IMDb-BEWERTUNG
8,1/10
17.872
IHRE BEWERTUNG
Die Geschichte eines jungen Revolutionärs, der bewaffneten Widerstand gegen die britische Herrschaft in Indien leistete.Die Geschichte eines jungen Revolutionärs, der bewaffneten Widerstand gegen die britische Herrschaft in Indien leistete.Die Geschichte eines jungen Revolutionärs, der bewaffneten Widerstand gegen die britische Herrschaft in Indien leistete.
- Auszeichnungen
- 15 Gewinne & 12 Nominierungen insgesamt
Mukesh Tiwari
- Jailor
- (as Mukesh Tewari)
Kapil Kashyap
- Shiv Verma
- (as Kapil Sharma)
Empfohlene Bewertungen
The Legend of Bhagat Singh is a wonderful representation of India, in the middle of its struggle to throw the British out. As with any with movie with a historical basis, I was a nervous that Bollywood would use artistic license to cheapen the story. In fact, the director, Santoshi shows in details how Bhagat came to develop his views of the British with very little outside distraction.
Ajay Devgan is excellent as a the title character, bringing the necessary passion that only he can provide with his steel-y stare. Of particular note is the scene showing the freedom fighters telling Gandhi to stop working within the British framework. Westerners can see the parallel between Gandhi's nonviolent methods and the more revolutionary Bhagat Singh with Martin Luther King's methods vs Malcolm X "by any means necessary" credo.
As the last reviewer mentioned, it's a great reference for those interested in India's independence struggle and it truly reinvigorated my interest in Indian history.
See this movie if you enjoy eastern history, but won't go for the traditional Bollywood flick.
Ajay Devgan is excellent as a the title character, bringing the necessary passion that only he can provide with his steel-y stare. Of particular note is the scene showing the freedom fighters telling Gandhi to stop working within the British framework. Westerners can see the parallel between Gandhi's nonviolent methods and the more revolutionary Bhagat Singh with Martin Luther King's methods vs Malcolm X "by any means necessary" credo.
As the last reviewer mentioned, it's a great reference for those interested in India's independence struggle and it truly reinvigorated my interest in Indian history.
See this movie if you enjoy eastern history, but won't go for the traditional Bollywood flick.
I was 10 years old when i first saw this film.. and now i'm back after 10 years to write a review about it why i felt a need,? i don't know but i guess i just wanted to..
Well the movie starts off from the ending,yeah you'll know when you see it yourself.. and right from the first minute you are glued to the screen i wouldn't spoil it any further..
Because of the time of it's release i don't think a lot of audience was able to see such an important film especially for us Indians. I beg the makers to re release this gem so that our generation remembers what it took to get freedom and are we actually free?
I Thank each and every person involved to make this movie come possible..
Well the movie starts off from the ending,yeah you'll know when you see it yourself.. and right from the first minute you are glued to the screen i wouldn't spoil it any further..
Because of the time of it's release i don't think a lot of audience was able to see such an important film especially for us Indians. I beg the makers to re release this gem so that our generation remembers what it took to get freedom and are we actually free?
I Thank each and every person involved to make this movie come possible..
Santoshi's 'The Legend of Bhagat Singh' tells a detailed biography of the martyred hero. He does provide both the good side and the dark side (his obsession blinding him to the fact that it's wrong to teach children to make bombs). Santoshi also shows the clash between Bhagat Singh's and Gandhi's viewpoints quite effectively. He has tried to stay historically accurate and even though it was released during the same time as Guddu Dhanoa's snoozefest '1930 Shaheed', 'The Legend of Bhagat Singh' triumphs above that and is a masterpiece in comparison.
Ajay Devgan, though intense roles are his strength, may seem like an odd choice to play the title role, especially because there is no physical resemblance and he is too old for the part. Otherwise, he delivers a winning performance. Sushant Singh and Akhilendra Mishra are equally powerful. The supporting cast that includes an excellent Raj Babbar, a sincere Farida Jalal and dusky beauty Amrita Rao leave a mark. I liked the actress that played Durga who seems to be an important female figure in Indian history. I would like to see a movie about this woman. The actors who play the Brits are horrendous.
