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Immortal

Originaltitel: Immortel (ad vitam)
  • 2004
  • 12
  • 1 Std. 43 Min.
IMDb-BEWERTUNG
5,9/10
22.162
IHRE BEWERTUNG
Immortal (2004)
Home Video Trailer from First Look
trailer wiedergeben2:19
1 Video
37 Fotos
CyberpunkDystopische Science-FictionDramaScience-FictionThriller

In ferner Zukunft wird die Erde von alten Göttern und genetisch veränderten Menschen besetzt. Wenn ein Gott zum Tode verurteilt wird, sucht er einen neuen menschlichen Wirt und eine Frau, di... Alles lesenIn ferner Zukunft wird die Erde von alten Göttern und genetisch veränderten Menschen besetzt. Wenn ein Gott zum Tode verurteilt wird, sucht er einen neuen menschlichen Wirt und eine Frau, die sein Kind zur Welt bringt.In ferner Zukunft wird die Erde von alten Göttern und genetisch veränderten Menschen besetzt. Wenn ein Gott zum Tode verurteilt wird, sucht er einen neuen menschlichen Wirt und eine Frau, die sein Kind zur Welt bringt.

  • Regie
    • Enki Bilal
  • Drehbuch
    • Enki Bilal
    • Serge Lehman
  • Hauptbesetzung
    • Linda Hardy
    • Thomas Kretschmann
    • Charlotte Rampling
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    22.162
    IHRE BEWERTUNG
    • Regie
      • Enki Bilal
    • Drehbuch
      • Enki Bilal
      • Serge Lehman
    • Hauptbesetzung
      • Linda Hardy
      • Thomas Kretschmann
      • Charlotte Rampling
    • 188Benutzerrezensionen
    • 68Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos1

    Immortal
    Trailer 2:19
    Immortal

    Fotos37

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 32
    Poster ansehen

    Topbesetzung63

    Ändern
    Linda Hardy
    Linda Hardy
    • Jill
    Thomas Kretschmann
    Thomas Kretschmann
    • Nikopol
    Charlotte Rampling
    Charlotte Rampling
    • Elma Turner
    Yann Collette
    • Froebe
    Frédéric Pierrot
    Frédéric Pierrot
    • John
    Thomas M. Pollard
    • Horus
    Joe Sheridan
    Joe Sheridan
    • Allgood
    Corinne Jaber
    • Lily Liang
    Olivier Achard
    • Checker
    Jerry Di Giacomo
    • Jack Turner
    Dominique Mahut
    • Hotel Receptionist
    Gary Cowan
    • Tycho Barman
    Augustin Legrand
    • Pusher…
    Javon Constantin
    • Eugenics' Little Boy
    Owen Steketee
    • Horus's Baby
    Joel Mitchell
    • Huxley
    • (as Joël Mitchell)
    Shush Tenin
    • Anubis
    Vanessa Hope
    • Bastet
    • Regie
      • Enki Bilal
    • Drehbuch
      • Enki Bilal
      • Serge Lehman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen188

    5,922.1K
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    Empfohlene Bewertungen

    abisio

    This not for kids and less for empty minded adults

    One of the most surprising and disappointing things I read on other peoples comments were the comparison with PIXAR and of course the quality of the computer generated images. It seems, that US public, values ART according the technical resources of the artist more than the spiritually of the work.

    Cinema is art. In USA, that art has become almost absolutely dependent on business. The main reason I am anxious for digital (not film) movies and projectors in every theatre; it is because I will be able to see real artist working not just moneymaking customer oriented factories. Productions will become less expensive, and everybody would be able to create and be judged for their work. In the mean time, luckily in Europe (mostly in France), there are still people interested in art and this movie had a go; something should never happened in USA. A brief description of the argument follows.

    HORUS (the god of the sky), about to be executed by his peers, is given 7 days to visit Earth for the last time. He spends his time searching for a particular woman he wants to impregnate. To do that he needs a human body to act as his vessel (or container). An accidentally escaped terrorist (or we can call it a rebel) becomes it. The woman herself is having mysterious body changes and a complete lost of past memories. A lot of small events and characters are involved in the whole situation.

    IMMORTEL (ad vitam) is a strange movie; full of religious and philosophical bits. Do not expect more explanations than these. The mystery is part of the movie poetry and is really up to you to understand or feel it. The answers (if any) are pretty hidden inside the movie.

    Technically, there are moments (not always but a good average) were the merge of human characters and digital images is credible. The BLADE RUNNER style background scenery is perfectly crafted. The few action scenes are OK but not spectacular; as this is not really an action movie you could accept that.

    Final advise; spend a couple of hours with this movie. It would not change your life, but it would make your brain work; and sometimes that is a lot.
    8billyfish

    The French need to make more films in English!

