down to Rampling, above all, holding the psychology together. It shows how little you need to take a good plot idea and flesh it out, sexist voyeurism or not.