Füge eine Handlung in deiner Sprache hinzuDocumentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.
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Directed by Paul Justman, this documentary highlights the trials and tribulations of "The Funk Brothers". With interviews from the surviving members, and concert footage of classic songs from many of today's artists such as Joan Osbourne, Ben Harper, Me'Shell Ndegeocello and several others, this is an entertaining and thoughtful look at the accomplishments these men have made to contemporary American music and the imprint they have left behind.
Fascinating, touching, amusing and at times tragic, this documentary is well worth checking out. For lovers of music and for those who enjoyed a good solid documentary, "Standing In The Shadows Of Motown" delivers the goods on both counts. See how things were done - Old school style.....
Although many of the "Funk Brothers" are no longer with us, their legacies live on with those disks by the Supremes, The Four Tops, The Temptations, Smokey Robinson and the Miracles, Marvin Gaye, Martha Reeves and so many other great artists. The Funk Brothers defined soul and R & B music in its golden era. These guys played on records that sold in the millions and were being paid "scale" - sometimes as little as $25.00 per song at the time! Amazingly, most recordings were done in one or two takes; a testament to the talent portrayed in this movie.
If you love soul music, especially Motown's releases, this film is a must see. The recreations of the original songs by the remaining Funk Brothers and their guest performers are awesome!
Musicians will especially like some of the technical discussions, such as details about how legendary bassist James Jamerson produced his famous groove.
The live musical performances are inspired, with modern singers covering Motown classics, accompanied by the Funk Brothers themselves. I have watched the DVD of this film, and more recently, the high-definition version on ShowtimeHD. The 5.1 soundtrack is impeccably mixed. You can hear every instrument clearly, but the vocalist is not drowned out. With this type of mix, you want to listen to your favorite numbers over and over, concentrating on a different part each time. And, you can rest assured that there is no lip syncing or studio overdubbing. This is real music for real people.
All of the vocalists are superb, creatively interpreting each song, while at the same time paying respect to the style of the original recording artists. Viewers will have their own favorite performers, but mine is Joan Osborne, whose powerful rendition of "What Becomes of the Brokenhearted" brought tears to my eyes.
It is mentioned in the documentary that they only received credit on an LP for the first time in 1970, for their efforts on Marvin Gaye's seminal classic "What's Going On." But that was not my first real encounter with the Funk Brothers. That happened a few years later. More than likely inspired in part by Marvin's groundbreaking work, producer Norman Whitfield created his own song cycle about love, loss, struggle, sorrow and hope in an urban setting. With The Temptations, he crafted one of Motown's (and The Temps) finest albums ever, which shamefully has long been out of print. The name of the album said it all: "MASTERPIECE."
The most amazing thing about it to me, even more than the music locked within the vinyl grooves, is that Whitfield saw fit to thank every musician who worked on the album: Melvin "Wah Wah" Ragin, Bob Babbitt, Richard "Pistol" Allen, Earl Van Dyke, Uriel Jones, Jack Ashford. And about a dozen more. Spellbound, I had no idea even then, that I had just made the acquaintance of the Funk Brothers.
Now nearly thirty years later, with this documentary, it's like meeting them all for the first time. To my knowledge, none of the singers who shot to fame thanks to the Brothers' talents had ever publicly acknowledged their worth, (and maybe Mr. Gordy knows the reason for that.) But the documentarians have my eternal gratitude for righting this terrible wrong...Maybe not in time enough for James Jamerson, Bobby White or Earl Van Dyke, but at least while a lot of the Old Masters are still with us. For a little while longer.
IMHO, the highlights: Joan Osborne, Gerald Levert with Tom Scott, Chaka Khan, both alone and with Montell Jordan, and Bootsy Collins, whose good-timey vibe is still as infectious as ever. But the shining stars of the piece are and now forever will be, The Brothers.
Don't rent this baby...BUY it. You'll be glad you made the investment, because you'll find yourself playing the concert cuts over and over again...just like an old Gordy, Tamla or Motown 45.
Wusstest du schon
- WissenswertesThe Detroit Symphony Orchestra got the last credit in the film. The orchestra provided strings and other instrumentation for Motown recording sessions. According to The Funk Brothers member Dennis Coffey in his book, "Guitars, Bars and Motown Superstars", this included sessions recorded with a Stradivarius violin played by the orchestra's violin concertmaster, Gordon Staples.
- Zitate
Uriel Jones: People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!
- Crazy CreditsAfter all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.
- VerbindungenReferenced in Film Geek (2005)
- SoundtracksReach Out, I'll Be There
by Brian Holland, Lamont Dozier and Eddie Holland (as Edward Holland Jr.)
Performed by Gerald Levert and The Funk Brothers
Gerald Levert appears courtesy of Elektra Records
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hitfabrik Motown
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.722.119 $
- Eröffnungswochenende in den USA und in Kanada
- 114.442 $
- 17. Nov. 2002
- Weltweiter Bruttoertrag
- 2.344.256 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1