The Cooler - Alles auf Liebe

Bernie Lootz is a 'cooler' – a man whose very presence on a casino floor turns peoples' luck to cr*p and stops any winning streak dead in its tracks.

As such he is a very valuable asset to casino boss Shelly Kaplow, himself having enough problems of his own trying to stop his old school casino being revamped to the point of losing it's sense of class. However, with Bernie looking to leave, Shelly is eager to make him stay – not helped by waitress Natalie falling in love with Bernie and turning his jinx into universal good fortune. With the casino dropping a million plus in one day, Shelly takes action to protect what is his.

As with many viewers I suspect, I was attracted to this film by the cast and the fact that it received a few nods from the Oscars (despite being showy enough to win). The plot is based on the old casino idea of coolers being those who bring bad luck to the tables but it very much needs you to buy into the idea of luck to really enjoy this fable of lady luck – unless you get into it, it'll feel rather forced and silly at times. However the film helped me to overcome this by being very lowkey and downbeat – very much like Bernie himself the film is dog eared and lovable, not a great thing but one that is easy to get into. The film uses Las Vegas really well and it is the Las Vegas I believe in – downbeat, cruel and plastic, it is much better than the fun, breezy and slick Vegas that we are sold in CSI or in Oceans 11. The mix of romance, comedy and violence works very well – at points it was very touching, at others quite funny and then others unrelentingly brutal and downbeat. It isn't perfect of course and the writing is where the problems lie; the story did rely on the audience buying into it and at times the dialogue comes very close to corn (but just misses). The only time I felt really let down by it was the ending, which, although fitting with the spirit of the film, missed a great chance to be dark, depressing and beautiful all at the same time.

Despite the odd weakness in the material, these are almost totally covered by a superb collection of performances. Macy may be aware of typecasting but so what if he keeps getting roles like this, probably one of his best performances since Fargo. He is typically the little man who we cannot help but root for and Macy does well never to let Bernie become pathetic to the point that he loses the audience. Bello also does pretty well and even convincingly falls for Bernie even though the film offers her very little opportunity to show a real development of love there. She is pretty but not to the point where she is an unconvincing waitress and her dashed hopes are well worn by her. However the one performance that dominated the film was Baldwin who does very well in delivering a role that could easily have become caricature. At turns he is amusing, brutal, friendly and tragic and Baldwin does almost all of these with minor touches – at one point I was impressed by how well he controlled his face (eyes in particular) to convince me that here was a man who was totally lost. A great performance and one that definitely deserved his Oscar nod. Support is just as good from several well known faces; Sorvino is given little more than a cameo but the one scene he shares with Baldwin is fantastic and, unlike some of his other roles, I never saw Paulie once – his Buddy was too tragic for that ghost to linger here. Hatosy is OK even if his part of the story is not as good as the others and Nascarella will be a well known face to many due to many roles in films for Spike Lee, Martin Scorsese and a few other big films.

Overall this is not a perfect film and it needs you to really buy into its fantasy world to really enjoy it but it works well and turned out to be an enjoyable, low key and atmospheric little love story that was never brilliant at any one thing but managed to be touching, brutal, funny and, ultimately, quite satisfying even if my darker side wanted an ending with more punch.

Too many movies set in Las Vegas have gone along with the glitzy image that we always see, so it's good to see one take a grittier approach. William H. Macy plays a gambling jinx who falls in love right before he's supposed to leave the city, so there's the issue of how this might affect things. Some people might observe how the movie looks at this relationship, but I noticed how it looked at chance, especially with what happens at the end. Overall, I view it as one the many movies from a new generation of directors (sort of like what got released in the late '60s and early '70s). Definitely worth seeing, with a very effective script and all. Also starring Alec Baldwin, Maria Bello, Shawn Hatosy and Ron Livingston.

"The Cooler" has really divided viewers. Some, definitely not all, are taken with William H. Macy's first-ever sexy role where he shows his buns (and a bit more) as Bernie the Cooler, a key employee at the Shangri-la, a Las Vegas casino a bit shopworn and out of touch with the latest and hottest on the Strip. A cooler is a guy who shows up by the side of a punter on a long winning streak and, somehow, extinguishes his luck merely by hanging around the table and acting like a klutz.