The cinematography is fine and A.R. Rahman's soundtrack is another winner. Most of the songs are patriotic but there are a few different numbers too. The background score, though beautiful, is intrusive at times and kind of adds a melodramatic feel (when that isn't necessary).
'The Legend of Bhagat Singh' is one of the fewer biopics in Indian cinema that tells a good story while attempting to stay true to the facts. Some might find it difficult to watch due to the violent content but it is a movie that is worth viewing.
Ajay Devgan, though intense roles are his strength, may seem like an odd choice to play the title role, especially because there is no physical resemblance and he is too old for the part. Otherwise, he delivers a winning performance. Sushant Singh and Akhilendra Mishra are equally powerful. The supporting cast that includes an excellent Raj Babbar, a sincere Farida Jalal and dusky beauty Amrita Rao leave a mark. I liked the actress that played Durga who seems to be an important female figure in Indian history. I would like to see a movie about this woman. The actors who play the Brits are horrendous.
The cinematography is fine and A.R. Rahman's soundtrack is another winner. Most of the songs are patriotic but there are a few different numbers too. The background score, though beautiful, is intrusive at times and kind of adds a melodramatic feel (when that isn't necessary).
'The Legend of Bhagat Singh' is one of the fewer biopics in Indian cinema that tells a good story while attempting to stay true to the facts. Some might find it difficult to watch due to the violent content but it is a movie that is worth viewing.
10reavan
Reavan recommends The Legend Of Bhagat Singh Product Rating : Plot revealed in review : Somewhat revealed
`The Legend of Bhagat Singh' is an excellent example for flawless filming of the life of a magnificent martyr. Raj Kumar Santhoshi is a director known for raising many quiescent questions and not supplementing the same with adequate answers, but this film was entirely different. The director did the film under petrifying pressure rapidly racing it out with five other filmmakers in bringing the brilliant Bhagat to tinsel town. The superceding selection of authentic actors would have greatly given initial comfort to the director. Ajay Devgan as Bhagat Singh, Susan Singh as Sukhdev, Santhosh as Rajguru, Akilendra Mishra as Chandrasekar Azad, Raj Babbar and Farida Jalal as Bhagat's parents all of them made a mind-blowing mark for themselves in this miraculous movie and in the history of Bollywood. The sub cast lead by Amrita Rao, who plays fiancée were no inferior in delivering the goods. A particular mention to be made of the jailor, and the actors who played the roles of Emerson and Gandhiji .The soundest strength of the film was the amazing ability of Rajkumar Santhoshi to impeccably interweave sentiments and dramatic scenes amidst the course of the film , jubilantly justifying history all the way. The suitable sequences for the former fact are the court scene where gosh approves, Sarfaroshi Ki Tamana song, Bhagat's farewell to his mother etc. The cinematography and art direction have done wonderfully well to keep up with the classy cinema. The lyricist and dialogue writer have been efficiently equal to the tumultuous task and their resourceful role has been a pivotal point in the film. One phenomenal personality who had lent the cutting edge to this memorable movie is `Music Midas' a r rahman. The way rahman marvelously meddles with our minds, moods and music is yet another record of his activating ability and acquaintable acumen. He deserves a resolute round of applause for unbelievably using Sonu Nigam and Sukhwinder Singh. Though the film had not tipped TIPS, the producers benevolently at the baffling box office, the immaculate impact it created is not negligible. It is slowly and steadily creating a sound stardom for Bhagat Singh amongst the youth of the country, which was the cause of the film.
