IMDb-BEWERTUNG
7,4/10
26.344
IHRE BEWERTUNG
Eine junge Frau verheimlicht, dass sie Krebs im Endstadium hat, um ihr Leben mit einer Leidenschaft weiterzuleben, die sie zuvor noch nie kannte.Eine junge Frau verheimlicht, dass sie Krebs im Endstadium hat, um ihr Leben mit einer Leidenschaft weiterzuleben, die sie zuvor noch nie kannte.Eine junge Frau verheimlicht, dass sie Krebs im Endstadium hat, um ihr Leben mit einer Leidenschaft weiterzuleben, die sie zuvor noch nie kannte.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 16 Gewinne & 15 Nominierungen insgesamt
Debbie Harry
- Ann's Mother
- (as Deborah Harry)
Empfohlene Bewertungen
If you are in the mood to cry and be moved and touched then this is the movie for you. Even though it has a very sad story line...it doesn't leave you extremely depressed like most sad movies do. The movie is very well done both artistically and acting wise. The main character is so beautiful but in a very real way. I think that's one reason why it is so easy to relate to this women and her life. She is a very strong women through her last few months before she knows she's going to die, which I find to be very refreshing, compared to just watching a sad, depressed, angry women dying. When I tell people what this movie is about they usually don't seem very enthusiastic about seeing a movie about a women who knows she's going to die, but let me just say it is so much more than just that! I would definitely recommend this movie to anyone that is sensitive and deep and compassionate. I loved it. It also makes you really look at your life and makes you want to live life to the fullest. Give it a try!
Ann lives in a trailer with her considerate but not very thought-provoking husband and their two children. The trailer is very crowded and so is Anna's life. A mother at 17 Anna has never had any time to ponder about her life but she knows it might not be very fulfilling. When she finds out that she is terminally ill she has to face the choices she has made and that was made for her. She decides to make a list of all the things she wants do in the short time she has left, both big and small. This is where Mark Ruffalos character, a considerate and thought-provoking love-interest, makes an entrance.
This films moves slowly towards the inevitable end without ever becoming boring. The relationships between the characters are displayed by emotions and subtlety rather than words. The film has a very sad theme but is in many ways very hopeful. It shows that life can trap people down but also that every person has something special which can be used to change lives. I found this film to be warm, unsentimental, thoughtful, sad and uplifting. A bit like life itself.
If you liked this film as much as I did I can recommend Wilbur wants to kill himself and Before sunset.
This films moves slowly towards the inevitable end without ever becoming boring. The relationships between the characters are displayed by emotions and subtlety rather than words. The film has a very sad theme but is in many ways very hopeful. It shows that life can trap people down but also that every person has something special which can be used to change lives. I found this film to be warm, unsentimental, thoughtful, sad and uplifting. A bit like life itself.
If you liked this film as much as I did I can recommend Wilbur wants to kill himself and Before sunset.
"My Life Without Me" shows off Sarah Polley's beauty and acting that has been clear to her fans since her "Avonlea" days.
In writer/director Isabel Coixet's first English language feature, Polley takes what could have been a drippy, maudlin story of a dying young mother and turns it into a clear-eyed path to accepting early death and taking charge of the hand that's dealt you. This delicate view is in sharp contrast to Hollywood tripe like "Sweet November" where beautiful healthy women in denial die of Movie Star Disease.
When Polley's "Ann" gets her death sentence from a doctor who can't even look her in the eyes, she resolves, among other items on her "To Do Before I Die" list, to tell it like it is -- but finds that instead everyone around her spills out their inner-most problems and she doesn't get to, including an amusing effort to get a Milli Vanilli-loving hairdresser to cut her hair like she wants it. Perhaps it's because she chooses to lie to them about her imminent demise. Not only does Polley get to use her full-fledged Canadian accent complete with "Eh"s, but until I read it on her imdb bio I didn't know that when she was 11 Polley lost her mother to cancer, so she must have had personal experience to draw on.
The imdb credits do not include that the script is based on a short story by Nanci Kincaid, "Pretending the Bed is a Raft," with additional inspiration from a poem about a young women's death by John Berger, who is thanked prominently in the credits. The symbolism of Ann having met her husband at the last Nirvana concert is also played upon several times.
The music selections are lovely, both the romantic-sounding European ballads from one character's sister's DJ mix tape and the original music by Alfonso Vilallonga, that are poignant and keep out the schmaltz.
Polley's supporting actors are wonderful, from the lively children to Amanda Plummer, who has been MIA from films for a while, and Debbie Harry as the depressed mother.
