Füge eine Handlung in deiner Sprache hinzuDocumentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.
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Musicians will especially like some of the technical discussions, such as details about how legendary bassist James Jamerson produced his famous groove.
The live musical performances are inspired, with modern singers covering Motown classics, accompanied by the Funk Brothers themselves. I have watched the DVD of this film, and more recently, the high-definition version on ShowtimeHD. The 5.1 soundtrack is impeccably mixed. You can hear every instrument clearly, but the vocalist is not drowned out. With this type of mix, you want to listen to your favorite numbers over and over, concentrating on a different part each time. And, you can rest assured that there is no lip syncing or studio overdubbing. This is real music for real people.
All of the vocalists are superb, creatively interpreting each song, while at the same time paying respect to the style of the original recording artists. Viewers will have their own favorite performers, but mine is Joan Osborne, whose powerful rendition of "What Becomes of the Brokenhearted" brought tears to my eyes.
Directed by Paul Justman, this documentary highlights the trials and tribulations of "The Funk Brothers". With interviews from the surviving members, and concert footage of classic songs from many of today's artists such as Joan Osbourne, Ben Harper, Me'Shell Ndegeocello and several others, this is an entertaining and thoughtful look at the accomplishments these men have made to contemporary American music and the imprint they have left behind.
Fascinating, touching, amusing and at times tragic, this documentary is well worth checking out. For lovers of music and for those who enjoyed a good solid documentary, "Standing In The Shadows Of Motown" delivers the goods on both counts. See how things were done - Old school style.....
Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.
Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
I don't know the truth, but I do know that after never hearing the bass in the song for the 30+ plus that this has been one of my all-time favorite songs, I ONLY hear the bass line. That bass line is so masterful, so exceptional, and so unrelentingly funky, that I believe only a virtuoso could have done it. The fact that that song and bass line were done in 1966/67, amidst so many hundreds of other Motown hits and other songs, tells me that the Funk Brothers and James Jamerson were truly blessed talents.
(3) Chaka Khan's rendition of Marvin Gaye's "What's Going On" is undoubtedly the very best performance I have ever seen her do and is among the top performances ever recorded. That she won a Grammy for the song is amazing. She actually sang it in 2000; the movie was released in 2002 and won the Grammy in 2003! I get teary every time I hear her singing the song in the movie(I replayed this section at least 10 times when I first saw the movie) and I don't think she will ever have another brilliant performance that would match that intensity. Bottom line: I strongly recommend this movie and subsequent deeper research into other great R&B music roots. Rod Walker
Unlike many "true story" documentaries this was a good story with a happy ending. Most times when we watch documentaries about celebrities we tend to see much of the bad and ugly moments from their past. Certianly nobody is perfect with a squeeky clean background, however, I appriciate the fact that the producer of this movie put more emphasis on the good things and the funny stories and less on the conflicts and the shortcommings.
All of the extra features give you a sense of who these people are with the extra unedited footage of the band interacting with one and other. The part about the guys that died before, during, and after production was especially touching because it brought closure to a situation with many loose ends. I feel that this story has a happy ending because those who are still living and those who passed on are satisfied that they were recognized for their contributions.
Personally I would have liked to see the concert in its entirety instead of a few clips in between the candid interviews but overall it was a very well balanced and well written story about a band that most people didnt even know existed. Even though most people didnt know about the band, we can all relate because we know the songs. As each musican shares his involvement with Motown I know and "feel" where they are comming from because I probably have listened to their music a hundered times over.
Wusstest du schon
- WissenswertesThe Detroit Symphony Orchestra got the last credit in the film. The orchestra provided strings and other instrumentation for Motown recording sessions. According to The Funk Brothers member Dennis Coffey in his book, "Guitars, Bars and Motown Superstars", this included sessions recorded with a Stradivarius violin played by the orchestra's violin concertmaster, Gordon Staples.
- Zitate
Uriel Jones: People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!
- Crazy CreditsAfter all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.
- VerbindungenReferenced in Film Geek (2005)
- SoundtracksReach Out, I'll Be There
by Brian Holland, Lamont Dozier and Eddie Holland (as Edward Holland Jr.)
Performed by Gerald Levert and The Funk Brothers
Gerald Levert appears courtesy of Elektra Records
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hitfabrik Motown
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.722.119 $
- Eröffnungswochenende in den USA und in Kanada
- 114.442 $
- 17. Nov. 2002
- Weltweiter Bruttoertrag
- 2.344.256 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1