`The Legend of Bhagat Singh' is an excellent example for flawless filming of the life of a magnificent martyr. Raj Kumar Santhoshi is a director known for raising many quiescent questions and not supplementing the same with adequate answers, but this film was entirely different. The director did the film under petrifying pressure rapidly racing it out with five other filmmakers in bringing the brilliant Bhagat to tinsel town. The superceding selection of authentic actors would have greatly given initial comfort to the director. Ajay Devgan as Bhagat Singh, Susan Singh as Sukhdev, Santhosh as Rajguru, Akilendra Mishra as Chandrasekar Azad, Raj Babbar and Farida Jalal as Bhagat's parents all of them made a mind-blowing mark for themselves in this miraculous movie and in the history of Bollywood. The sub cast lead by Amrita Rao, who plays fiancée were no inferior in delivering the goods. A particular mention to be made of the jailor, and the actors who played the roles of Emerson and Gandhiji .The soundest strength of the film was the amazing ability of Rajkumar Santhoshi to impeccably interweave sentiments and dramatic scenes amidst the course of the film , jubilantly justifying history all the way. The suitable sequences for the former fact are the court scene where gosh approves, Sarfaroshi Ki Tamana song, Bhagat's farewell to his mother etc. The cinematography and art direction have done wonderfully well to keep up with the classy cinema. The lyricist and dialogue writer have been efficiently equal to the tumultuous task and their resourceful role has been a pivotal point in the film. One phenomenal personality who had lent the cutting edge to this memorable movie is `Music Midas' a r rahman. The way rahman marvelously meddles with our minds, moods and music is yet another record of his activating ability and acquaintable acumen. He deserves a resolute round of applause for unbelievably using Sonu Nigam and Sukhwinder Singh. Though the film had not tipped TIPS, the producers benevolently at the baffling box office, the immaculate impact it created is not negligible. It is slowly and steadily creating a sound stardom for Bhagat Singh amongst the youth of the country, which was the cause of the film.
The Legend of Bhagat Singh is one of Indian cinema's most ambitious projects to date. After three years of painstaking research and set construction, veteran film maker Raj Kumar Santoshi and actor Ajay Devgan shot the film in a short stretch of six months. The film released early due to competition from other films dealing with roughly the same subject. Overall it's a pretty solid film but one can't help shake the feeling that it could have been a far superior product if it had been worked on for a short while longer.
The film tells the entire life story of Indian freedom fighter and martyr Bhagat Singh who, in a nut shell, grew disillusioned with Gandhi's passive movement and lead an independent violent struggle against the British.
Colonial India is recreated magnificently in the film and the British atrocities committed are portrayed with aplomb by the director. One can truly get a sense of how such frustrating conditions could drive youngsters to violence and revolt. Some of the film's strengths are its hard hitting portrayal of British atrocities, its court scenes and its action scenes.
The film's biggest highlight is its lead performer, Indian actor Ajay Devgan. The actor single handedly manages to uplift even the most dull and unconvincing scenes in the film to a high quality level. His every expression and mannerism is carefully calculated to maximize his impact on the viewer. This man can move audiences to tears or wide smiles with just a few short lines and quick glances from his intense eyes. His work here is par excellence and can easily rival any work done by any grade-A actors the world over.
The supporting cast is good as well, with fellow revolutionary Sukhdev (Indian stage actor Sushant Singh) Bhagat Singh's mother (Indian diva Farida Jalal) leaving lasting impressions as well.
The last excellent thing about the movie is the music by renowned composer A.R. Rahman. The music is not as festive as Bollywood movies usually boast, but that's to be expected considering the subject of the film. The well crafted, soothing ethnic tunes manage to evoke the right emotions without seeming rash and distasteful.
The film isn't without its weaknesses, however. For one, it's obviously a rushed effort. Segments of the script seem under developed and the impact of certain national tragedies on Bhagat Singh's mindset is never fleshed out as one would want them to be.
Also, Bhagat Singh's political ideology (he was a communist, by the way) is never really spelled out for viewers. Instead, they are left to put together pieces for themselves connecting the dots from dialogs and incidents in the film to really figure out the main character's mindset and view points.