There's a couple of resonances of the TV show "Felicity" as not only does "Ann" leave voiced-over audio tapes to her loved ones, but, yikes, even dying, "Ann" gets both gorgeous sensitive hunks Scott Speadmen and Mark Ruffalo to love her. It's effectively shown, though, that one was the love of an adolescence that ended too soon with parental responsibilities and the other of her too-short adulthood.
In writer/director Isabel Coixet's first English language feature, Polley takes what could have been a drippy, maudlin story of a dying young mother and turns it into a clear-eyed path to accepting early death and taking charge of the hand that's dealt you. This delicate view is in sharp contrast to Hollywood tripe like "Sweet November" where beautiful healthy women in denial die of Movie Star Disease.
When Polley's "Ann" gets her death sentence from a doctor who can't even look her in the eyes, she resolves, among other items on her "To Do Before I Die" list, to tell it like it is -- but finds that instead everyone around her spills out their inner-most problems and she doesn't get to, including an amusing effort to get a Milli Vanilli-loving hairdresser to cut her hair like she wants it. Perhaps it's because she chooses to lie to them about her imminent demise. Not only does Polley get to use her full-fledged Canadian accent complete with "Eh"s, but until I read it on her imdb bio I didn't know that when she was 11 Polley lost her mother to cancer, so she must have had personal experience to draw on.
The imdb credits do not include that the script is based on a short story by Nanci Kincaid, "Pretending the Bed is a Raft," with additional inspiration from a poem about a young women's death by John Berger, who is thanked prominently in the credits. The symbolism of Ann having met her husband at the last Nirvana concert is also played upon several times.
The music selections are lovely, both the romantic-sounding European ballads from one character's sister's DJ mix tape and the original music by Alfonso Vilallonga, that are poignant and keep out the schmaltz.
Polley's supporting actors are wonderful, from the lively children to Amanda Plummer, who has been MIA from films for a while, and Debbie Harry as the depressed mother.
There's a couple of resonances of the TV show "Felicity" as not only does "Ann" leave voiced-over audio tapes to her loved ones, but, yikes, even dying, "Ann" gets both gorgeous sensitive hunks Scott Speadmen and Mark Ruffalo to love her. It's effectively shown, though, that one was the love of an adolescence that ended too soon with parental responsibilities and the other of her too-short adulthood.
Movies based on this topic have immense space to showcase many aspects of an individual's life directly or indirectly affected. Like a one Korean movie Wedding Dress too had a same concept which really made me and wife emotional in number of moments. However, starting with a high hope, this one dint touched my feelings to say that yes i started caring about the cancer patient, virtually. It revolved around doing things and completing ones long lasting wishes, which was a great approach, but as story grew, i felt away from it rather getting close.
So yaa, to me just an above average stuff and only one time watch.
So yaa, to me just an above average stuff and only one time watch.
I picked up the cover of this film several times before I rented it. The subject somewhat interested me but I also thought it was too familiar, almost like a cliché. (Someone finds out he/she is dying and it changes his/her life.) There are so many reasons why I am now so glad that I finally did rent it and I am sure most of them have been covered by other user-comments. The acting was convincing, the soundtrack was great etc. but what I liked most and what moved me most was how it sincerely and beautifully conveyed messages of love, not only Ann's love of her family, friends and lovers but the love she found of herself and of life itself, awakened by the discovery of her untimely death.
I watched the film by myself and I recommend that you do so also, not because you will get emotional and may start to cry, which you might, but because you will probably be more honest to yourself in your thoughts if you are all alone. If you are dishonest to yourself you are leading a life without you.
I watched the film by myself and I recommend that you do so also, not because you will get emotional and may start to cry, which you might, but because you will probably be more honest to yourself in your thoughts if you are all alone. If you are dishonest to yourself you are leading a life without you.
Wusstest du schon
- WissenswertesOriginally the film was to feature Ann recording tapes for her father and for Dr. Thompson, in which she forgives her father for being absent during her childhood, and tells Dr. Thompson that his seeing patients as people isn't a bad thing before thanking him for keeping her impending death a secret. The ending montage was also supposed to feature a video clip of Ann's dad making shoes for his granddaughters from prison with tears in his eyes. These things never even made it to the filming stage, probably because of the length of the production itself.
- PatzerWhen Ann the neighbor is talking about the conjoined twins, she says one was a girl and the other was a boy. Conjoined twins are formed from the same egg, so is generally understood that both twins should be of the same gender. However if the egg is fertilized by a male sperm but during cell division only the X chromosome is duplicated it could result in monozygotic twins of different sexes . This results in one normal male (XY) and one female with Turner syndrome.
- VerbindungenFeatures Solange ein Herz schlägt (1945)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- My Life Without Me
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 400.948 $
- Eröffnungswochenende in den USA und in Kanada
- 40.515 $
- 28. Sept. 2003
- Weltweiter Bruttoertrag
- 9.781.854 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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