Maria Bello is a cocktail waitress, Natalie, relegated to the low end of the casino where elderly day trippers bet small amounts. Feeling sorry for her, and perhaps a bit attracted, Bernie gets her transferred to the big spender zone where, presumably, tips are better. One thing leads to another and - wow - Macy is, according to a few of my female friends, a heck of a lot sexier than, say, a wannabe babe magnet like Brad Pitt.

Running the casino is Shelley, Alec Baldwin. Shelley has a problem: the casino's investors (a euphemism) want to tear down the place and build a new, modern joint that will pack in the younger high rollers. A sentimentalist at heart, as well as a gangster, Shelley wants Shangri-la - which does turn a profit as he points out to the guys demanding change - to stick it out as the last classy, old style casino. This is the stuff of eyeball to eyeball confrontation.

Natalie is the catalyst for a change in Bernie's luck - and lust. From an initially awkward conjoining, the two fall deeply in love and find they're in synch in the sack. So she's no longer a catalyst, she's the Significant Other.

Bernie has some family issues with his lackluster son and Natalie has to deal with problems with Shelley that would merit a lawsuit about a hostile workplace . Shelley - poor guy - really needs a dedicated cooler, Bernie is the best and he knows, he thinks, how to insure renewed employee dedication.

No Nevada gaming authority or cops here - this casino seems to be in a parallel universe where the honchos make their own rules independent of even the semblance of regulation. There can't really be a Shangri-la like this place in Las Vegas (I'm sort of sure).

Macy delivers a terrific performance as a schlepp who finds he has the heart of if not a lion at least a fierce tabby. Bello handles the shifting moods of her character very well-she's a good actress. And very pretty. Baldwin turns in a predictably dependable job as a tired mobster/businessman who holds true to values rejected by the new generation of Organized Crime wiz kids (one persistent pest sent to remake the casino is dismissed as a "Harvard turd").

All in all, a good movie especially because it showcases Macy in an unexpected role where he demonstrates the depth of his enormous acting ability.

WARNING: Very explicit sexuality and some in-your-face brutality. Not for kids.

7/10.

This film directed by Wayne Kramer has a more realistic approach to what goes on in casinos and other seedy gambling places, a far cry to the new Disneylike-Las Vegas of today.

Just to think that this poor loser Bernie can attract the gorgeous Natalie is enough for him to think: Gee, what's wrong with this picture?...Bernie hasn't scored with a babe in quite a while, so when he gets so lucky in bed, it's the moment to call it quits and take the next Greyhound out of town because things like that can only happen to schmucks, or in this case, to this 'cooler', as his boss calls him. One has to really have an open mind to even think this Natalie will fall in love with Bernie.

The idea of how people can be jinxed by these casino reptilians is a thing not to be believed. If it exists, I don't know, not being into gambling, but then, the world of gamblers are full of superstitions.

William H. Macy is an actor that is always interesting to watch. His Bernie is a flawed character, but inside he is a decent person who wants to get out of his present occupation. Maria Bello is excellent as the woman who will stand by her man.

The real surprise of the film is Alec Baldwin. This is, without a doubt, the best role in quite a while for him. His Shelly is a man without scruples who is ruthless with those that dare to cross him. He actually deserves better material where he can excel.

This film was a pleasant surprise because of the acting that Mr. Kramer has elicited from his cast.

Maria Bello is mesmerizing in this movie! After I watched this for the first time, I couldn't get her beauty and her character out of my head. She has caught my eye once before on the movie "Payback" with Mel Gibson, and then this movie and the other movies I have seen with her in were somewhat disappointing. Yet, in "The Cooler", she gives the kind of performance that should bust her career wide open, but I don't think it ever happened, which is very sad. Looking at many of the leading ladies in the current state of movies, and all I see is perfect stars that don't have any depth of character. Yes, I know many actress are doing good stuff, but Maria has something special, something thats hard to explain, but there is no doubt in my mind that she has a lot of it. In conclusion to my boast of Maria Bello...I truly believe that a woman with her talent and beauty should be the lead actor in movies! I think the era of Julia Roberts is over...all hail Maria Bello! ;)