The second half of the film moves at an awkward pace, sometimes lingering on minute details and other times racing ahead and skipping crucial events (which are referenced in later dialog). Finally, for a film that remains very objective in presenting most events, viewers will be surprised by a very negative portrayal of Mahatma Gandhi and India's first Prime Minister Nehru. This angle of the film stuck out like a sore thumb to say the least.
For all its faults however, Legend of Bhagat Singh has plenty of strengths to make it a superb film. It tells a great story with style and conviction. It has wonderful performances including one of finest performances ever in Indian cinema by Devgan. It has great action, moving drama, soothing music, and is (overall) a thoroughly rewarding and entertaining experience. It comes highly recommended by me.
The film tells the entire life story of Indian freedom fighter and martyr Bhagat Singh who, in a nut shell, grew disillusioned with Gandhi's passive movement and lead an independent violent struggle against the British.
Colonial India is recreated magnificently in the film and the British atrocities committed are portrayed with aplomb by the director. One can truly get a sense of how such frustrating conditions could drive youngsters to violence and revolt. Some of the film's strengths are its hard hitting portrayal of British atrocities, its court scenes and its action scenes.
The film's biggest highlight is its lead performer, Indian actor Ajay Devgan. The actor single handedly manages to uplift even the most dull and unconvincing scenes in the film to a high quality level. His every expression and mannerism is carefully calculated to maximize his impact on the viewer. This man can move audiences to tears or wide smiles with just a few short lines and quick glances from his intense eyes. His work here is par excellence and can easily rival any work done by any grade-A actors the world over.
The supporting cast is good as well, with fellow revolutionary Sukhdev (Indian stage actor Sushant Singh) Bhagat Singh's mother (Indian diva Farida Jalal) leaving lasting impressions as well.
The last excellent thing about the movie is the music by renowned composer A.R. Rahman. The music is not as festive as Bollywood movies usually boast, but that's to be expected considering the subject of the film. The well crafted, soothing ethnic tunes manage to evoke the right emotions without seeming rash and distasteful.
The film isn't without its weaknesses, however. For one, it's obviously a rushed effort. Segments of the script seem under developed and the impact of certain national tragedies on Bhagat Singh's mindset is never fleshed out as one would want them to be.
Also, Bhagat Singh's political ideology (he was a communist, by the way) is never really spelled out for viewers. Instead, they are left to put together pieces for themselves connecting the dots from dialogs and incidents in the film to really figure out the main character's mindset and view points.
The second half of the film moves at an awkward pace, sometimes lingering on minute details and other times racing ahead and skipping crucial events (which are referenced in later dialog). Finally, for a film that remains very objective in presenting most events, viewers will be surprised by a very negative portrayal of Mahatma Gandhi and India's first Prime Minister Nehru. This angle of the film stuck out like a sore thumb to say the least.
For all its faults however, Legend of Bhagat Singh has plenty of strengths to make it a superb film. It tells a great story with style and conviction. It has wonderful performances including one of finest performances ever in Indian cinema by Devgan. It has great action, moving drama, soothing music, and is (overall) a thoroughly rewarding and entertaining experience. It comes highly recommended by me.
Wusstest du schon
- WissenswertesThe director wanted Aishwarya Rai Bachchan to cast as Mannewali, but she was working on 23rd March 1931: Shaheed (2002) which was also about Bhagat Singh.
- PatzerIn the train robbery scene, the character can be seen with Walther P38 pistol. Actually, the scene is set on 1925 while the pistol was produced in 1938.
- Zitate
Bhagat Singh: [singing] You will make the skies stoop, if only you never lose courage. If you desire, you can bring the stars to earth.
- VerbindungenFeatured in What About Columbus (2012)
- SoundtracksMera Rang De Basanti
Sung by Sonu Nigam and Manmohan Waris
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Details
- Laufzeit
- 2 Std. 35 Min.(155 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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