Ein Chef zum Verlieben

Lucy Kelson {Sandra Bullock} lands a job as chief counsel for a big hitting New York real estate firm that is owned by mega-rich George Wade {Hugh Grant}. He's an engaging enough boss but he's very shallow, and Lucy finds that she's practically running his life for him. So finally tiring of being treated like a Personal Assistant, she gives her two weeks notice of resignation. But can the pair do with out each other? And is there more than a working relationship bubbling under the surface? For his first feature film directing assignment, Marc Lawrence played it safe and got lucky with his lead actors. Whilst hardly setting a new benchmark in the ROM-COM genre, Two Weeks Notice is however witty and not without charm. This is due in the main to the pairing of Grant & Bullock, who play it perky and spark a chemistry so sadly lacking in many other modern day films of its ilk. By their own admission the pair got on great off screen, and that is evident as the pair feed of each other to make the lightweight script work wonders. The dominance of the pair tho leaves little room for the supporting actors to breathe, with many of them coming across as mere fillers. It's this that stops the film from being the great film that Bullock, and particularly Grant's, efforts deserved.

Enjoyable light entertainment that could have been better if more thought had gone into the outer characters. 6.5/10

Sandra Bullock is one of my favourite actress's, I'll give any movie with her in a chance, and Hugh Grant is funny if given good material. So despite looking every inch the predictable romantic comedy, I expected to like this.

Plot In A Paragraph: Idealistic lawyer Lucy Kelton (Sandra Bullock) quits her job working for demanding corporate boss George Wade (Hugh Grant) But Soon realises she can't let go quite so easily.

Bullock and Grant have great chemistry (Their relationship reminded me of Arthur and Hobson from "Arthur" if Hobson had been a woman) and the first half of this movie is very enjoyable but midway through it sort of loses its way, as it heads towards its predictable climax.

Hugh Grant is in top form here, Bullocks's "Miss Cingenialty" co star Heather Burns has a role here, as is Grant's "Four Weddings & A Funeral" co-star David Haig, and Alicia Witt is fine too. As for Bullock

I'll admit from the off, that I am bias. I love her. With her gorgeous girl next door looks, I adore her, and will usually give anything she is in a chance. she remains one of the most talented and beautiful women in movies, and her ladylike sexiness is in rare supply. Any movie becomes promising just by having her name in it's cast.

Two weeks notice is a movie that is so completely lightweight in viewing, it's almost embarrassing to admit how much I liked it. But I did. I'm a big fan of romantic comedies but it seems like there is so much of a redundent churning out of crummy or average ones in the past few years, it's hard to keep them all straight.

This movie differentiates itself very much from other below average or at best, average or slightly above average romantic comedies. It's the same classic setup as a million other ones(see: "Maid in manhatten", "The wedding planner", runaway bride", "I love trouble" etc etc etc.) What makes this one a bit better then the above mentioned is the dialogue. It's actually funny! This is a movie that exists entirely on the witty "back and forth" barbs between Bullock and Grant's characters. It's peppered with zingy one liners and caustic banter and the result is a peppy, funny and entirely entertaining romantic comedy.

AS is NOT the case with some of those other movies I mentioned, this is one I will actually remember fully once the movie is over. Although nothing about the plot is realistic in the slightest, the banter is so much fun and the chemistry so cute and sassy, that it makes for very entertaining movie watching.

Anyone who's ever had that type of relationship will be able to relate. That fun type of relationship with a member of the opposite sex where chemistry and attraction is built slowly and sassily, where both people know their attracted to each other but haven't yet admitted that to each other so off they go into the world of sexual banter! This is a fun relatable romantic comedy that any fan of the two main stars should see. I happily give it an 8 out of 10.

TWO WEEKS NOTICE (2002) *** Sandra Bullock, Hugh Grant, Alicia Witt, Dana Ivey, Robert Klein, Dorian Missick, Heather Burns, Jason Antoon. Charming screwball romantic comedy with Bullock as an A-type/neo-hippie cum grass-roots lawyer who finds herself employed by wealthy conglomerate merger type businessman Grant and after attempting to get him to change his ways gives her titular ultimatum only to discover – you got it – they are really meant for one another. The film may be formulaic but its stars have that special, instant and utterly natural chemistry together helped with a crackling zingerfest screenplay by its director Marc Lawrence who manages to make the creaky device work even if its last act is by rote and Witt as Bullock's replacement (in more ways than one) is a pallid shadow of `All About Eve' .

Two Weeks Notice (2002)

Hugh Grant is funny. Sandra Bullock is funny. "Two Weeks Notice" takes full advantage of both, and for a warm, if someone canned, romantic comedy, it's enjoyable.

The premise is two-fold. First is the idea that Bullock makes herself indispensable as an assistant to an unbelievably demanding boss (an precursor of the more recent "The Devil Wears Prada" though in this case Grant is also a bit incompetent). Then she has to give notice she is quitting. This makes Grant desperate, which is always fun to watch.

The other premise is the feel-good part where a community center with history needs to be saved, somehow (an echo, perhaps, of "You've Got Mail"). Bullock is a do-gooder and a smart one, and she finds working with Grant has threatened her idealism. In fact, this is the deeper part of the movie, if still treated with typical easy going slightness. I mean, this is no serious commentary for sure, any more than "My Man Godfrey" will really change our views about unemployment in the depression. But it helps to have a cause to root for.

Most of all I came to love Bullock for her natural on-screen personality. She's so likable in her own offbeat way you come to support her view of the world automatically. And in this case that's a good thing, even if you also understand how Grant's character is both a jerk and a lovable misguided rich man. Grant of course is his own kind of natural, and the two are rather good on screen. They might not have chemistry, the way you'd want the screen to steam up, but they have energy or synergy together, more like the other Grant (Cary) and some of his counterparts did in the old days.

I'm tilting this review toward a feeling that this is a screwball comedy as in the the late 30s and early 40s, and in a way it is, though not nutty enough perhaps to really qualify. It does have the standard romantic comedy problem of two leads who would be great together if only a million things weren't standing in the way.

This movie gets weak reviews overall, but I liked it, and don't hesitate to recommend it as a thin but enjoyable comedy.