IMDb-BEWERTUNG
6,8/10
22.745
IHRE BEWERTUNG
Ein irischer Journalist schreibt eine Serie von Geschichten über Drogendealer.Ein irischer Journalist schreibt eine Serie von Geschichten über Drogendealer.Ein irischer Journalist schreibt eine Serie von Geschichten über Drogendealer.
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
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Cate Blanchett has done it again - played someone you can't take your eyes off of, and not because she's a classic beauty but she's just a good actress and plays such intense roles. Here, she's the single-minded outraged Irish reporter out to expose the drug trafficking in Ireland in the mid 1990s. Yes, it's based on a real person, a very real Veronica Guerin, who took her life in her hands with her desire to have this problem taken care off so the kids in her country wouldn't have such easy access to harmful drugs.
According to the film story, the drug problem was ignored or the police were just ineffective in dealing with it, so Guerin goes after the mob as an investigative reporter. Her husband pleads with her to stop, knowing she could easily be killed. The gangsters were tough and realistically portrayed on film. There is no talk-now-shoot-later nonsense. You mess with them, you will pay. That's the message they give Guerin and you'll have to see the film to find out what happened.
Yup, this is an attention-getter from the start and especially with Blanchett in the lead. A good story and highly recommended.
According to the film story, the drug problem was ignored or the police were just ineffective in dealing with it, so Guerin goes after the mob as an investigative reporter. Her husband pleads with her to stop, knowing she could easily be killed. The gangsters were tough and realistically portrayed on film. There is no talk-now-shoot-later nonsense. You mess with them, you will pay. That's the message they give Guerin and you'll have to see the film to find out what happened.
Yup, this is an attention-getter from the start and especially with Blanchett in the lead. A good story and highly recommended.
Veronica Guerin is a film about an Irish journalist who put a story ahead of the welfare of her child and husband, as well as above her own life. There are two primary views about her decisions in the film. One is that she was unbelievably courageous and really believed that good always overcomes evil. That justice will always prevail. That one sometimes has to sacrifice one's self for the good of the many. Veronica Guerin thought she could make a difference. She thought the police were doing everything they could to stop the drug trafficking in Dublin. This is the positive view.
The other view is that Veronica Guerin was incredibly naive, careless, and insensitive to the needs of her child and husband. That she thought she was a police detective without a gun and was above reproach from criminals. And while the film paints a pretty picture of Dublin's and Ireland's police completely turning around its drug problem, nothing could be further from the truth. There is still a tremendous drug problem in Dublin and in all of Ireland, not to mention the rest of the world. Nothing has really changed. Like all wars, the victims of the War Against Drugs, or any other war, are soon forgotten after noble words at a funeral. That's when everyone goes back to their everyday lives. So which version of Veronica Guerin is correct? That decision would be up to the viewer. And why did Colin Farrell get billing on IMBD as a co-star? He was in the film for two minutes (or less). Talk about a disappearing career. Good movie, though.
10ray-280
Just as Veronica Guerin exposed Ireland's underworld drug dealers, Cate Blanchett's marvelous portrayal of Irish journalist-turned-anti-drug-crusader Veronica Guerin seemed to have the actress on a mission to prove that you don't have to look like a pop diva or act like a porn star to be a compelling female lead in a film.
Like many films with an ethnic flavor, we get a supporting cast of ethnic actors in slightly elevated roles from the norm. Most notable from that category are Gerard McSorley as the evil drug-lord, John Gilligan, and Ciaran Hands as street thug John Traynor, who plays both sides of the fence throughout the film.
The story is painful, not only because of what happens to Guerin, but in our knowing that her courage is a direct reaction to our general apathy towards wrongdoing, with so many of us looking the other way that the Veronica Guerins of the world are encouraged to fight evil after the fact, but left as sitting ducks or thrown to the wolves while they are still alive and making noise.
If there's one lesson every viewer of this film should exit with, it is that those of us who are not part of the solution, are part of the problem.
Like many films with an ethnic flavor, we get a supporting cast of ethnic actors in slightly elevated roles from the norm. Most notable from that category are Gerard McSorley as the evil drug-lord, John Gilligan, and Ciaran Hands as street thug John Traynor, who plays both sides of the fence throughout the film.
