Skinwalkers

Movies in sub-cultural settings become exceptional when you quickly forget that it is, in fact, a sub-culture. Within minutes of the opening scenes of "Skinwalkers", I no longer dwelt upon the thought that a murder movie on an Indian Reservation is an unusual setting and, instead, focused on the murder mystery itself. In this sense, it reminds me of "Barbershop" (http://us.imdb.com/Title?0303714) in its ability to portray a particular sub-culture in America without actually dwelling on the differences between that sub-culture and America as a whole.

In other words, these movies become successful when you are drawn into the story so deeply that you realise that the sub-culture is as much a world in its own right as the so-called "majority" of America.

I would love to see this film turned into a weekly series. There's certainly enough potential depth of storylines to allow that.

I just saw this movie, and I would like to say that this was a great mystery. The setting is in a Navajo county, Adam Beach plays a cop and a medicine man that makes sure things in town are going the way they are supposed to, and Wes Studi plays a good detective. When a murder of a medicine man takes place, Beach and Studi join together to solve the crime. The movie is great because it shows you how the Native American life is. The roles that Beach and Studi play, are roles of heros that would do anything in order to set things right. I cannot wait to see Coyote Waits. This movie was very good and I would highly recommend people that like mystery films, to see this movie.

My comments may be a little late to the party, but this was the first one I've seen adapting one of Tony Hillerman's Navajo mystery novels to the screen. After seeing the movie and reading some of the comments, it is evident there are too many reviewers getting caught up in the location and tribal origin of the actors chosen, thus, obscuring the fact that this is a decent, enjoyable, and satisfying movie. If it compels a few people who haven't had the opportunity to pick up any of Hillerman's work and start enjoying the unique mixture of Navajo Indian culture and old-fashioned who-dun-it, then it did its job.

Though I haven't read all of the series, including the book this movie was based upon, the movie was a respectable representation of a typical Hillerman novel. I think one reviewer was right on the nose when they mentioned that both Leaphorn's and Chee's character, the two principle individuals in a good number of the novel series, were not entirely faithful to the book. That may have been necessary because in the books, both of them don't say anymore than necessary and there are a lot of character thoughts expressed to the reader, something that can't be done as easily through a movie unless the director uses a voice-over approach to express the thoughts. It wouldn't have worked, so I'm glad it wasn't done. Still, as an avid reader, Joe was overly stoic and Chee had a little too much gee-whiz kind of look. Believe me, these are small quibbles for what is otherwise an admirable job to play these two decidedly different men.

What is over-emphasized is the repeated complaint of those who say the characters didn't look Navajo-like or that the locations didn't represent the Navajo nation in general. As far as them not looking Navajo enough, I'd be willing to bet most of them didn't get that while watching the movie, they probably learned that little tidbit of information through the movie sites with extensive biographical info on the actors. So, exactly how many people who watch the movie who aren't from the immediate area are going to give a cactus prick about the actors not matching the tribal features of most Navajos? Precisely zip. Were these people also ones to object to Graham Greene playing the part of a Sioux native American in Dances With Wolves, considering he is a Oneidan native from Canada??? I doubt it. I'll watch Graham Greene playing anything, whether the part calls for native North American or not. Busting the chops of those who put together this movie because the wrong ancestry of the actors who were put in just should nitpick more important things like bills from Congress. The location complaint is just as bogus, it may have been too flat but it doesn't detract from the essence of film.

It isn't a perfect film, but it was well worth the time spent and I'll be looking out for more of these adaptations. It is a tribute to Hillerman's work that his would be the first mystery series based on an American novel to be produced through Mystery, who has provided such a terrific portfolio of British based mysteries for a long time.

This movie gave a moving portrayal of Native Americans, between ones that wants to dismiss their past and assimilate with the outsider and their cultures, and ones that wants to hang on to their tradition. It shows how some are struggling with keeping their tradition in the modern world that is continuously moving forward, while others are torn between accepting the new and keeping with the old, or even ones who are completely disillusioned with their heritage to the point of violent counter-reactions. It all comes down to a complicated clash between various characters and how each one resolves the issue within itself.

This was a good mystery film too, revealing little by little as to the motive for the murders.

Chris Eyre did a good job in this film, having seen his other movie Smoke Signals, he gives a somber atmosphere to both of these films. Not invoking the usual depressing ambience usually portrayed on these kind of environment, but not over-glorifying any aspects either.

All in all, a worthy film to watch.

I recently watched "Skinwalkers" again and enjoyed it more than I did the first time around. As I wrote in my Coyote Waits review, etc., I dislike that moviemakers think Native tribes are interchangeable. I am not only talking about the mispronouncing of words or the expression of cultural ideas, but something more apparent at first glance... somatotypes. Major tribes have different body types, facial structure, ways of speaking, dressing, walking, and even hair styles. They can be as different from each other as they are to non indigenous races. For example: Comanche tend to be tall, muscular and golden skinned. Navajo necks tend to look shorter with the head seemingly very close to the shoulders, in both genders. Sioux have killer cheekbones, while Apache faces are broader, and their legs are shorter; Mohawk noses tend to be "hawkish" and they "look indian" even if the person is a mixed blood with blonde hair and blue eyes! I could go on and on, but you get the point. I also find it amusing that Adam Beach's character pointed out Apache somatotypes in "Smoke Signals", so the actor cannot possibly be unaware. You will see more Navajo in Skinwalkers than I recall seeing in Coyote Waits, and I bet you will soon start recognizing who in the film is a real Navajo and who is not... giving you an appreciation of what some of us keep complaining about.

I thought Adam Beach was better in this film and I thought the plot was better. They still didn't film in the right locations as the Navajo are Mesa people, but the scenery is beautiful just the same.

Michael Greyeyes can do an insane smile better than anyone since Martin Landau. Even if you haven't seen the other films in the series, you can enjoy this film as it doesn't pull in important references from the others. It has problems, sure, but I enjoyed the ride.