Carnivàle

The battle between good and evil as presented in 'Carnivale' is a profoundly great show that is ever more so relevant today than when it was first released back in 2003-2005. Set in the 1930s during the great depression, I can't help but think of the parallels with today's current socio-economico-political mood... Yes, the 2010s aren't the 1930s as it was probably a lot more overtly savage as a society back then... However the same lines can be drawn between good and evil today. The same dynamics are prevalent... the greed of bankers and complicity of elected officials at the root of the misery and suffering of the 30s after the crash of 1929 still relevant today after the great financial crisis of 2008. Also, since I just saw this series, I can't help but think of the music theme used during the political speeches in Carnival being reused by 'House of Cards' how enlightening! It makes a lot of sense because you will hear some of the greatest political speeches ever in 'Carnival' professed by the evil preacher. As for Michael j Anderson, his performance in this series is simply masterful. I used to love him in David Lynch's movies but in lieu of being the creepy guy, he exhibits a much wider range for his acting in this series. Clancy Brown is amazing too as the preacher in this series. The supporting cast is excellent except for maybe Nick Stahl who is a little underwhelming as the main protagonist, displaying a very narrow range of talent, still passable enough. If you haven't seen this series yet and are hesitating, don't and just give it a go... you will binge watch it for sure! It is a masterfully crafted show, one of the best in terms of storytelling.

to write about Carnivale is more than difficult. because it is a perfect show. because, after more a decade, the trace of each episode is fresh. because the mixture of fascination and fear, tension and revelations has the gift to survive in memory and define more than a great series but a kind of experience. the voice of Clancy Brown, the amazing performance of Nick Stahl, the stories, Michael J. Anderson who propose a real special character, the dust of Great Depression and the mysteries as magic chain are bricks of a phenomenon. because you feel about it be more than a series. but one of stories, not many, growing in yourself. and this does Carnivale special.

It's been 15 years since this show and I'm still devastated about this cancellation. Season 3 would have been epic, I mean with how season 2 ended! Sigh...With all the reboots I can only cross my fingers about having this show come back but sadly it won't ever happen. Watch it.. and then have your heart break cos there will never be closure. :(

Network: HBO; Genre: Fantasy, Period, Horror, Drama; Content Rating: TV-MA (for nudity, simulated sex, profanity, bloody violence and disturbing imagery); Available: DVD; Perspective: Cult Classic (star range: 1 - 5);

Seasons Reviewed: Complete Series (2 seasons)

The forces of light and dark are about to come face to face. In the 1934 Great Depression, a traveling carnival picks up a quiet loner. That loner, Ben Hawkins (Nick Stahl), slowly learns that he possesses an awesome power and with the help of ringleader Samson (Michael J. Anderson), blind Professor Lodtz (Patrick Bauchau) and the carnival's all-knowing "management" begins to hone it and understand the role he might play in the coming end times. Meanwhile Methodist preacher Brother Justine (Clancy Brown, in a tour-de-force that pushes the entire series forward) believes that he has become a personal instrument of God and, when his missionary is burned down, sets out on a journey that takes him to hell and back.

"Carnivale" starts out an endurance trial and ends up a flawless and addictive piece of work. HBO has made its mark giving us unique serial shows that challenge the audience, but I might argue that "Carnivale" is one of their very best. First of all, it is a supernatural period piece – and if that seems weird you haven't seen weird until you've seen creator David Knauf so committed in channeling David Lynch in one of the show's many complex, surrealistic and seemingly random dream sequences.

Second of all, what we are seeing here is a leisurely paced story that is rolled-out, for the most part, visually. TV is so much of a dialog and character-based medium that it is the rare daredevil series that even attempts, much less succeeds (as Lynch's own "Twin Peaks" did before it), in unfolding its story through clever visual cues with a freeing loose grasp on whether it makes any realistic sense. "Carnivale" is a visual work of art.