The story is painful, not only because of what happens to Guerin, but in our knowing that her courage is a direct reaction to our general apathy towards wrongdoing, with so many of us looking the other way that the Veronica Guerins of the world are encouraged to fight evil after the fact, but left as sitting ducks or thrown to the wolves while they are still alive and making noise.
If there's one lesson every viewer of this film should exit with, it is that those of us who are not part of the solution, are part of the problem.
I've been revaluing Joel Schumacher as a director for some years. I was used to think he was just a typical Hollywood movie maker. But I understood this man does commercial features whenever he needs money ("Batman forever", "Batman & Robin", "The client", "A time to kill"), as he gets it he manages to do good and more personal films.
In fact his mainstream movies are quite boring and mannered. Fortunately Schumacher is much better with more alternative or low-budget films ("Falling down", "Tigerland", "Phone booth"). "Veronica Guerin" belongs to this category.
I'm also happy, in this case, that a blockbuster producer like Jerry Bruckheimer manages not to spoil the movie with artificial tricks.
Veronica Guerin seems to me a symbol of Irish tragicalness. I mean, the tragicalness you can find in works of James Joyce and Oscar Wilde, in stories and legends of Ireland as well. Sadly, her story is true.
The film has the right speed in presenting all the facts, it is simple and well acted -Cate Blanchett's performance is outstanding.
Maybe Joel Schumacher, in the final part, looses a little the sense of rhythm because he wants us to be moved and touched (and we are, indeed. Because it's a shame that a woman and a brave journalist as well had to pay that price). But it's a true story, as I said. The film is valid because it denounces the "conspiracy of silence" and inaction from authorities.
In fact his mainstream movies are quite boring and mannered. Fortunately Schumacher is much better with more alternative or low-budget films ("Falling down", "Tigerland", "Phone booth"). "Veronica Guerin" belongs to this category.
I'm also happy, in this case, that a blockbuster producer like Jerry Bruckheimer manages not to spoil the movie with artificial tricks.
Veronica Guerin seems to me a symbol of Irish tragicalness. I mean, the tragicalness you can find in works of James Joyce and Oscar Wilde, in stories and legends of Ireland as well. Sadly, her story is true.
The film has the right speed in presenting all the facts, it is simple and well acted -Cate Blanchett's performance is outstanding.
Maybe Joel Schumacher, in the final part, looses a little the sense of rhythm because he wants us to be moved and touched (and we are, indeed. Because it's a shame that a woman and a brave journalist as well had to pay that price). But it's a true story, as I said. The film is valid because it denounces the "conspiracy of silence" and inaction from authorities.
What a woman she was! Let's start off with good points. I think this movie had a great cast. I think everyone was perfect. The problem probably comes with the filmmakers being American. I'm an American so I think I'm qualified to say this. Sometimes you need to be from the same culture to understand subtle and cultural things that are not evident to the naked eye so to speak. The movie somehow doesn't delve deep enough for us to understand why Guerin takes these incredible risks. Perhaps we should have learned more about her background to understand this unflinching courage she had. It may have also been beneficial to make the underworld figures she encounters more layered. Either way, it is a good introductory film to this incredible woman. Perhaps a homespun filmmaker can make another movie about her. I reiterate that I thought the casting was terrific! Cate Blanchett is one in a million. I felt her performance was oscar caliber.
Wusstest du schon
- WissenswertesWhile watching a football match together, Veronica tells the Tattooed Boy that once she met Éric Cantona. Cate Blanchett and Cantona worked together in Elizabeth (1998).
- PatzerDuring the epilogue, it is claimed that in an emergency Parliament session, the Government altered the Constitution. This is inaccurate for two reasons. Firstly, no such amendment of the Constitution occurred. Secondly, when an amendment is made, the Government alone does not have the authority to enact it: it may only propose such amendments to the people, in the form of a referendum.
- Zitate
Veronica Guerin: You'd do the same. If you saw those kids on the street, you would do the same.
- Crazy CreditsDisclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect."
- SoundtracksFuneral Song
Written by Harry Gregson-Williams, Hugh Marsh, Patrick Cassidy and Trevor Horn
Produced by Trevor Horn
Performed by Sinéad O'Connor
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Chasing the Dragon: The Veronica Guerin Story
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.571.504 $
- Eröffnungswochenende in den USA und in Kanada
- 611.276 $
- 19. Okt. 2003
- Weltweiter Bruttoertrag
- 9.439.660 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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