Füge eine Handlung in deiner Sprache hinzuThe romance between two African Americans who come from a different class background.The romance between two African Americans who come from a different class background.The romance between two African Americans who come from a different class background.
Lolis Edward Elie
- Lawyer
- (as Lolis Elie)
Thomas P. Brady
- Priest
- (as Fr. Thomas P. Brady)
D.J. Ammons
- Bus Station Ticket Agent
- (Nicht genannt)
Empfohlene Bewertungen
Hate to write a less than fulsome review of a serious indie film whose first time director died right after completing it, but one cannot deny that "Cane River" is a potentially interesting examination of class differences within black American culture that is lost amid a plethora of Louisiana travelogues and extended love scenes set to cloying late 70s/early 80s Barry White type soul ballads rather than, as an earlier reviewer noted, Creole or Cajun tunes that would mirror its setting. Also not helping things are rather stilted performances from the two leads. Give it a generous C plus
TCM showed Cane River a few months back. I'm glad this film was rediscovered. I enjoyed this early 80s indie film that happened to be filmed in my state of Louisiana
I was actually quite tickled by this film. I thought it was romantic, and sweet. I am familiar with the creole culture of Cane River so I was automatically interested. The acting was ok but the message and the consciousness of the film outweighed everything. I was happily surprised by how engaged I stayed. I am shocked and quite astounded to hear the film was only released in 2020! What a gem to discover. This is what I miss about films today that display black romance. Hopefully more people discover this film as I was just on youtube looking at black movie classics and came across this film!!
Richard Roman comes down to Louisiana to do some sightseeing. He and Tommye Myrick fall in love. Yet while he is certain about their future together, her mother, brother, and she have issues.
It is the revelation of those issues that forms the story of this movie, and the beauty of New Orleans and its environs makes a lovely backdrop. The conflict -- and you can't have a compelling story without a conflict -- is their class differences. If this movie has a point, it's that Black culture is not monolithic. In fact, Roman's character is what is slighted these days as an 'Oreo' -- Black on the outside, white inside. His is a world of possibilities, while Miss Myrick's is a broken world of circumscription that makes her distrustful.
If this movie has its weaknesses, it is the too-pretty world of gardens that their romance takes place against, and the manner in which the back stories are revealed when they become necessary for the plot. It's too neat to have much verisimilitude. Still, it satisfies all of the requirements of a romance, and the players are all more than competent. and the need for self-respect, for being able to take care of oneself is a key point of the subtext.
It is the revelation of those issues that forms the story of this movie, and the beauty of New Orleans and its environs makes a lovely backdrop. The conflict -- and you can't have a compelling story without a conflict -- is their class differences. If this movie has a point, it's that Black culture is not monolithic. In fact, Roman's character is what is slighted these days as an 'Oreo' -- Black on the outside, white inside. His is a world of possibilities, while Miss Myrick's is a broken world of circumscription that makes her distrustful.
If this movie has its weaknesses, it is the too-pretty world of gardens that their romance takes place against, and the manner in which the back stories are revealed when they become necessary for the plot. It's too neat to have much verisimilitude. Still, it satisfies all of the requirements of a romance, and the players are all more than competent. and the need for self-respect, for being able to take care of oneself is a key point of the subtext.
The movie itself wasn't too bad. The acting was just super bad.
Wusstest du schon
- WissenswertesFilm director Horace Jenkins' son, Sacha Jenkins, was interviewed on The Takeaway to discuss the impact of the movie on his own life and career. The interview also included Rhea Combs, the curator of film and photography at the Smithsonian National Museum of African American History & Culture.
- Alternative VersionenPROLOGUE TO RESTORED FILM: "In 1982, Horace Jenkins died of a sudden heart attack before his movie, Cane River, could be distributed in theaters." "In 2013, IndieCollect and creators from the Academy Film Archive found the original picture and sound elements at the DuArt film laboratory and move them to the Academy Film Archive for safekeeping."
- VerbindungenReferences The Dating Game (1965)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 27.317 $
- Weltweiter Bruttoertrag
- 27.317 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen