Füge eine Handlung in deiner Sprache hinzuDuring the war between Iran and Iraq, a group of Iranian Kurd musicians set off on an almost impossible mission. They will try to find Hanareh, a singer with a magic voice who crossed the bo... Alles lesenDuring the war between Iran and Iraq, a group of Iranian Kurd musicians set off on an almost impossible mission. They will try to find Hanareh, a singer with a magic voice who crossed the border and may now be in danger in the Iraqi Kurdistan. As in his previous films, this Kurdi... Alles lesenDuring the war between Iran and Iraq, a group of Iranian Kurd musicians set off on an almost impossible mission. They will try to find Hanareh, a singer with a magic voice who crossed the border and may now be in danger in the Iraqi Kurdistan. As in his previous films, this Kurdish director is again focusing on the oppression of his people.
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The music in the film is so amazing that without knowing the lyrics I still felt entranced and could easily understand why music of the like is so cherished in a place torn apart by war. When ever music is not being played, and dialog not being spoken, you can hear the sounds of bombs and jets in the background. This addition of background sound creates much more than a setting. The sounds seem to be integrated with the Kurdish way of life.
It seems unbelievable that people that have gone through so much still have the heart for music and comedy in their lives. The ending of the film is very bitter sweet to me. The director leaves much to be imagined by the viewer. I like to think that everyone got exactly what they were looking for, even though they were not expecting to find it on the journey.
There where two very powerful scenes in the movie for me. The first being when the children threw the paper airplanes off the cliff side and the second being Mizra stomping over the Iran-Iraq border. They both feel like its the Kurds way of saying they cannot be bound to the land, and they won't be oppressed.
I would recommend this movie to anyone with an open mind, interested in learning about the Kurds from the Kurds, and willing to read subtitles. I do caution however, that the ending is typical of a middle eastern films, so do not expect the closure that comes with most western films.
"...If I leave town, what will happen to my 7 wives and 11 daughters?" says son Audeh to father Mirza. With those words it really doesn't take much for the viewer to figure out why Audeh keeps taking on more wives, does it?
MAROONED begins with a claim that The Kurds, numbering about 30 million and forming sizable ethnic minorities in several different countries, are the largest ethnic group in the world without a country of their own. However, I was unable to confirm this claim.
Please be patient with MAROONED. About 15 or 20 minutes in, I said to myself, "If this doesn't flag my interest soon, it isn't going to!" Soon after, I was mesmerized! This film evoked just about every human emotion imaginable. About 3/4 of the way through, I touched my cheek, and to my immense chagrin, I found I had teared up, but yet, I still can't put my finger on why! 10 minutes later a scene in MAROONED proved that on-screen hysterical grief can be contagious! Watching and learning about these Western Asian traditionally nomadic people fascinated me. How they maintain perspective and their sense of humor despite having been the object of genocidal efforts from Sadam Hussein is absolutely inspirational!
Director Ghobadi has a penchant for pulling the rug out from under the viewer's feet. One moment the father and two sons family are doing a Three Stooges out-take, and the next moment are mourning the death of a friend; Are performing some music in public that's reminiscent of the Bar scene from Star-Wars, and a moment later they're staring genocide in the face. Ghobadi manages these rapid-fire transitions magnificently...KUDOS!
8.25/10*
All of the actors in the movie were new to acting, and with some characters you could tell. But the main characters do an amazing job! They get really into their roles, especially the men that play the sons, Barat and Audeh. The music in the movie is very good as well. The background music makes you almost feel like you're there, and when the characters start playing music, it makes you wish you were there. Although the movie was made with a very small budget, I didn't see any problems with how it was made. I thought it looked fantastic.
Marooned in Iraq is a story about duty, endurance, and hope. Mirza knows it is his duty to help Hanareh, the ex-wife he still loves. She asked for help and he did not think twice about immediately leaving on a long, dangerous mission to aid her. Barat and Audeh know it is their duty to help their father. Although Audeh complains the entire time, he never the less goes with his father to retain the honor of his family. Endurance and hope is prevalent in everyone in the movie. Their homes, families, and lives are destroyed, but they keep going. They help each other and keep hoping that things will get better because that's all they can do.
This movie is very good and I highly recommend it to anyone with an interest in the Middle East. It does a great job of showing the effects of war on the land and homes, and in the people themselves. It's also great for anyone who enjoys a good laugh and can stand subtitled movies. Although what was happening in Iran and Iraq at the time is depressing, it is an uplifting movie because it shows that even through tragedy life goes on.
The story occurs during Saddam Hussein's brutal attacks on the Kurds. During the three men's quest, there is the constant reminder of Saddam's hostility by the sounds of bombers flying overhead and a scene of a mass grave filled with massacred Kurdish men. The director is evidently making his commentary on the inhumanity shown by the ruthless dictator.
Another political statement being made by the director is on the issue of political boundaries being placed on a historically nomadic people. The Kurds have occupied what they call Kurdistan for thousands of years in the area now politically divided between the countries of Turkey, Iraq, and Iran. During a scene late in the film, Mirza simply steps on the border between Iraq and Iran as he crosses over showing that to the nomadic Kurds, they heed no boundaries.
The director does a great job of using the terrain in the backdrops of each scene making you feel like you are there. Although the film is subtitled, not every word is translated; however, you get enough to understand the conversation. The film was quite educational on the life of the Kurds and what they went through under Saddam Hussein's regime.
I would recommend this film to anyone interested in the middle east, specifically the Kurds. If you don't like foreign/subtitled film, this movie is not for you. Overall, I enjoyed this film and felt it quite educational.
The film really focused on how small people are by themselves and how they really have no control over what happens. He often showed scenes where the characters were traveling alone along broad backdrops of huge landscapes. The director really seemed to want to get the point across that these men might be together, but they were such a small part of this enormous world.
It was surprising how light-hearted some of the film was. For instance, the time spent with the orphans was not a dark gloomy time, but a time of music, dancing and happiness. At the same time, the sound of actual jets brought the viewer back to the reality that all of these children had lost their families because of this brutal war.
From the view of an American, this movie was extremely interesting. Sometimes I think we would like to think that war in the Middle East does not affect many, because many of us are not directly affected, but this film shows the other side. People who are interested in seeing the other side of this Middle Eastern conflict should watch this movie and witness the hardship these people must live through on a daily basis.
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- WissenswertesBahman Ghobadi's 2nd feature film.
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- Erscheinungsdatum
- Herkunftsland
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- Marooned in Iraq
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 141.243 $
- Eröffnungswochenende in den USA und in Kanada
- 6.696 $
- 27. Apr. 2003
- Weltweiter Bruttoertrag
- 174.357 $