    This movie combines dreamlike landscapes, fascinating characters, a haunting soundtrack, and commanding performances by its three main human actors into a delight for the senses. I will go along with those who say the plot is a bit weak and spotty in places, but the film is still a masterpiece. I had never even heard of Nikopol, or didn't remember it anyway. I knew Enki Bilal was familiar, but had to go look it up to see where I knew the name. Turns out I had seen his stuff in Heavy Metal magazine back when it came out in the late 70s. Since I loved the art and stories of that mag, it didn't surprise me that I was drawn to this movie after stumbling upon it accidentally on sat TV. It has a bleak yet sublime futuristic look and feel to it that makes "Blade Runner" seem hum-drum. Linda Hardy is disturbed and disturbing, enigmatic and beautiful, and very, very sexy. Kretschmann is irreverent, witty, and funny. The graphics characters also have their own personalities and fit in wonderfully, I think. I agree with others who have remarked that the point here is art, not slavish duplication of reality. Both the "real" and the Eugenics-created Dayaks are masterfully done and equally creepy. Really a pleasure to watch.
    9Pulsewidth

    Baffled at the low ratings

    I usually just stick to voting or info-retrieving when I visit IMDb. But my amazement at the low rating that this movie received is making me type these words down. I'm not much of a sci-fi fan but this movie yesterday at the art-house theatre and loved it. Powerful and convincing main characters (I'm not acquainted with the comic book series which are supposed to be better) , great characters (nice to see Charlotte Rampling doing something different), thin story lines but you know what you want to see: Egyptians Gods excerting their will in the not so distant horrid future. Simply loved Horus. Didn't experience a dull moment. And thus: 9 out of 10, partly to counterbalance the low ratings.

    Go see it.
    9froboz

    Enjoyable all the way

    This is a very stylish and artistic movie, but it doesn't forget to tell a story. It is all done in bleak and washed out colors. It is a poetic movie; while the genre is science fiction, the author obviously could not care less for real science fiction. It's just design material, just as the piece of Egyptian mythology. The story line is straight, and has a style that is a mix between french and Japanese comics. It has the deadly epic seriousness of anime, and the designwork is both kitsch and awesome at the same time, as is customary for the french metal hurlant style. And, most refreshing, there is not a hint of Hollywood in this. So, sit back and let it flow.

    I give the movie nine out of ten, but I can't say I feel hungry for more. No, what I'd like to see on the screen is some real science fiction. Not Star Wars crap and not poetic artistry, but the real thing, a modern novel by the likes of Iain M. Banks or Greg Egan adapted for the screen. Sadly enough, sf for the movies is becoming something that is exploited for it's kitschy futuristic themes and it's design and action possibilities, rather than a way to express the true visions the bookshelves are actually overflowing with. But here's still hoping...
    8marsipan

    Artful, atmospheric and beautiful...

    Well, first of all this film is supposed to be a loose adaptation of the comics (almost more "inspired by"...). Second, I think that those who criticize the CGI graphics quality or even compare it to the horrific (!!) "Final Fantasy", are a bit besides the point.., While the Final Fantasy CGI graphics where technically amazing, the story (what story ?) was absolutely idiotic, and there was a total lack of poetry or atmosphere. Of course the CGI in "Immortals" could have been much better!... But the fact that you can make an accurate picture of a French landscape does not make it better than a Monet painting, does it ?... The use of computer imagery does not mean that everything has to be fully realistic... artful images are often created, as in painting, with a non photo-realistic depiction of reality. I think this concept worked well with this movie, creating a very moody atmosphere and adding weight to the story. Certainly "Immortals" is not a statement about creating photo-realistic computer graphics - it is simply art made with people and computers. That said, I agree that for those who are not familiar with the comics series this movie may not leave the same impression - I am biased by being a Bilal fan. However, I would recommend anyone with an interest in Science Fiction that goes a bit beyond point-and-shoot action and photo-realistic CGI to go and see this movie - they might enjoy it!...

    7/10

    Handlung

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    • Wissenswertes
      Was one of several films around the world that were the first to use an entirely "digital backlot" (i.e. the actors were all shot in front of blue- and green-screens with all the backgrounds added in post-production, a technique which has been used for TV, video and video game production for many years). Fans debate on which movie was shot first, but the other movies include: Sky Captain and the World of Tomorrow (2004), Casshern (2004), and Sin City (2005).
    • Patzer
      When Dr Turner is interviewing Jill for the first time, she glances at a digital readout of some of Jill's known vital statistics, which says that Jill's height is 4"8' (4 inches and 8 feet) and 15 lbs (6.8 kg).
    • Zitate

      Jill Bioskop: [Jill reciting in French the third stanza of Charles Baudelaire's poem "Le Poison," which she has just been reading from the book she holds entitled "Les Fleurs Du Mal" or Flowers of Evil] "Tout cela ne vaut pas le poison qui découle De tes yeux, de tes yeux verts, Lacs où mon âme tremble et se voit à l'envers... Mes songes viennent en foule Pour se désaltérer à ces gouffres amers." English translation: All that is not equal to the poison which flows from your eyes, from your green eyes, lakes where my soul trembles and sees its evil side. My dreams come in multitude to slake their thirst in those bitter gulfs.

      Nikopol: [Nikopol, who recites Baudelaire's poetry in other scenes of the movie, finishes Jill's recitation in English] But all that is not worth the prodigy of your saliva, Jill, that bites my soul, and dizzies it, and swirls it down, remorselessly, rolling it, fainting to the underworld.

    • Verbindungen
      Featured in Troldspejlet: Folge #34.9 (2006)
    • Soundtracks
      Beautiful Days
      Written by Marc A. Huygens - Venus

      Performed by Venus

      By Kind Permission of Emi Music France and Emi Music Publishing France

    Top-Auswahl

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    FAQ18

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    Details

    Ändern
    • Erscheinungsdatum
      • 26. Mai 2005 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Italien
      • Vereinigtes Königreich
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Immortal - New York 2095: Die Rückkehr der Götter
    • Produktionsfirmen
      • Téléma
      • TF1 Films Production
      • CiBy 2000
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 22.100.000 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 7.172.452 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 43 Min.(103 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • DTS
    • Seitenverhältnis
      • 1.85 : 1

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