The show is best viewed like a 3-act, 24 hour movie and without knowing the first thing about any of it. In the first season, creator Daniel Knauf takes his sweet time getting things started. The show takes every inch of the freedom afforded by HBO to stretch out its story at a snail's pace and it doesn't help that our lead, Hawkins, spends much of the season mute and disgruntled. At this point it indulges in such absurd HBO staples as making us sit through an entire funeral service and in the other hand gives us a peak at the potential brilliance behind the show, such as when we see Samson conducting a Carney Trial.

The one thing you need to take from this review in the show's first expository hours is that, yes, "Carnivale" really does go somewhere. Those of us that have sat through self-indulgent serial shows (that shall remain nameless) that spin their wheels for hours, taking us nowhere, will find "Carnivale's" focus refreshing. It turns out Knauf is carefully arranging the pieces.

Before the first season ends he, having effectively stretched this rubber band as far as he can, snaps it back and the show kicks into high gear. The action shuttles back and forth between both the carnivale criss-crossing the country and Brother Justine's rise to cult power – and does so with such equal leverage that you could make a case for either being the A-story. When the two words finally come together in the very last episode (a rip-roaring finale at that), it is as satisfying and powerful as anything you'll see. The 2nd season pays off all the promises at the end of the first and lives up to all the potential of this show's weird, wild, brilliantly creative premise. It is riveting, mesmerizing, unforgettable television. Season 2 is flawless.

True, some of the major elements like the demonization (literally) of fundamentalist Christians and the nature of Stahl's power, are things we've seen many times before. Yet, "Carnivale", with its fresh twists on them and epic-scale writing that languishes in a bath of details, makes a case that they are telling the definitive version of this story.

"Carnivale" is an absolute kick. I love the brazen oddity of the show. That in this carnival those with spectacular powers - like the tarot card reader (Clea Duvall) who, with the help of her catatonic mother, can really read the future - are in the mix side-by-side with shysters like Stumpy (Toby Huss), who whores out his wife Rita Sue (Cynthia Ettinger) and daughter Libby (Carla Gallo) in a seedy burlesque show. The dysfunctional relationship that emerges between this lot – and ferris wheel operator Jonsey (Tim DeKay, in a gruff hero mode) parses out the supernatural elements and becomes an unexpected emotional core. We've also got Carney staples like the lizard man, the rubber boy, the he-she and the proverbial bearded lady. That doesn't include the show's best character, but I'll leave the identity of "management" to your discovery.

In addition to the reality-breaking set pieces (my favorite being a long, freaky sequence involving Evander Geddes, a tied down Stahl and Death Masks), the show's cinema quality expands to careful cinematography and lush scenery. The camera cranes over actors and landscapes as if the quick-cut MTV editing style never existed. Composer Jeff Beal's original score (including the theme music for one of TVs most spectacular opening title sequences) is gorgeous and truly creepy. The package is indistinguishable from any theatrical film.

Despite an abrupt cancellation and HBO's BS explanation for it, "Carnivale" is still remarkably satisfying, coming full circle in both seasons. There isn't a lot of straight-up weirdness on the small screen and "Carnivale" is much appreciated for it. I've honestly never seen anything like it before. An addicting masterwork of imagery and storytelling that even HBO rarely hits. Great TV.

* * * * / 5

This show is wonderful - and I've just started watching it this season. Instead of mundane HBO programming out to just woo shallow critics and the usual unimaginative American audiences, this show goes beyond this world to illustrate truth, deception, good and evil. The story is complex for some, since most story lines do not conclude in one episode (then again, it's not a sitcom). The actors are amazing, the writers, brilliant, the creators, well I'm surprised HBO would let this one into their usual thematic dramas (you know what I'm talking about). I can't say enough good things about this show. If you happen to catch it and have no idea what's going on, don't give up - just pay close attention and you'll be utterly enthralled with the brilliance of this show. Carnivale is "out of the box" thinking, which I always love, so unless you enjoy the same old, same old programming, give Carnivale a whirl. It's worth your viewing pleasure!